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384 stories by "Daniel Perks"

Review: I Call My Brothers, Gate Theatre by Daniel Perks

Sadeysa Greenaway-Bailey's set is a brilliant white, harsh, flickering, fluorescent lighting occupied by glass cages and nowhere to hide. It resembles an otherworldly waiting room cum detent…

SOURCE: A Younger Theatre at 4:48pm on November 15, 2016[SHARE]

Review: Quint-Essential, Sadler's Wells by Daniel Perks

Despite its title, Quint-Essential is not a traditional set of ballet performances " the New English Ballet Theatre seeks to bring upcoming dancers and choreographers together and explore th…

SOURCE: A Younger Theatre at 7:18am on November 12, 2016[SHARE]

Review: Les Contes D'Hoffmann, The Royal Opera House by Daniel Perks

John Schlesinger's production of Les Contes D'Hoffmann has achieved 173 performances at the Royal Opera House alone, even before counting this final revival by Daniel Dooner. The story of di…

SOURCE: A Younger Theatre at 2:02pm on November 8, 2016[SHARE]

Review: One Night in Miami, Donmar Warehouse by Daniel Perks

Four of the most influential black American men in popular culture assemble in a single, drab motel room on the eve of a world about to irreversibly change forever. Whether fictional or not,…

SOURCE: A Younger Theatre at 9:58am on October 17, 2016[SHARE]

Review: The Slave, Tristan Bates Theatre by Daniel Perks

Walker Vessels (Stanley J Browne) opens The Slave with a monologue that demonstrates timeless wisdom " a sage delivery written in a rhythmic verse bearing resemblance to many Shakespearea…

SOURCE: A Younger Theatre at 3:07am on October 14, 2016[SHARE]

Review: Dinner at the Twits, The Vaults Waterloo by Daniel Perks

2016 marks the 100-year anniversary of Roald Dahl's birth. A writer with spirit, humanity and guts, his books have become a childhood staple for generations of youngsters looking to escape t…

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016[SHARE]

Review: Fall Out, Blue Elephant Theatre by Daniel Perks

Despite children learning it from a young age, tap has never quite had the platform as a style of dance that ballet has managed to achieve. It lacks the perceived grace and style of its big …

SOURCE: A Younger Theatre at 2:13am on July 18, 2016[SHARE]

Review: Titus Andronicus, The Rose Playhouse by Daniel Perks

Shakespeare400 has seen a breadth of work come to London in honour of the great Bard's death; from churchyards to leading theatres, actors young and old have paid their tributes to the pleth…

SOURCE: A Younger Theatre at 5:07pm on July 10, 2016[SHARE]

Review: British, The London Theatre by Daniel Perks

Immigration, patriotism and national pride are all supposedly under threat with the impending vote on the EU Referendum. Many of those campaigning for 'Brexit' preach that immigration has ca…

SOURCE: A Younger Theatre at 4:50pm on June 15, 2016[SHARE]

Brighton Fringe Review: Code of Conduct, Sweet Waterfront by Daniel Perks

A warm orange spotlight is all that illuminates the actors as they sit upstage. A low, constant background hum from the live guitar is present from the start. Plucked strings, slides and per…

SOURCE: A Younger Theatre at 5:30pm on May 31, 2016[SHARE]

Brighton Fringe Review: Les Femmes Circus, Brighton Spiegeltent by Daniel Perks

In true 1950s style, the ladies in Les Femmes Circus come onto stage in polka-dot dresses, pinnies and red lipstick. Feather dusters in hand ready to clean, cook and perform their housewifel…

SOURCE: A Younger Theatre at 5:30pm on May 31, 2016[SHARE]

Brighton Fringe Review: 1 in 3, Sweet Waterfront by Daniel Perks

It's just nature; it's just biology; yet it affects so many lives " 1 in 3, in fact. Jeff (David Keogh) and Jasmine (Alice Merivale) are two such individuals. They sit together sharing a roo…

SOURCE: A Younger Theatre at 6:56pm on May 26, 2016[SHARE]

Brighton Fringe Review: Gods Are Fallen and All Safety Gone, Brighton Spiegeltent by Daniel Perks

