INTERVIEW: Spotlight On… Festival 47's Fall Of Duty
Next up in our Spotlight feature is Fall Of Duty, which plays Festival 47 from 15 July 2017 at 17:00. I caught up with writer and actor Alison Child.
Next up in our Spotlight feature is Fall Of Duty, which plays Festival 47 from 15 July 2017 at 17:00. I caught up with writer and actor Alison Child.
Next up in our Spotlight feature is Fridge, which plays Festival 47 from 15 July 2017 at 15:30. I caught up with writer and actor Emma Zadow.
Next up in our Spotlight feature is By All Accounts Two Normal Girls, which plays Festival 47 from 15 July 2017 at 14:00. I caught up with production company Stiff and Kitsch.
Next up in our Spotlight feature is Bury the Hatchet, which plays Festival 47 from 13 July 2017 at 21:30. I caught up with producer Joseph Cullen.
A story about transsexuality, self-identity and sacrifice. Witty and gut-wrenching, stylised and simple. Can a single production encompass all these things and leave an audience wanting more…
Next up in our Spotlight feature is Bicycles and Fish, which plays Festival 47 from 13 July 2017 at 18:30. I caught up with writer, director and actor Katie Arnstein.
Next in our Spotlight feature is Britney in: John, which plays Festival 47 from 12 July 2017 at 20:00. I caught up with writer and actor Ellen Robertson.
The ending to an 80-minute long, one-man musical, in which all elements seem stacked against it, epitomises the journey that both solo performer Charlie Bradley (Michael Rouse) and audience …
Next up in our Spotlight feature is Bridle, which plays Festival 47 from 11 July 2017 at 21:30. I caught up with writer and actor Stephanie Martin.
Next up in our Spotlight feature is Wet Bread, which plays Festival 47 from 10 July 2017 at 20:00. I caught up with director Tom Latter.
First up in our Spotlight feature is Body and Blood, which opens Festival 47 from 10 July 2017 at 18:30. I caught up with writer Lorraine Mullaney.
Given the current offering at The Globe as part of the Summer of Love season, Emma Rice's seminal work for Kneehigh fits right in " it almost feels as though the programme was concocted to s…
Each critic will see a minimum of 15 performances within their specialist area, and their responses may include traditional written reviews, blogs, vlogs, podcasts, tweets and visual respons…
Utilising the concept of journey to inform both her form and content (personal and metaphysical), Frankland creates a cyclical style that moves in chapters (or rituals); first Salt, then Ear…
I spoke with writer Patrick Cash and director Peter Darney about their experiences with the King's Head in the past, their hopes for the show in the future and their excitement at being a pa…
This is Heartbreak Hotel filled with 'The Unloved' in hoodies. This channels Monty Python, but without making fun of the French. This is a fusion of Renaissance instrumentation with soaring …
Danny (Gareth O'Connor) gets in to fights and drinks beer in dingy American bars. He's quick to anger, but lacks punch in his simmering delivery. The first half of Danny and the Deep Blue Se…
David Fairs flips comedy into tragedy with apparent ease " the fluidity of the text belies the time and effort taken to rework a Shakespearean script and give it a whole new angle. Puritans …
A stonemason or a delivery boy; a cocktail waitress or a trucker. Whether they be a housewife or factory worker or retiree, the ordinary man is often overlooked. Working is a musical for the…
When it comes down to it, children are pretty shit at most stuff. As adults, especially as relatives, we sit through their talent shows, their sports games or their music recitals as they sc…
Music spans generations, connects people through a love of the melody and the beat. It brings The Boy (Aaron Price) and The Girl (Rubie Ozanne) together in LOOP, Alexander Knott's newly writ…
Shovel, tip, repeat. The monotony on Robben Island continues, a worthless activity that Winston (Edward Dede) and John (Mark Springer) carry out simply because they looked the wrong way at a…
Set on death row in America, Pharmacy Theatre adapts Rene Denfeld's novel The Enchanted for the stage. Exploring the nature of 'evil, punishment, clemency and redemption', the creative team …
Danny (Gareth O'Connor) gets in to fights and drinks beer in dingy American bars. He's quick to anger, but lacks punch in his simmering delivery. The first half of Danny and the Deep Blue Se…
A pushy, mollycoddling mother and an intelligent, emotionally involved prostitute make for quite the female influences in Jack's (Christopher Adams) life. One is determined for him to lose h…