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80 stories by "Diane Ragsdale"

I see an arts cliff, too, Mr. Kaiser; but it's not fiscal in nature. by Diane Ragsdale

HuffPo blogger and Kennedy Center chief Michael Kaiser recently wrote a post reflecting on the financial corner that many arts organizations have painted themselves into (which he compare…

SOURCE: ArtsJournal at 11:08am on December 13, 2012

Have we squandered the economic crisis and the opportunity for transformation? by Diane Ragsdale

About a month ago, art critics Sarah Thornton and David Hickey threw in the towel citing frustration, disillusionment, and annoyance with corruption in the art world. I have to admit t…

SOURCE: ArtsJournal at 5:02am on November 19, 2012

In the Intersection: Partnerships in the New Play Sector by Diane Ragsdale

In November 2011, twenty-five theater professionals gathered in Washington, DC to discuss nonprofit and commercial collaborations aimed at the development of new theatrical work. In spirit (…

SOURCE: ArtsJournal at 3:29am on October 16, 2012

The Dark Side II: Not In It For the Money by Diane Ragsdale

A couple weeks ago I wrote a post about the recent turmoils at a few orchestras in the US which garnered several comments"all well worth reading and more interesting, in my opinion, than my …

SOURCE: ArtsJournal at 1:50am on September 24, 2012

The dark side of nonprofit-land by Diane Ragsdale

Unseemly. This is the word that keeps coming to mind when I think about the recent spate of lockouts, strikes and general discord at US orchestras. The underbelly of orchestras that has b…

SOURCE: ArtsJournal at 5:07pm on September 9, 2012

Renegotiating the value of a museum by Diane Ragsdale

Over the past couple of weeks quite a few people have weighed in on the Detroit Institute of Art's successful appeal to three counties in Michigan to pass a "millage" (a property tax) which …

SOURCE: ArtsJournal at 6:10am on August 28, 2012

Nonprofit Arts Orgs and the Boards That Love Them by Diane Ragsdale

Last week I read an article by Pablo Eisenberg in the Chronicle of Philanthropy in which he argues that greater oversight of nonprofits is needed because nonprofit boards can no longer be tr…

SOURCE: ArtsJournal at 2:51am on August 7, 2012

Are we a sector defined by our permanently failing organizations? by Diane Ragsdale

A few weeks back I wrote a post responding to a session at the Theatre Communications Group conference in which an esteemed leader of a resident theater (Michael Maso) called "bullshit" on s…

SOURCE: ArtsJournal at 10:09am on July 30, 2012

When did being pro-artist make one anti-institution? by Diane Ragsdale

I attended the Theatre Communications Group conference in Boston a couple weeks ago. On the first day of the conference Michael Maso, managing director of the Huntington Theatre, was present…

SOURCE: ArtsJournal at 9:39am on July 2, 2012

As nonprofits do we (or should we) put all art in service of instrumental ends? by Diane Ragsdale

This past Thursday and Friday I had the honor of attending a convening on global performance, civic imagination, and cultural diplomacy at Georgetown University, hosted by Derek Goldman a…

SOURCE: ArtsJournal at 5:33pm on June 17, 2012

Are feasibility studies a racket? If not, then why do so many capital campaigns derail? by Diane Ragsdale

Last Friday, I read a story posted on AJ about Michigan Opera getting a one month reprieve on the $11 million it must pay to Chase Bank if it is going to avoid a possible bankruptcy related …

SOURCE: ArtsJournal at 4:37am on May 28, 2012

The sinewy stuff: It makes it hard to connect the dots by Diane Ragsdale

In one of the more recent (of many) essays on the controversial move of the Barnes collection from the home of Albert C. Barnes (in Merion, PA) to a new facility in downtown Philadelphia, Pe…

SOURCE: ArtsJournal at 4:33am on May 21, 2012

Funder knows best by Diane Ragsdale

In a recent thought-provoking Createquity post, Creative Placemaking Has an Outcomes Problem, Ian David Moss examines one of the newer initiatives of the NEA (and its private philanthropy…