Selma Dimitrijevic's decision to cast male actors in female roles is certainly a bold decision. It's not original, of course: Shakespearean female characters have been played by men for hund…

SOURCE: A Younger Theatre at 8:02pm on May 18, 2016[SHARE]

Brighton Fringe Review: The Half Life of Love, Rialto Theatre by Daniel Perks

The Half Life of Love conjures up images of a radioactive passion and a yearning that poisons the victim long after the initial source has vanished. Gail Louw's play has much in common with …

SOURCE: A Younger Theatre at 5:55pm on May 18, 2016[SHARE]

Brighton Fringe Review: Thorn, Sweet Dukebox by Daniel Perks

Paul (Thom Jordan) is a shy, unassuming young man with a story to tell; an injustice to put right. He stands on his soapbox and all but preaches to a congregation. Trust in God. Put your fai…

SOURCE: A Younger Theatre at 5:55pm on May 18, 2016[SHARE]

Review: Wishbone, The Yard Theatre by Daniel Perks

Four women gently sway in synchronised formation. Fledglings all, they slowly test their bodies' capability for movement, voice and comprehension. Gradually, under Laura Burns' instruction, …

SOURCE: A Younger Theatre at 2:08pm on May 15, 2016[SHARE]

Bright Fringe Review: Distortion, Sweet Waterfront by Daniel Perks

A play with real potential, Distortion could benefit from being a longer production. Being able to make its points in only 30-40 minutes is impressive, but doesn't leave enough time to satis…

SOURCE: A Younger Theatre at 4:31pm on May 10, 2016[SHARE]

Review: Playground, The London Theatre by Daniel Perks

In a school playground, it isn't always instantly obvious if children come from a variety of different backgrounds. Social class, cultural heritage, family situations are (in theory) all lef…

SOURCE: A Younger Theatre at 5:05pm on May 3, 2016[SHARE]

Review: Schism, Finborough Theatre by Daniel Perks

In twenty years the relationship between Katherine (Athena Stevens) and Harrison (Tim Beckmann) is planned, realised and eventually demolished. Not unlike the buildings that Harrison has alw…

SOURCE: A Younger Theatre at 5:13pm on May 1, 2016[SHARE]

Review: The Chairs, Stratford Circus by Daniel Perks

A dishevelled set; a plethora of chairs; an assortment of knick-knacks " Andrea Carr's set certainly creates a dystopian impression. In this underwater submarine live an old couple (Tim Gebb…

SOURCE: A Younger Theatre at 5:13pm on May 1, 2016[SHARE]

Review: My Story, My Music, My Monologue, St Saviour's Church by Daniel Perks

There is a unique beauty in reading a script or watching a production and realising that the events that unfold can be attributed to a personal experience. Perhaps a scene seems as though it…

SOURCE: A Younger Theatre at 7:32pm on April 23, 2016[SHARE]

Review: Your Ever Loving, Theatre N16 by Daniel Perks

Despite being wrongfully convicted of the Guildford pub bombings in 1974, Paul Hill and the 'Guildford Four' spent over 15 years in prison. Martin McNamara's script, based upon letters that …

SOURCE: A Younger Theatre at 4:39pm on April 19, 2016[SHARE]

Review: To Kill A Machine, King's Head Theatre by Daniel Perks

On a black and white island sits Alan Turing (Gwydion Rhys), head in hands. Betray (Rick Yale), Friend (Francois Pandolfo) and Interrogator (Robert Harper) circle around him like sharks that…

SOURCE: A Younger Theatre at 6:56pm on April 10, 2016[SHARE]

Review: Russian Dolls, King's Head Theatre by Daniel Perks

Kate Lock's new play Russian Dolls is definitely full of pluck and gall " as a look at modern day, working class, council flat Britain, it certainly captures the zeitgeist of its period and,…

SOURCE: A Younger Theatre at 5:55pm on April 10, 2016[SHARE]

Review: Idiots, Soho Theatre by Daniel Perks

According to writers/directors Will Cowell and Jonnie Bayfield, the waiting room for the afterlife looks a lot like a Victorian study, complete with dark wooden bookcases and old-fashioned f…

SOURCE: A Younger Theatre at 10:53am on April 3, 2016[SHARE]
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