Anyone devoted to William Shakespeare and, specifically, to his history plays had better make plans instantly to see The Royal Shakespeare Company's King and Country: Shakespeare's Great Cyc…
Anyone devoted to William Shakespeare and, specifically, to his history plays had better make plans instantly to see The Royal Shakespeare Company's <em>King and Country: Shakespeare's…
Pamatmat clearly believes the family that fights intramurally together eventually comes right together and demonstrates the
Why deal with one dysfunctional family when you can handle two? A. Rey Pamatmat apparently considered the question...
It's only a few months since Ivo van Hove brought his startlingly strong production of Arthur Miller's A View From the Bridge from London to Broadway.
It's only a few months since Ivo van Hove brought his startlingly strong production of Arthur Miller's <em>A View From the Bridge</em> from London to Broadway.
If superlative acting interests you -- and you probably wouldn't be reading this if it didn't -- you're well advised to make every effort you can to see Phylicia Rashad as Shelah in Tarell A…
If superlative acting interests you -- and you probably wouldn't be reading this if it didn't -- you're well advised to make every effort you can to see Phylicia Rashad as Shelah in Tarell A…
The thin program for Nassim Soleimanpour's White Rabbit, Red Rabbit, at the Westside Theatre, includes a prominently...
Lucy Prebble, who fiercely took on big business in the rousing Enron, is now grappling with science and scientific experimentation. She targets it in The Effect, an impressive, if not entire…
With his new Hold On to Me Darling, at the Atlantic, Kenneth Lonergan has written one of the season's most head-scratching plays. That's if it's not the most head-scratching entry, as direct…
When George Bernard Shaw, who had strong opinions about what constituted potent theater, wrote his first play,...
The current trend towards transgender plays gets a heart-jolting spin by way of Anna Ziegler's Boy, another of her Ensemble Studio Theatre/Alfred P. Sloan-backed plays and now under Keen Com…
Like New York City there are good productions and bad productions. The rambling I've done this trip has ranged broadly, as the following round-up of offerings outside the National Theatre an…
LONDON--During the winter months the Shakespeare's Globe crowd--as the current artistic director Dominic Dromgoole...
LONDON--For whatever reason--recent artistic director Rufus Norris's enthusiastic approach?--things at the National...
Mike Birbiglia is an immensely likable guy, the sort you think would make a great friend. Anyway, that's what I was considering throughout his current--and third--stint at the Lynn Redgrave …
In the early 1960s, social psychologist Stanley Milgram conducted a series of preliminary experiments with Yale undergraduates prior to a more elaborate version, the results of which are now…
Cariou no longer has his second- or third-age voice. The sixth-age one, however, is well worth hearing. The veteran performer continues to exert masterful control over the lines in Shakespea…
Although you need to know that Casey Llewellyn's O, Earth, directed by Dustin Wills at HERE in a Foundry...
In Sojourners, the stimulating new Playwrights Realm production at Peter Sharp, the first-generation Nigerian-American author Mfoniso Udofia never directly explains the title, but implicitly…
When Rui Rita's lights go up--but not too brightly--on Skeleton Crew, Dominique Morisseau's excellent drama, at the...
Anyone these days even casually interested in theater news has to be aware of the recent developments with the Classic Stage...
Reading the script, the play's original director had to "go lie down at once." The post Now on Broadway: The Funniest Second Act Ever Written appeared first on Clyde Fitch Report.
No sooner than the Broadway revival of A. R. Gurney's Sylvia closes, in which an actress plays a dog, than Mac Wellman's The Offending Gesture, opens, at the Connelly, in which not one but t…