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695 stories by "David Cote"

Review: Anton Chekhov Gets An R Rating With 'The Seagull/Woodstock, NY' by David Cote

Chekhov's 1895 comedy gets a cheerfully vulgar refurbishing (and a perfect Parker Posey), but part of the shock is how by-the-book Thomas Bradshaw's rework is.

SOURCE: The New York Observer at 8:00pm on February 28, 2023

Spring Theater Preview: A Dozen Great Shows Bloom On Broadway (And Off) by David Cote

A pop star becomes a demon barber, a TV assassin turns attorney, and Hamlet gets a Black, queer makeover " those are just a few of the miraculous transformations the theater has in store the…

SOURCE: The New York Observer at 2:21pm on February 22, 2023

Review: Send West Village Café Musical 'Cornelia Street' Back To The Kitchen by David Cote

A talented cast is trapped by cringe material in this show about quirky urbanites trying to survive in New York City, with songs from Mark Eitzel of American Music Club and a book by British…

SOURCE: The New York Observer at 10:00pm on February 14, 2023

'Pictures From Home' Review: Unfocused And Underexposed by David Cote

Sharr White's Broadway adaptation of Larry Sultan's photo memoir is part sitcom " with laugh lines for Nathan Lane " and part family weepie. There's no intimacy amidst the broad strokes and …

SOURCE: The New York Observer at 11:30pm on February 9, 2023

Review: God And Man At Applebee's In 'Field of Mars' by David Cote

Riffing on the origin of humanity, Richard Maxwell crams a lot into a family restaurant.

SOURCE: The New York Observer at 12:36pm on January 23, 2023

Review: Sondheim's Brilliant Flop 'Merrily We Roll Along' Is Smartly Revived by David Cote

Thanks to superlative casting (including Daniel Radcliffe) and canny direction, this elegant, emotionally searching production may be the finest 'Merrily' you'll ever see.

SOURCE: The New York Observer at 7:00pm on December 12, 2022

Review: 'A Beautiful Noise' Is A Portrait of The Rock Star As Depressed Senior Citizen  by David Cote

This sloppy Broadway embrace of Neil Diamond is a jukebox musical in search of a plot.

SOURCE: The New York Observer at 11:38am on December 5, 2022

Fall Arts Preview 2022: Theater You Won't Want to Miss by David Cote

New York theater rolls into fall again with a packed schedule of Broadway, off-Broadway, and experimental theater.

SOURCE: The New York Observer at 11:51am on September 13, 2022

Review: Robert Icke's 'Oresteia' Skillfully Brings Greek Tragedy to Today's Crises by David Cote

At Park Avenue Armory, writer-director Robert Icke transforms Greek tragedy 'Oresteia' for a more postmodern audience.

SOURCE: The New York Observer at 12:08pm on July 29, 2022

Review: A Weak Adaptation of a Rapidly Aging 'The Kite Runner' at Hayes Theater by David Cote

The bestselling novel 'The Kite Runner' has been adapted marvelously for screen and now for stage yet a weak adaptation does it no justice.

SOURCE: The New York Observer at 12:02pm on July 25, 2022

Review: Danai Gurira Carves a Bloody Path Through an Otherwise Lacking 'Richard III' by David Cote

Shakespeare adaptations come with a certain pressure, with some more successful than others. 'Richard III' struggles to make the cut.

SOURCE: The New York Observer at 3:45pm on July 12, 2022

Review: 'Into the Woods' Still Casts a Sensational Spell on Broadway by David Cote

Revivals of Sondheim can be mixed business due to the pressure of his legacy yet some revivals. 'Into the Woods' does his legacy justice.

SOURCE: The New York Observer at 1:47pm on July 11, 2022

Review: Robert Icke's Production of 'Hamlet' Misguidedly Embraces the Prince's Incel-Nature by David Cote

Robert Icke's production of 'Hamlet' at Park Avenue Armory is nearly four hours and it's mostly Hamlet throwing a weird little fit.

SOURCE: The New York Observer at 11:39am on June 30, 2022

Review: 'Epiphany' Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like by David Cote

An excellent cast with a so-so story, 'Epiphany' has great moments that don't quite come together, but could appeal to some.

SOURCE: The New York Observer at 12:39pm on June 27, 2022

Review: Sarah Silverman's 'The Bedwetter' More Than Deserves a Spot on Broadway by David Cote

The combined genius of Sarah Silverman, Joshua Harmon, and the late Adam Schlesinger brings you back to childhood at Atlantic Theater..

SOURCE: The New York Observer at 2:58pm on June 8, 2022

Review: 'Fat Ham' Is a Well Done Pulitzer Winning BBQ-Infused Interpretation of 'Hamlet' by David Cote

Playwright James Ijames adapts Shakespeare's 'Hamlet' to modern North Carolina following the drama of a family-owned BBQ restaurant.

SOURCE: The New York Observer at 10:00pm on May 26, 2022

Review: 'Golden Shield' Is a Courtroom Drama That Aims For Layered Nuance, Lands on Confusing Audiences by David Cote

An ambitious play, 'Golden Shield' attempts to weave Chinese censorship law, political dissidence, and family drama, to varying success.

SOURCE: The New York Observer at 11:25am on May 19, 2022

Review: 'A Case for the Existence of God' Finds What Connects Us All and Holiness in Humanity by David Cote

At Pershing Square Signature Theatre, 'A Case for the Existence of God' takes a direct look at the lives of seemingly very different men.

SOURCE: The New York Observer at 9:42am on May 4, 2022

Review: Daniel Craig and Ruth Negga's 'Macbeth' Is Chic but Incomprehensible by David Cote

At Longacre Theatre featuring Daniel Craig and Ruth Negga, director Sam Gold takes on Shakespeare's Macbeth. Incoherent yet star-studded.

SOURCE: The New York Observer at 4:00pm on April 29, 2022

Review: 'A Strange Loop' Gracefully Explores Issues of Queer, Black Identity by David Cote

At Lyceum Theatre, a production of 'A Strange Loop' pulls audiences in as it tackles coming into your own as a Black gay man.

SOURCE: The New York Observer at 9:31am on April 27, 2022

Review: Director Lileana Blain-Cruz Brings 'The Skin of Our Teeth' to a Modern Audience by David Cote

The 1942 allegory returns to the stage with Director Lileana Blain-Cruz and star Gabby Beans at Lincoln Center Theater.

SOURCE: The New York Observer at 10:00pm on April 25, 2022

Beanie Feldstein Grabs the Spotlight, Unsteadily, in Funny Girl by David Cote

Beanie Feldstein turns the story of Funny Girl from the rising up and wising up of a great, if troubled, trouper into the wish-fulfillment fable of a moderately gifted young lady.

SOURCE: The New York Observer at 8:46pm on April 24, 2022

Review: Martin McDonagh's Satirical 'Hangmen': Thin Thread, Bottom-Heavy by David Cote

Martin McDonagh's 'Hangmen' features Alfie Allen and David Threlfall in a story that explores the abolishment of hanging in 1965 England.

SOURCE: The New York Observer at 8:00pm on April 21, 2022

Review: 'How I Learned to Drive' Is a Must Watch but Not for Faint of Heart by David Cote

The relevancy of the material is still stark, even 25 years after it was initially staged.

SOURCE: The New York Observer at 8:00pm on April 19, 2022

Review: 'Cyrano de Bergerac' Stages the Power of Love and Language at BAM by David Cote

Running at BAM with James McAvoy playing the titular role 'Cyrano de Bergerac' is a beloved tale of yearning, beauty, and desire.

SOURCE: The New York Observer at 8:00pm on April 14, 2022
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