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234 stories by "Catey Sullivan"

Review: The Mystery of Love and Sex (Writers Theatre) by Catey Sullivan

Director Marti Lyons deploys a deft hand with Bathsheba Doran's The Mystery of Love and Sex. She keeps the pacing taut and elegantly navigates the thin line between humor and pathos. What sh…

SOURCE: Chicago Theater Beat at 10:42pm on April 23, 2017[SHARE]

Review: Odysseo by Cavalia by Catey Sullivan

Make no mistake - Odysseo is breathtaking from start to finish. Starring 65 horses and 48 human aerialists, acrobats and riders, the tech-heavy production is a staggeringly beautiful and imp…

SOURCE: Chicago Theater Beat at 3:02am on April 23, 2017[SHARE]

Review: Born Yesterday (Remy Bumppo Theatre) by Catey Sullivan

After a rather uneventful first act, Born Yesterday picks up the steam of a runaway downhill freight train in the second act, powering through to a finale that feels downright prophetic. Pla…

SOURCE: Chicago Theater Beat at 8:36pm on April 15, 2017[SHARE]

Review: The Wiz (Kokandy Productions) by Catey Sullivan

Kokandy director Lili-Anne Brown takes a literal stance on The Wiz, billing it as an urbanization of L. Frank Baum's beloved tale, setting it in the amongst the graffiti-strewn Kansas Homes.…

SOURCE: Chicago Theater Beat at 8:24pm on April 14, 2017[SHARE]

Review: Beyond Caring (Lookingglass Theatre) by Catey Sullivan

It's been over a century since the publishing of Upton Sinclair's The Jungle, the seminal, muckraking expose of working conditions in Chicago's stockyards. Alexander Zeldin's Beyond Caring …

SOURCE: Chicago Theater Beat at 10:24pm on April 9, 2017[SHARE]

Review: Destiny of Desire (Goodman Theatre) by Catey Sullivan

With Goodman Theatre's Destiny of Desire, playwright Karen Zacarias might have invented a new theatrical genre. The unabashedly histrionic production is part Greek tragedy, part frantic sex …

SOURCE: Chicago Theater Beat at 9:06pm on April 8, 2017[SHARE]

Review: The Hard Problem (Court Theatre) by Catey Sullivan

Court Theatre's The Hard Problem, by Tom Stoppard, is sleek, smart and beguiling. Director Charles Newell's sharp and luminous cast keeps you engaged both intellectually and emotionally, eve…

SOURCE: Chicago Theater Beat at 8:31pm on April 1, 2017[SHARE]

Review: Circus 1903 (Broadway in Chicago) by Catey Sullivan

The real stars of Circus 1903 are not humans. The show's signature is its life-sized puppet elephants, created by designer Melvyn Millar. But while the elephants are wonderful, Circus 1903 h…

SOURCE: Chicago Theater Beat at 8:06pm on March 22, 2017[SHARE]

Review: Straight White Men (Steppenwolf Theatre) by Catey Sullivan

At 90 minutes, Steppenwolf's Straight White Men, written and directed by Young Jean Lee, zips by at the pace of an expertly timed sitcom, but plumbs depths worthy of a dissertation. By expos…

SOURCE: Chicago Theater Beat at 1:06am on March 20, 2017[SHARE]

Review: Urinetown (BoHo Theatre) by Catey Sullivan

Boho Theatre's budget may be small compared to the well-oiled musical theater machines found elsewhere in Chicago, but make no mistake, their production of Urinetown packs a mighty punch. Di…

SOURCE: Chicago Theater Beat at 2:54pm on March 19, 2017[SHARE]

Review: Love's Labor's Lost (Chicago Shakespeare, 2017) by Catey Sullivan

Director Marti Maraden does as well as anyone could with Love's Labor's Lost, a production that looks gorgeous on stage, but the script itself is lacking. If nothing else, the production wi…

SOURCE: Chicago Theater Beat at 8:54pm on March 17, 2017[SHARE]

Review: Sweeney Todd (Paramount Theatre) by Catey Sullivan

It's clear from Sweeney Todd's opening number that Director Jim Corti understands both the scope of the show, and how to make it work within the soaring spaces of the Paramount. Several bars…

SOURCE: Chicago Theater Beat at 2:36am on March 16, 2017[SHARE]

Review: Hedwig and the Angry Inch (Broadway in Chicago) by Catey Sullivan

For the national tour of John Cameron Mitchell's Hedway and the Angry Inch, the production has been gussied up and deeply commercialized. That it still works in terms of both potent storytel…