SOURCE: ArtsJournal at 5:25pm on May 14, 2012

Lessons in my struggles to learn Dutch by Diane Ragsdale

This is a post about my struggles to learn Dutch and assimilate to my new country (which I’ve endeavored to wrap back around to the arts). The past few weeks I've been studying rather …

SOURCE: ArtsJournal at 7:12am on May 6, 2012

Is Opera a Sustainable Art Form? Excerpts from a new keynote … by Diane Ragsdale

I've been on hiatus in order to concentrate my time on the weekends to learning Dutch (state exam coming up). My last post was before Mike Daisey unhinged Ira Glass and Ira Glass exposed …

SOURCE: ArtsJournal at 2:37am on April 16, 2012

The professional lens: Are we a sector of underemployed 'professional' artists or successful 'pro-ams'? by Diane Ragsdale

While we may be graduating tens of thousands of students with arts degrees each year, including some percentage billed as 'professional training' degrees, as everyone in the arts knows, most…

SOURCE: State of the Artist at 7:12am on March 14, 2012

Guest blogging this week on two sites by Diane Ragsdale

No Jumper post this week as I have the great honor to be blogging on two other sites. Laura Zimmerman at the Minnesota-based McKnight Foundation invited me to submit a post on the subject…

SOURCE: ArtsJournal at 4:24pm on March 12, 2012

Theatre Bay Area's "Counting New Beans" by Diane Ragsdale

Clay Lord and the fine folks at Theatre Bay Area have a new publication out: Counting New Beans: Intrinsic Impact and the Value of Art, which includes interviews with 20 prominent artisti…

SOURCE: ArtsJournal at 3:07am on March 5, 2012

On my Soapbox: Digitization of Live Performance by Diane Ragsdale

The Wooster Group Clay Lord has written a provocative and rather erudite post, The Work of Presentational Art in the Age of On-Demand Technological Empowerment, in which he cautions that as …

SOURCE: ArtsJournal at 6:35am on February 21, 2012

If our goal is simply to preserve our current reality, why pursue it? by Diane Ragsdale

About a month ago I read an article in the Atlantic (recommended to me by LINKED IN) on the phenomenal success of Finland's primary and secondary education public school system"a success …

SOURCE: ArtsJournal at 2:34am on February 14, 2012

Making donor dollars stretch and perform miracles by Diane Ragsdale

The other day I received an email alert from the Philanthropy News Digest, which mentioned that a theater company had announced a $7 million endowment challenge grant. When matched, the 3:1 …

SOURCE: ArtsJournal at 9:27am on February 5, 2012

AJ Discussion: Lead or Follow? by Diane Ragsdale

In lieu of a Jumper post this week I have written a post (If this is leading, what is following?) for the Arts Journal Discussion, Lead or Follow.  Here’s the question that la…

SOURCE: ArtsJournal at 1:34pm on January 23, 2012

A planned ending for Merce Cunningham Dance Co. by Diane Ragsdale

Merce Cunningham In last week's post on direct subsidies to artists, I expanded upon a premise from artist/economist Hans Abbing–that direct subsidies to artists may provide incenti…

SOURCE: ArtsJournal at 9:39am on January 15, 2012

What are the aims of direct subsidies to artists? by Diane Ragsdale

Polly Carl has posted a new piece on HowlRound, A Virtual Theater Movement,  in which she remarks on a recent trend in arts philanthropy: increased direct support for artists. This …

SOURCE: ArtsJournal at 10:25am on January 8, 2012

Time to start pulling off the duct tape … by Diane Ragsdale

In his article, Occupy the Arts, a seat at a time, NY Times critic Anthony Tomasini (like others) pounced on recent allegations of 'elitism' in the arts (growing out of the Occupy movement),…

SOURCE: ArtsJournal at 3:30pm on January 2, 2012
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