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244 stories by "Dave Fargnoli"

The Unbuilt City review at King's Head Theatre, London " 'earnest and unsubtle' by Dave Fargnoli

Ironically for a play about unrealised potential, The Unbuilt City never really gets off the ground. Written by New York native Keith

SOURCE: The Stage Registration at 12:42pm on June 11, 2018[SHARE]

Phobiarama review at West Handyside Canopy, King's Cross, London " 'strikingly unusual performance piece' by Dave Fargnoli

Part-ghost train, part-art installation, Phobiarama is a strikingly unusual performance piece which sees its audience trundling around a sterile white environment in

SOURCE: The Stage Registration at 6:20am on June 8, 2018[SHARE]

Europe After the Rain review at Mercury Theatre, Colchester " 'a highly promising debut' by Dave Fargnoli

Winner of the 2017 Mercury Playwriting Prize, Europe After the Rain is the first full length play from author Oliver Bennett, a

SOURCE: The Stage Registration at 9:35am on June 1, 2018[SHARE]

One Minute review at the Barn Theatre, Cirencester " 'a slick revival' by Dave Fargnoli

Reviving prolific playwright Simon Stephens' flawed, elegiac 2003 drama One Minute in the age of social media, Iwan Lewis' stylish but insubstantial

SOURCE: The Stage Registration at 7:17am on May 25, 2018[SHARE]

A Midsummer Night's Dream review at Watermill Theatre, Newbury " 'a playful production' by Dave Fargnoli

Fizzing with humour, charm, and just a touch of chaos, Paul Hart's A Midsummer Night's Dream is a particularly light and delightful

SOURCE: The Stage Registration at 8:36am on May 15, 2018[SHARE]

Suicide Notes review at Shoreditch Town Hall, London " 'intimate, intense, electrifying' by Dave Fargnoli

Sex, death, and grubbily nostalgic Americana slosh together in all of Christopher Brett Bailey's work. Suicide Notes, touring in support of a

SOURCE: The Stage Registration at 8:09am on May 6, 2018[SHARE]

The Swallow review at Cervantes Theatre, London " 'intensely poignant by Dave Fargnoli

Written in response to the Orlando nightclub shooting, Guillem Clua's The Swallow is a slow burning, occasionally shattering play about the unspoken

SOURCE: The Stage Registration at 10:06am on April 27, 2018[SHARE]

For King and Country review at Colab Factory, London " 'a compelling immersive experience' by Dave Fargnoli

In an alternate 1940, King Edward VIII is on the throne, Nazi troops are advancing through Surrey, and the British government has

SOURCE: The Stage Registration at 8:05am on April 25, 2018[SHARE]

This Restless State review at Ovalhouse, London " 'an angsty monologue' by Dave Fargnoli

In the wake of the Brexit vote, our political climate can feel fraught, uncertain, and downright bleak. Danielle Pearson's time-hopping, multi-character monologue

SOURCE: The Stage Registration at 9:23am on March 19, 2018[SHARE]

Broken Glass review at Watford Palace Theatre " 'a resonant and urgent revival' by Dave Fargnoli

Feeling perhaps more chilling in the era of Twitter and Trump than it did at its 1994 debut, Arthur Miller's Broken Glass

SOURCE: The Stage Registration at 5:50am on March 15, 2018[SHARE]

Kindertransport review at Queen's Theatre, Hornchurch " 'timely, but turgid' by Dave Fargnoli

Harkening back to a vanished historical moment when Britain willing sheltered child refugees, Diane Samuels' softly-spoken tragedy commemorates 80 years since the

SOURCE: The Stage Registration at 12:25pm on March 14, 2018[SHARE]

Don't Stop Thinking About Tomorrow review at Chickenshed, London " 'affecting and ambitious' by Dave Fargnoli

When Fleetwood Mac sang Don't Stop Thinking About Tomorrow, their tone was optimistic. Writer and Director Lou Stein, however, turns the title

SOURCE: The Stage Registration at 12:34pm on March 13, 2018[SHARE]

Checkpoint Chana review at Finborough Theatre, London " 'a thoughtful character study' by Dave Fargnoli

Accused of anti-Semitism, successful poet Bev unravels in the midst of a social media storm in Checkpoint Chana, a sharply relevant but

