By Diana Mott, Contributing Writer, August 6, 2018 Before We’re Gone ended it’s run at 13th Street Repertory Theatre on August 5 with hopes of moving uptown and, with caveats, it…
By Diana Mott, Contributing Writer, April 23, 2018 David Ive’s The Metromaniacs is a bawdy yet chaste reworking of the 18th century farce La Metroamanie by Alexis Piron abo…
By Diana Mott, Contributing Writer, April 12, 2018 The much anticipated revival of Children of a Lesser God is a testament to the timelessness of a story about the human struggle to conne…
By Diana Mott, Contributing Writer, March 15, 2018 In Later Life, we are solidly in A.R. Gurney territory: waspy, and well-heeled. This 80 minute play without intermission takes place somewh…
By Diana Mott, Contributing Writer, February 7, 2018 Eve Ensler, Tony winning playwright, activist, and performer has blasted onto the Manhattan Theatre Club’s New York City Center Sta…
By Diana Mott, Contributing Writer, December 1, 2017 The Public Theater's Mobile Unit lies at the heart of Joe Papp's vision which began almost 60 years ago: to provide free Shakespeare to e…
By Diana Mott, Contributing Writer, October 17, 2017 In Aaron Mark's psychological horror play Squeamish, Alison Fraser's character of “Sharon” starts off with a slow burn; she t…