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599 stories by "Clare Brennan"

Clockwork " review by Clare Brennan

Macrobert, StirlingScottish Opera and Visible Fictions' adaptation of Philip Pullman's children's story is as cleverly contrived as an intricate mechanism of meshing cogs " and about as cudd…

SOURCE: The Guardian at 7:06pm on May 28, 2011

Secret Thoughts " review by Clare Brennan

Octagon, Bolton"David Lodge yokes together two warhorses, the campus novel and the novel of adultery, and uses them to pull an old debate " the rival claims of science and art " to tell the …

SOURCE: The Guardian at 7:04pm on May 21, 2011

Macbeth " review by Clare Brennan

Everyman, LiverpoolTwo fissures in the broken-tiled concrete floor are filled with a foul-looking liquid, bubbling gloopily. A drifting smoke, from no seen source, hazes the air. Francis O'C…

SOURCE: The Guardian at 7:05pm on May 14, 2011

Vagabonding " review by Clare Brennan

Bardsea Malt Kiln, Cumbria"Augmenters of anecdotes" " if any there be who read this page " beware of calling on your mother for corroboration of exaggeration. Gary Bridgens, one of a pair of…

SOURCE: The Guardian at 7:33am on May 8, 2011

5@50 " review by Clare Brennan

Royal Exchange, ManchesterBrad Fraser's new play, commissioned by the Royal Exchange, seems as if what it really wants to be is an issue-based TV miniseries dealing with addiction among a gr…

SOURCE: The Guardian at 7:05pm on April 23, 2011

Uncle Vanya " review by Clare Brennan

Belgrade theatre, CoventryIf this production had a meter attached marked at one end "sublime" and at the other "ridiculous", its needle would lunge between the extremes, barely registering m…

SOURCE: The Guardian at 7:03pm on April 23, 2011

Why distinguish between 'cast' and 'creatives' in theatre productions? by Clare Brennan

The way theatre programmes segregate actors from the creative process undersells their contributionWhen did theatre companies start to use the headings "cast" and "creative team" in their pr…

SOURCE: The Guardian at 7:28am on March 21, 2011

Yerma " review by Clare Brennan

West Yorkshire Playhouse, LeedsAcross the back of the stage stretches a cyclorama, drenched in the hues of a changing sky (Paul Keogan's lighting). In front is suspended an enormous disc, ti…

SOURCE: The Guardian at 8:05pm on March 19, 2011

Girl X " review by Clare Brennan

Traverse, Edinburgh, and touringOn to a towering set is projected an online exchange between a mother and her son. The mother has no idea how a computer "conversation" works. The son has to …

SOURCE: The Guardian at 7:05pm on March 12, 2011

Hamlet " review by Clare Brennan

New Vic, Newcastle-under-Lyme, and touringConrad Nelson's production for Northern Broadsides is a white-knuckle ride but, if you can keep your grip, it is as physically and spiritually exhil…

SOURCE: The Guardian at 7:05pm on March 12, 2011

Is British theatre more highly prized abroad than at home? by Clare Brennan

UK dramatists are hugely popular overseas, where their work enjoys an exposure and longevity often denied it domesticallyFlying out to Slovenia for a new production of Simon Stephens's 2008 …

SOURCE: The Guardian at 7:40am on March 10, 2011

Racing Demon " review by Clare Brennan

Crucible theatre, SheffieldDavid Hare's 1990 play about the state of the Church of England seems like a cross between the 1960s TV comedy All Gas and Gaiters (featuring Derek Nimmo as a st…

SOURCE: The Guardian at 7:05pm on February 26, 2011

The Deep Blue Sea " review by Clare Brennan

West Yorkshire Playhouse, LeedsIn the USSR of the 1950s, playwrights, like other artists, had to conform to Stalin's notions of socialist realism; in 1950s UK, it was the West End, "Aunt Edn…

SOURCE: The Guardian at 7:04pm on February 26, 2011

To Kill a Mockingbird " review by Clare Brennan

York Theatre Royal, and touringHarper Lee's 1960 story of a young girl's growing understanding of the dark complexities of human nature is one of the most powerfully compassionate novels ev…

SOURCE: The Guardian at 7:04pm on February 19, 2011

Romeo and Juliet " review by Clare Brennan

Octagon theatre, BoltonAs packed with paradox as Shakespeare's play itself, this production is heart-stoppingly poetic yet jarringly mundane. The audience is arranged, as if in an arena, aro…

SOURCE: The Guardian at 7:04pm on February 12, 2011

Mogadishu; Winterlong | review by Clare Brennan

Royal Exchange, Manchester"So why," I asked, "does your municipal theatre [Münster, Germany, population approx 280,000] get as much subsidy as our RSC?" The technical director of the German…

SOURCE: The Guardian at 7:04pm on February 5, 2011

Me and My Girl " review by Clare Brennan

Crucible theatre, SheffieldAs the train pulled out of Sheffield, the couple on the other side of the table declared this was best Me and My Girl they had ever seen " and they had seen a few.…

SOURCE: The Guardian at 7:06pm on December 18, 2010

No Wise Men " review by Clare Brennan

Liverpool PlayhouseIn front of a battered brick wall covered with remnants of things that once were " doors, windows, peeling remnants of adverts for safety matches " floats, or seems to flo…

SOURCE: The Guardian at 7:04pm on December 18, 2010

The Weather Factory " theatre review by Clare Brennan

National Theatre Wales, PenygroesThe Weather Factory is not a factory but a three-storey house. A fixed-price ticket (£20/£15) permits between one and six people to visit for a fixed p…

SOURCE: The Guardian at 7:05pm on December 11, 2010

David Copperfield " review by Clare Brennan

Octagon, BoltonBuilding on the success of last year's Oliver Twist, Deborah McAndrew again teams up with composer Conrad Nelson to adapt one of Charles Dickens's sprawling novels. Their care…

SOURCE: The Guardian at 7:04pm on December 11, 2010

When We Lived in Uncle's Hat " review by Clare Brennan

York Theatre RoyalTutti frutti, the Leeds-based children's touring company, teams up with Theatre Royal in this spirited adaptation of the picture book (Jutta Bauer's drawings, Peter Stamm's…

SOURCE: The Guardian at 7:04pm on December 4, 2010

The Hunt for the Scroobious Pip " review by Clare Brennan

Stephen Joseph theatre, ScarboroughWhite lines trace two shapes at head height on blackboards to either side of the stage: mushrooms? muffins? A Jumbly boy and girl ("Their heads are green a…

SOURCE: The Guardian at 7:02pm on December 4, 2010

The Bacchae by Euripides " review by Clare Brennan

Royal Exchange theatre, ManchesterOn to a sand-coloured floor, browned at the perimeter as if scorched by newly dead fires, strides the god Dionysus (divinely embodied by Jotham Annan, in fl…

SOURCE: The Guardian at 7:07pm on November 27, 2010

Inheritance " review by Clare Brennan

Live theatre, NewcastleRemember Look and Learn, the children's comic that aimed to educate as it entertained? It's been on my mind a lot in the past few weeks, watching plays where character…

SOURCE: The Guardian at 7:04pm on November 20, 2010
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