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244 stories by "Dave Fargnoli"

Jack and the Beanstalk review at Wolverhampton Grand Theatre " 'grand, flashy spectacle' by Dave Fargnoli

Colourful and competently delivered, Alan McHugh's Jack and the Beanstalk is a lavish, fun but frequently flat affair. Director David Janson livens

SOURCE: The Stage Registration at 6:14am on December 13, 2017[SHARE]

Peter Pan review at Harlow Playhouse, Essex " 'ambitious and effective' by Dave Fargnoli

Packed with breathtakingly bad puns and breathless but pitch-perfect singing, Peter Pan at the Harlow Playhouse is an ambitious and effective production.

SOURCE: The Stage Registration at 7:03am on December 7, 2017[SHARE]

Beauty and the Beast review at Queen's Theatre, Hornchurch " 'brash and spirited' by Dave Fargnoli

Poised between traditional panto and jukebox musical, this energetic interpretation of Beauty and the Beast is carried along on a blast of

SOURCE: The Stage Registration at 5:52am on December 6, 2017[SHARE]

Snow White and the Seven Dwarfs review at Mercury Theatre, Colchester " 'striking design and strong performances' by Dave Fargnoli

Feeling impressively fresh while ticking all the traditional boxes, writer and director Daniel Buckroyd's Snow White and the Seven Dwarfs is a

SOURCE: The Stage Registration at 5:48am on December 4, 2017[SHARE]

Rapunzel review at Chickenshed, London " 'sprawling and ambitious' by Dave Fargnoli

Owing more to Disney than the Brothers Grimm, writer and director Lou Stein's Rapunzel is a pleasant fairytale with a tangled, overstuffed

SOURCE: The Stage Registration at 7:03am on December 1, 2017[SHARE]

The Borrowers review at Watermill Theatre, Newbury " 'inventively designed' by Dave Fargnoli

Based on Mary Norton's charming children's stories about a race of tiny people living beneath the floorboards of a country house, The

SOURCE: The Stage Registration at 7:42am on November 22, 2017[SHARE]

The Secondary Victim at Park Theatre, London " 'uneven exploration of ethical dilemmas' by Dave Fargnoli

Moral quandaries and hidden motivations simmer at the heart of The Secondary Victim, a dense discussion of ethical dilemmas from playwright and

SOURCE: The Stage Registration at 6:02am on November 16, 2017[SHARE]

The Tailor-Made Man review at White Bear Theatre, London " 'scintillating performances' by Dave Fargnoli

Drenched in the glitter and sleaze of 1920s Hollywood, Claudio Macor's tale of sex scandals and open secrets at a major studio

SOURCE: The Stage Registration at 12:30pm on November 10, 2017[SHARE]

Matilda the Empress review at St James' Church, Reading " 'dynamic, engaging, ambitious' by Dave Fargnoli

Examining the life of a fascinating but often overlooked historical figure, Matilda the Empress is a tightly-plotted account of England's first civil

SOURCE: The Stage Registration at 10:14am on November 7, 2017[SHARE]

Duet for One review at Richmond Theatre, London " 'compellingly cerebral' by Dave Fargnoli

Shot through with elegance and icy restraint, this touring remount of Tom Kempinski's stingingly insightful Duet for One feels every bit as

SOURCE: The Stage Registration at 10:52am on October 24, 2017[SHARE]

Casa Festival review at Southwark Playhouse, London " 'a varied and vivacious festival' by Dave Fargnoli

Now in its 10th year, London's varied and vivacious Casa festival has grown into an impressive and important platform for both international

SOURCE: The Stage Registration at 7:14am on October 17, 2017[SHARE]

Othello review at Ambassadors Theatre, London " 'visually arresting' by Dave Fargnoli

Kicking off with a swaggering, seamlessly choreographed movement sequence packed with evocative details and expressive character interactions, Simon Pittman's Othello is infused

SOURCE: The Stage Registration at 7:17am on October 16, 2017[SHARE]

Jekyll and Hyde review at Ambassadors Theatre, London " 'sharp and stylish' by Dave Fargnoli