SOURCE: The Stage Registration at 10:44am on March 6, 2018[SHARE]

Turn of the Screw at Mercury Theatre, Colchester " 'deliciously atmospheric' by Dave Fargnoli

Casting new light on the ambiguities central to Henry James' influential literary ghost story, Tim Luscombe's Turn of the Screw is intelligent,

SOURCE: The Stage Registration at 7:16am on March 2, 2018[SHARE]

Up 'n' Under review at Canada Water Cultural Space, London " 'a spirited revival' by Dave Fargnoli

Following the fortunes of a struggling amateur rugby club, John Godber's 1984 underdog tale gets a playful and accessible treatment in Fingersmiths'

SOURCE: The Stage Registration at 10:48am on February 20, 2018[SHARE]

The Drill review at Battersea Arts Centre, London " 'intriguing multimedia docudrama' by Dave Fargnoli

Exploring the common anxieties underpinning contemporary life, The Drill is a smart, playful examination of the urge to over-prepare ourselves for future

SOURCE: The Stage Registration at 8:45am on February 9, 2018[SHARE]

Review: The Captive Queen at the Sam Wanamaker Playhouse by Dave Fargnoli

Closures, consolidation, and restructuring: Dave Fargnoli reviews a re-fashioning of John Dryden's Aureng-zebe. The post Review: The Captive Queen at the Sam Wanamaker Playhouse appeared fi…

SOURCE: exeuntmagazine.com at 10:23am on February 8, 2018[SHARE]

Romeo and Juliet review at Holy Trinity Church, Guildford " 'an atmospheric production' by Dave Fargnoli

Raw, moving, and unashamedly melodramatic in parts, this stylish production of Romeo and Juliet from director Charlotte Conquest conveys all the play's

SOURCE: The Stage Registration at 7:23am on February 7, 2018[SHARE]

Booby's Bay review at Finborough Theatre, London " 'a promising debut' by Dave Fargnoli

Taking its title from a well known beauty spot on the Cornish coastline, Booby's Bay is a bleakly comic character study infused

SOURCE: The Stage Registration at 11:20am on February 2, 2018[SHARE]

The Importance of Being Earnest review at Yvonne Arnaud Theatre, Guildford " 'jovial and energetic' by Dave Fargnoli

Kicking off a regional tour with a run at Guildford's Yvonne Arnaud Theatre, Alastair Whatley's jovial and energetic staging of The Importance

SOURCE: The Stage Registration at 5:57am on February 1, 2018[SHARE]

The Grift review at Town Hall Hotel, London " 'interactive crime caper' by Dave Fargnoli

When your crime caper revolves around fulfilling the dying request of the love child of Marilyn Monroe and Michael Caine, it should

SOURCE: The Stage Registration at 7:15am on January 31, 2018[SHARE]

There or Here review at Park Theatre, London " 'thought-provoking, but unfocused' by Dave Fargnoli

Gently exploring the intersections of intimacy and technology, There or Here is a meandering philosophical drama from Anglo-American company Special Relationship Productions,

SOURCE: The Stage Registration at 9:06am on January 29, 2018[SHARE]

The Words Are Coming Now review at Theatre503, London " 'thought-provoking, nuanced new writing' by Dave Fargnoli

With the culture of plausible ignorance surrounding sexual harassment in the arts having been definitively shattered by recent high-profile allegations, a constructive

SOURCE: The Stage Registration at 6:03am on January 28, 2018[SHARE]

Fear and Misery of the Third Reich review at Jack Studio Theatre, London " 'an uneven staging' by Dave Fargnoli

Accusing any performance of Brecht's ferociously didactic Fear and Misery of the Third Reich of lacking subtlety may seem redundant. Yet while

SOURCE: The Stage Registration at 7:27am on January 19, 2018[SHARE]

Review: The Claim at Shoreditch Town Hall by Dave Fargnoli

The need to be understood: Dave Fargnoli reviews Tim Cowbury's new play about seeking asylum and being lost in translation. The post Review: The Claim at Shoreditch Town Hall appeared first…

SOURCE: exeuntmagazine.com at 10:07am on January 18, 2018[SHARE]
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