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626 stories by "Celia Wren"

'The Full Monty' at the Keegan Theatre comes across a little rusty by Celia Wren

Splotches of brown mottle metallic girders on the set of "The Full Monty," the latest offering from the Keegan Theatre. The allusion to rust is apt enough: David Yazbek and Terrence McNally'…

SOURCE: Washington Post at 2:17pm on May 21, 2013

Theater review: 'Club de Caballeros' is a witty meditation on love and friendship by Celia Wren

You have to hand it to the characters in "Club de Caballeros (Rotos de Amor)/Gentlemen's Club (Love Torn)": Their romantic lives may be in free fall, but they don't sit around moping. Instea…

SOURCE: Washington Post at 1:01pm on May 21, 2013

'Gilgamesh': Constellation Theatre Company vividly dramatizes the mystical epic by Celia Wren

They may have the oldest bromance in recorded history, and you can watch them spar with a supernatural bull in Constellation Theatre Company's bold and colorful, if somewhat over-solemn, "Gi…

SOURCE: Washington Post at 10:59am on May 14, 2013

Physical one-acts '2-2 Tango' and 'Skin Tight' share Studio 2ndStage bill by Celia Wren

You have to maneuver artfully when you embark on a love affair. That truth sashays into the open with dashing verve and cynicism in the Studio 2ndStage production of "2-2 Tango," a short pla…

SOURCE: Washington Post at 12:01pm on May 1, 2013

Imagination Stage bestows a truly 'Magic' touch by Celia Wren

It can be disconcerting to have a sense of justice. No one knows this better than Lucy, the heroine of the children's play "The Magic Finger," now in a world-premiere run at Imagination Stag…

SOURCE: Washington Post at 7:48pm on April 25, 2013

'DC-7: The Roberto Clemente Story' at GALA Hispanic Theatre by Celia Wren

Choreographer Luis Salgado knows how Roberto Clemente felt about baseball. This fact reveals itself about 15 minutes into "DC-7: The Roberto Clemente Story," the reverent, clunky bio-musical…

SOURCE: Washington Post at 8:03pm on April 24, 2013

'The Lady Becomes Him' at Faction of Fools: A frenetic tale of love and mistaken identity by Celia Wren

You can say this for the lovers and servants in "The Lady Becomes Him," Faction of Fools Theatre Company's exhaustingly antic farce: They are one up on Frodo Baggins. That determined hobbit …

SOURCE: Washington Post at 9:13pm on April 22, 2013

James and Giant Peach groove on the '60s by Celia Wren

Brave, ingenious James Henry Trotter " of "James and the Giant Peach" fame " is larking it up with Mick Jagger, Diana Rigg and the members of Monty Python's Flying Circus. Okay, that is not …

SOURCE: Washington Post at 7:41pm on April 16, 2013

Taffety Punk stages a Russian theatrical concept album in 'Oxygen' by Celia Wren

Oxygen is a substance that feeds fire, so it seems apt that "Oxygen," Taffety Punk Theatre Company's theatrical concept album, should boast an intensity that smolders. For 70 relentless minu…

SOURCE: Washington Post at 6:43pm on April 10, 2013

Lauren Yee's 'A Man, His Wife, and His Hat' is bold and funny, but occasionally flawed by Celia Wren

The Cheetos-eating Golem is not the quirkiest character in "A Man, His Wife, and His Hat," the audaciously kooky play by Lauren Yee: That honor goes to the exuberantly self-satisfied talking…

SOURCE: Washington Post at 11:45am on April 9, 2013

Theater review: 'Vanitas' by Celia Wren

The metronome is getting its moment in the spotlight, and that's not such a good thing for Happenstance Theater, the company that put it there. In "Vanitas," the latest original work from t…

SOURCE: Washington Post at 6:26pm on April 3, 2013

Roald Dahl's tales live on on stage by Celia Wren

A peach that swells to the size of a house. Hunters who grow wings and fly, like the ducks they've been shooting. A teacher who flings small children out of the window. Sounds like delirium?…

SOURCE: Washington Post at 2:49pm on March 29, 2013

'Jason Invisible': Conversation starter on mental illness at the Kennedy Center by Celia Wren

