The Shark Is Broken
A reason to go back in the water.
A reason to go back in the water.
It's summer 2008 at 37 Bittersweet Lane in Azurest, the 3rd generational home of brother and sister Ben Walters (Gil Tucker) and Deanna (Walters) Saunders (Kenya Wilson).
You won't get many an opportunity to watch this play, this is a strong cast, well directed, so if you're interested in Tennessee Williams, do take the opportunity to read up on the play to b…
No death here. just great fun, a rollick. Well worth seeing.
With an acerbic wit, a biting sting, disregard for propriety on any touchy subject, and a twisted bent on observation, David Mills, an ex-ex-pat recently self-removed from the UK (due to dis…
What a piece of work is a play, and this enduring piece of work, under the stars in Central Park, is a must for your summer wishlist.
You're going to see something huge, in story, in music, in vision, in movement, and in vocal talent that will stay with you for a long time.
A captivating, toe tapping ride with the top down and the radio cranked up high.
I honestly have to say that I will walk a little differently on this planet after experiencing this show.
Their objective is to give a theatrical voice to an urban population that doesn't often get the chance to be seen in a theatrical way.
As Gail said, "Plenty of ways to die right here. Plenty of ways to live, too."
What Anthony Nunziata gave to us that evening was not only himself but everything that he had experienced in his life prior to walking up on that stage. It takes artistic courage to open one…
City Lyric Opera is presenting artistically approachable opera for those of you who may be hesitant, for anyone that may be doubtful if opera could speak to you, affect you, or entertain.
It's a smorgasbord of theatrical delights, especially for those that know and love theater.
It must have been a delightful rehearsal process for director Daniel Sullivan as these two women discovered their characters and built their relationships. It was a delight to experience the…
With that we are in her palms to do with as she pleases. And pleases she does as she takes us through her personal and adventurous life making us feel part of who she is on this special nigh…
Roar with laughter at the foibles of cast and crew, jump to your feet in applause at the end, and have a good time.
It's a compelling story, touching on an artist's relationship to their art and the fear of that relationship that is often only mitigated by a muse that gifts the power to transform techniqu…
Well, aren't we getting personal right off the bat! I love it.
It's really about family, making mistakes, forgiving, and love. Corn is just the husk that carries the themes and transports the audience for a short time away from their lives and plants th…
There is a lot of gold to be had here among the alluvial deposits, and it should not be overlooked.
From the moment the lights slam up on stage and you hear the opening line, "That one and that one and that one and that one that looks like mushrooms, " it's a delightful ride.
If you liked Eleanor Roosevelt before, you'll love her after this.
The performance was thought-provoking, informative, strong in its depictions, and graceful in execution.
There is historic relevance to the play, and for that reason alone I urge you to see it as it doesn't often find itself a stage.