Ambitious, angry, and intriguing, Evan Placey's radical adaptation of Jekyll and Hyde for National Youth Theatre transforms the familiar story into a

SOURCE: The Stage Registration at 12:09pm on October 13, 2017[SHARE]

31 Hours review at the Bunker, London " 'earnest, but unfocused' by Dave Fargnoli

There is a suicide on the UK's railways every 31 Hours. Packed with informed research, Kieran Knowles' second play draws out the

SOURCE: The Stage Registration at 9:18am on October 9, 2017[SHARE]

My Name Is Rachel Corrie review at Young Vic, London " 'Erin Doherty is riveting' by Dave Fargnoli

Peace activist Rachel Corrie was 23 years old when she was killed by an Israeli bulldozer while protesting the demolition of Palestinian

SOURCE: The Stage Registration at 6:01am on October 5, 2017[SHARE]

Doctor Faustus review at Chickenshed, London " 'fun, unusually frothy affair' by Dave Fargnoli

Less a tragic tale of ego and evil forces, more a spooky pantomime complete with cackling devils and angels in nightgowns, Joseph

SOURCE: The Stage Registration at 7:44am on October 2, 2017[SHARE]

Fox review at Old Red Lion Theatre, London " 'bleak, bold but muddled' by Dave Fargnoli

Charting the slow unravelling of a doomed relationship, Fox is a bleak, bold but muddled writing debut from author Harrison Rose. From

SOURCE: The Stage Registration at 7:06am on September 29, 2017[SHARE]

The Weir review at Mercury Theatre, Colchester " 'gorgeously atmospheric' by Dave Fargnoli

Twenty years on from its first production, Conor McPherson's elegiac modern classic The Weir remains as unsettling and affecting as ever. Unfolding

SOURCE: The Stage Registration at 11:21am on September 15, 2017[SHARE]

Eyes Closed, Ears Covered review at the Bunker, London " 'energy and warmth' by Dave Fargnoli

Wrapping up the first year of productions at the Bunker, Eyes Closed, Ears Covered is a bleak story about the fallout of

SOURCE: The Stage Registration at 6:13am on September 11, 2017[SHARE]

Deadline Day review at Theatre N16 " 'unpolished' by Dave Fargnoli

There is an inherent drama in the scramble of shifting loyalties and last minute deals that mark every FIFA transfer window. Focusing

SOURCE: The Stage Registration at 12:28pm on September 6, 2017[SHARE]

Talk Radio review at Old Red Lion Theatre, London " 'a searing character study' by Dave Fargnoli

Thirty years after its New York premiere, Eric Bogosian's incendiary examination of truth in a world of uninformed, unscrupulous pseudo-celebrities has lost

SOURCE: The Stage Registration at 5:45am on September 1, 2017[SHARE]

Five Encounters on a Site Called Craigslist review at Zoo, Edinburgh " 'satisfying experiment in self-disclosure' by Dave Fargnoli

Spinning out true accounts of anonymous sex into a broader meditation on intimacy, Five Encounters on a Site Called Craigslist is an

SOURCE: The Stage Registration at 4:44am on August 23, 2017[SHARE]

Frost and Lorca review at Gilded Balloon at the Museum, Edinburgh " 'enjoyable if unpolished' by Dave Fargnoli

In 1989, abstract painter Sir Terry Frost created a portfolio of vivid images based on the fiery symbolic poetry of Federico Lorca.

SOURCE: The Stage Registration at 8:45am on August 21, 2017[SHARE]

The Friday Night Effect review at Assembly George Square Studios, Edinburgh " 'its flexibility leaves it feeling forced' by Dave Fargnoli

Following a group of friends wrestling with dysfunctional relationships and inner demons, The Friday Night Effect is part miserable soap opera, part

SOURCE: The Stage Registration at 6:21am on August 21, 2017[SHARE]

Catherine and Anita review at Assembly Rooms, Edinburgh " 'slick, sick and unsettling' by Dave Fargnoli

Successfully walking a tightrope between exploitative and insensitive, Catherine and Anita is a neat psychological thriller with a streak of twisted, pitch-black

SOURCE: The Stage Registration at 5:45am on August 21, 2017[SHARE]
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