The average whoosh doesn't get much respect. The whooshing sound of a washing machine in motion " that's banal. A just-cleaned dish towel whooshing onto the floor " that's annoying. And who …

SOURCE: Washington Post at 6:17pm on March 25, 2013

'Three Little Birds' is a color-filled delight for kids with Bob Marley tunes for everyone by Celia Wren

No, Glen Echo Park has not turned achromatic. If it seems that way, it's because of the exuberant colors in "Three Little Birds," the children's reggae musical in a world premiere run at Adv…

SOURCE: Washington Post at 11:42am on March 22, 2013

In Keegan's 'Behanding in Spokane,' the twisted turns tedious by Celia Wren

If Travel + Leisure magazine were to run a feature on the most gruesome lodgings in America, the hotel room in Martin McDonagh's "A Behanding in Spokane" would surely top the list. Maybe not…

SOURCE: Washington Post at 8:56pm on March 20, 2013

At Kennedy Center, 'Bird in Magic Rain with Tears' is intriguingly enigmatic by Celia Wren

Death. Cameras. The misdeeds of a shadowy Norwegian shipping magnate. These areas of interest unite three damaged characters in the intriguingly enigmatic production "Bird in Magic Rain with…

SOURCE: Washington Post at 3:12pm on February 21, 2013

Teatro de la Luna performs 'Sexo, Pudor y Lagrimas (Sex, Shame and Tears)' by Celia Wren

Would that all houseguests provided as much entertainment value as Tomas, a character in Mexican playwright Antonio Serrano's "Sexo, Pudor y Lagrimas (Sex, Shame and Tears)." As amusingly c…

SOURCE: Washington Post at 12:24pm on February 20, 2013

'9 Circles' offers a thoughtful but unemotional descent into cruelty of war by Celia Wren

The title of Bill Cain's drama, "9 Circles," alludes to the concentric regions of torment described in Dante's "Inferno." But given the emotional workout actor Julian Elijah Martinez appears…

SOURCE: Washington Post at 12:37pm on February 18, 2013

No Title by Celia Wren

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SOURCE: Washington Post at 3:12pm on February 12, 2013

'Grand Parade' can't keep up the pace by Celia Wren

An exhilarating sequence opens "The Grand Parade (of the 20th Century)," the flawed, if sometimes brilliant, ensemble-created work by the Massachusetts-based Double Edge Theatre. Now in a wo…

SOURCE: Washington Post at 5:53pm on February 7, 2013

1st Stage's 'Italian American Reconciliation' runs a bit thin by Celia Wren

The characters in John Patrick Shanley's "Italian American Reconciliation" appreciate the minestrone at their local diner. Watching them relish their soup in the version of the play now at N…

SOURCE: Washington Post at 5:41pm on February 6, 2013

Spooky Action Theater's 'Kafka on the Shore' suffers from uneven acting by Celia Wren

"This is starting to feel like an Indiana Jones movie or something!" a character exclaims in Spooky Action Theater's "Kafka on the Shore." There is, certainly, a swashbuckling adventure elem…

SOURCE: Washington Post at 2:55pm on February 6, 2013

A 'Hat' full of sarcasm, profanity and romance by Celia Wren

Don't be deceived by that expletive basking in the title, or by the profanity-riddled sarcasm and bluster that is the characters' default communication mode: There's an element of romance in…

SOURCE: Washington Post at 8:12pm on February 4, 2013

Theater review: The Washington Stage Guild's 'Tryst' by Celia Wren

The empty picture frames that hover in the background of the Washington Stage Guild's "Tryst" seem ever more apt as this suspense drama unspools. For starters, George Love, the con man chara…

SOURCE: Washington Post at 5:48pm on January 8, 2013

'Les Miserables' at National Theatre is competent version with commercial feel by Celia Wren

Somewhere, a savvy media mogul is surely planning a "Les Miserables" theme park, complete with a Sewers of Paris log-flume ride; a "Look Down! Look Down!" parachute drop; and a "Master of th…

SOURCE: Washington Post at 11:46am on December 19, 2012
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