SOURCE: Chicago Theater Beat at 12:24am on March 14, 2017[SHARE]

Review: A Disappearing Number (TimeLine Theatre) by Catey Sullivan

Devised by the London-based Theatre de Complicite and conceived by Simon McBurney, A Disappearing Number is at once a mathematical mystery thriller, a romance, and a tragedy rooted in histor…

SOURCE: Chicago Theater Beat at 8:42pm on March 11, 2017[SHARE]

Review: The Scottsboro Boys (Porchlight Music Theatre) by Catey Sullivan

In Kander and Ebb's "The Scottsboro Boys," powerfully presented by Porchlight Music Theatre, the juxtaposition of the antic shenanigans and the tragic story they're telling creates the sense…

SOURCE: Chicago Theater Beat at 7:32pm on March 10, 2017[SHARE]

Review: A Wonder in My Soul (Victory Gardens Theater) by Catey Sullivan

There's an important, provocative and entertaining story buried within Marcus Gardley's A Wonder in My Soul. The world premiere drama is filled with joy, strength and fascinating characters.…

SOURCE: Chicago Theater Beat at 12:32am on March 3, 2017[SHARE]

Review: The Wolf at the End of the Block (Teatro Vista) by Catey Sullivan

Teatro Vista's world premiere by Ike Holter's never comes out and identifies just who the real wolf is, and that is to the play'scredit. It could be any of us. And that's what helps make The…

SOURCE: Chicago Theater Beat at 12:03am on February 27, 2017[SHARE]

Review: The Illusionists " Live from Broadway (Broadway in Chicago by Catey Sullivan

The Illusionists is terrific escapist entertainment. Each of the magicians showcased have their own gimmick, look and shtick. Over the course of two hours or so, they provide a range of illu…

SOURCE: Chicago Theater Beat at 12:24am on February 24, 2017[SHARE]

Review: The Nether (A Red Orchid Theatre) by Catey Sullivan

Director Karen Kessler has shaped a vividly realized world with Jennifer Haley's haunting, futuristic thriller The Nether. The production is at once an escape from the real, and a vivid comm…

SOURCE: Chicago Theater Beat at 3:36pm on February 23, 2017[SHARE]

Review: Captain Blood (First Folio Theatre) by Catey Sullivan

Swarthy pirates, saucy wenches and ridiculously coiffed villains - all-in-all there's much to applaud in Captain Blood. David Rice's adaptation of Rafael Sabatini's 1922 adventure novel is a…

SOURCE: Chicago Theater Beat at 12:48am on February 22, 2017[SHARE]

Review: Bootycandy (Windy City Playhouse) by Catey Sullivan

At times funny, at others disturbing and increasingly intriguing the deeper you get into the two-hour production, Windy City Playhouse's Bootycandy sneaks up on you, drawing you into the cha…

SOURCE: Chicago Theater Beat at 8:24pm on February 21, 2017[SHARE]

Review: Blues for an Alabama Sky (Court Theatre) by Catey Sullivan

Pearle Cleage's Blues for an Alabama Sky offers pretty much everything you could want in a drama - thrilling story, unforgettable character and mesmerizing dialogue. The emotional spectrum i…

SOURCE: Chicago Theater Beat at 9:18pm on January 31, 2017[SHARE]

Review: The Tall Girls (Shattered Globe Theatre) by Catey Sullivan

If you look hard enough, there are glimmers of potential buried in Meg Miroshnik's Depression-era drama of teenage girls trying to escape an oppressive world by teaming up to play basketball…

SOURCE: Chicago Theater Beat at 2:48pm on January 29, 2017[SHARE]

Review: Priscilla, Queen of the Desert (Pride Films and Plays) by Catey Sullivan

Priscilla, Queen of the Desert is an unapologetic campfest of fabulous drag-queen proportions, and an homage to 70's disco music. Though Honey West does a star turn in this produciton, Pris…

SOURCE: Chicago Theater Beat at 4:12pm on January 26, 2017[SHARE]

Review: Winter (Rivendell Theatre) by Catey Sullivan

Winter is coming - we all reach the point where there is far more behind us than ahead. Rivendell Theatre's Winter, by Julie Jensen, exploring one woman's personal winter as she comes to gri…

SOURCE: Chicago Theater Beat at 5:54pm on January 23, 2017[SHARE]
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