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195 stories by "Cogency"

36 Views, an Asian art mystery by Cogency

36 Views, a play by Naomi Iizuka. Lantern Theater Company, Philadelphia.   We are being seduced, all of us, in the audience and on the stage. You feel it from the first meeting of two o…

SOURCE: theculturalcritic.com at 10:59am on June 29, 2016

Freedom Theater's long road by Cogency

At Philadelphia's Freedom Theater in 2004, Walter Dallas directed a musical about Jesus reviving the dead, Lazarus Unstoned. It was an exciting, compelling production. But soon afterwards, t…

SOURCE: theculturalcritic.com at 11:02am on June 16, 2016

Jamaica returns after a troubled past by Cogency

The 1957 musical Jamaica is being revived at Freedom Theater in Philadelphia in June of 2016. It's pleasant nostalgia to think of Jamaica as an example of golden-age Broadway. But that show'…

SOURCE: theculturalcritic.com at 3:39pm on June 15, 2016

The Invisible Hand of greed in the Middle East by Cogency

The Invisible Hand, by Ayad Akhtar. Matthew Pfeiffer directed. Theatre Exile, Philadelphia.   If you were to judge by comments on the web and by advertising, you'd think that Ayad Akhta…

SOURCE: theculturalcritic.com at 3:05pm on June 2, 2016

Fully Committed, in two towns by Cogency

  Fully Committed, by Becky Mode. Lyceum Theatre in New York City; Theatre Horizon in Norristown PA.   Michael Doherty is no Jesse Tyler Ferguson; he's even better. It's no secret …

SOURCE: theculturalcritic.com at 12:39pm on May 22, 2016

Tuck Everlasting, and a tough choice by Cogency

Tuck Everlasting. Music by Chris Miller, lyrics by Nathan Tysen, book by Claudia Shear and Tim Federle. Broadhurst Theatre, New York.   If you could choose to live forever, would you? T…

SOURCE: theculturalcritic.com at 4:14pm on May 20, 2016

Kiss Me Kate on an intimate stage by Cogency

Kiss Me Kate by Cole Porter with Bella and Sam Spewack. Act II Playhouse, 2016.   Strictly speaking, a house this small would not be ideal for a blockbuster from Broadway's golden age. …

SOURCE: theculturalcritic.com at 1:26pm on May 20, 2016

See What I Wanna See, and manufacture your own truth by Cogency

See What I Wanna See. Words and music by Michael John LaChiusa. 11th Hour Theatre Company, 2016   Michael John LaChiusa could have been thinking of the 2016 presidential campaign when h…

SOURCE: theculturalcritic.com at 12:08pm on May 13, 2016

Explorers Club: a wacky farce by Cogency

The Explorers Club, by Nell Benjamin. Delaware Theater Company, 2016.   The Explorers Club provides zany fun. The idea was rooted in an examination of British colonialism and sexism in …

SOURCE: theculturalcritic.com at 5:17am on May 10, 2016

Sex With Strangers isn't so great by Cogency

Sex With Strangers by Laura Eason. David Saint directed. George Street Playhouse and Philadelphia Theater Company, 2016.   There are some provocative developments in Sex With Strange…

SOURCE: theculturalcritic.com at 3:02pm on May 7, 2016

Machinal, a superb example of Expressionism by Cogency

Machinal, by Sophie Treadwell. Brenna Geffers directed for EgoPo Classic Theater, 2016   Once again, the EgoPo theater company has brought life to a neglected play. Machinal opened on B…

SOURCE: theculturalcritic.com at 5:48pm on May 6, 2016

Gloria Estefan's story comes to Broadway by Cogency

On Your Feet! Music by Gloria Estefan, book by Alexander Dinelaris. Marquis Theatre, New York   Gloria Estefan became the most successful cross-over act when she brought Latin music, pa…

SOURCE: theculturalcritic.com at 8:50am on May 1, 2016

Driving Miss Daisy & its history by Cogency

Driving Miss Daisy by Alfred Uhry. James J. Christy directed. Act II Playhouse, 2016.   Driving Miss Daisy is based on the actual family history of the playwright, Alfred Uhry. This pro…

SOURCE: theculturalcritic.com at 5:19pm on April 28, 2016

Beautiful: the Carole King musical by Cogency

A ticket-buyer might justifiably wonder why go to see someone imitate Carole King when you can sit at home and listen to King herself on CDs and see her on videos. Beautiful, however, offers…

SOURCE: theculturalcritic.com at 6:28pm on March 26, 2016

The Sound of Music back on stage by Cogency

The Sound of Music. Music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by Howard Lindsay and Russell Crouse. Jack O'Brien directs a new national tour. * The final collaboration o…

SOURCE: theculturalcritic.com at 2:02pm on March 19, 2016

Disaster! the musical by Cogency

Disaster! A Musical. By Seth Rudetsky & Jack Plotnick. Nederlander Theater, New York. * Seth Rudetsky has become well-known as the Broadway channel host on Sirius XM and a Playbill colum…

SOURCE: theculturalcritic.com at 3:52pm on March 8, 2016

The Women: a serious critique by Cogency

The Women. By Clare Boothe Luce. Lane Savadove directed. EgoPo Classic Theater.   Clare Boothe Luce's groundbreaking 1936 all-female play called attention to the obstacles women faced. …

SOURCE: theculturalcritic.com at 11:00am on March 6, 2016

Lobby Hero"or snitch? by Cogency

Lobby Hero by Kenneth Lonergan. Directed by Matthew Decker. Through March 13, 2016 at Theatre Horizon, Norristown, PA   This play poses a provocative dilemma: To what extent may you lie…

SOURCE: theculturalcritic.com at 12:26pm on February 28, 2016

Exit Strategy for a condemned school by Cogency

Exit Strategy. By Ike Holter; Kip Fagan directed. Philadelphia Theatre Company production in association with Primary Stages of New York, 2016 * Exit Strategy tackles a difficult problem wit…

SOURCE: theculturalcritic.com at 11:27am on February 9, 2016

Funnyman: a comic's sad life by Cogency

Funnyman. By Bruce Graham. Arden Theatre premiere production, directed by Matt Pfeiffer.   Funnyman is a serious play about a comic, not a comical play. The experienced playwright (and …

SOURCE: theculturalcritic.com at 12:28pm on January 28, 2016
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