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18 stories by "Elinor Walpole"

Review: Measure For Measure by Elinor Walpole

The Rose Theatre's performance space is an intimate balcony that looks out over the archaeological remains of the original Rose, home of many of Shakespeare and Marlowe's plays back in the s…

SOURCE: A Younger Theatre at 3:46am on November 11, 2011

Review: Don Carlos by Elinor Walpole

Don Carlos at the Blue Elephant was a very special and beautiful piece of work. A simple set consisting of a blacked-out space with a bronze diamond painted centre stage, and a perpetual bla…

SOURCE: A Younger Theatre at 10:16am on November 7, 2011

Review: The Possibilities by Elinor Walpole

Red Line Productions’ “exhilarating new interpretation” of Howard Barker's series of short plays, The Possibilities, was, in fact, exhausting. The opening playlet was Th…

SOURCE: A Younger Theatre at 4:25pm on November 5, 2011

Review: Blind Date and 27 Wagons Full of Cotton by Elinor Walpole

Make and Bake's double bill of Southern dramas begins with a light-hearted look at dating and the modern Southern Belle in Horton Foote's Blind Date. In the programme for the double bill, th…

SOURCE: A Younger Theatre at 8:01am on October 31, 2011

Review: Mixed Marriage by Elinor Walpole

  Mixed Marriage is an intense and claustrophobic play set solely in one location; the living room of Protestant family the Raineys. The head of the family, John Rainey (Daragh O'Malley),…

SOURCE: A Younger Theatre at 7:40am on October 7, 2011

Can musical theatre be relevant in today's society? by Elinor Walpole

Last week I took part in my first-ever panel discussion, at Theatre Royal Stratford East. The discussion took place after the performance of A Clockwork Orange (which I was seeing for the se…

SOURCE: A Younger Theatre at 6:39am on October 5, 2011

Review: The Jungle Book by Elinor Walpole

Settling into our seats at The Bromley Churchill Theatre my companion and I turned to one another and remarked “This is nice, isn't it?” admiring the beautiful set and the impres…

SOURCE: A Younger Theatre at 5:13am on October 3, 2011

Review: A Clockwork Orange by Elinor Walpole

“To Machiavellian Capitalism- Boo Ya! Boo Ya! Boo Ya!” A Clockwork Orange at Theatre Royal Stratford East was a brave and bold retelling of Anthony Burgess's seminal novel set in…

SOURCE: A Younger Theatre at 7:23am on September 16, 2011

Review: Of Mice and Men by Elinor Walpole

Of Mice and Men by John Steinbeck is one of my favourite novels, and so I was apprehensive about whether this play version would deliver the story that I loved with as much understated trage…

SOURCE: A Younger Theatre at 2:50pm on September 11, 2011

Review: The Quick by Elinor Walpole

The Quick opens with a heart-stopping cacophony of shrieks, shouts and loud banging. As the lights reveal the stage we are looking into a prison cell with a tiny, wiry woman with cropped hai…

SOURCE: A Younger Theatre at 10:49am on August 5, 2011

Review: Beauty is Prison Time by Elinor Walpole

Beauty is Prison Time is a one-woman show written by and starring Zoe Mavroudi, directed by Terra Vandergaw. Mavroudi takes us on an emotional journey with her as she talks of her life 'out'…

SOURCE: A Younger Theatre at 10:44am on August 5, 2011

Review: Four Dogs and a Bone by Elinor Walpole

The Phoenix Artist's Club is a delightful little dungeon just off Charing Cross Road. Inside, the walls are entirely covered with theatrical memorabilia – masks, posters, props, signed…

SOURCE: A Younger Theatre at 5:34am on August 1, 2011

Review: What It Feels Like by Elinor Walpole

What It Feels Like, is Encompass Productions’ professional debut, just about to set off to Edinburgh Festival. The show got off to a shaky start, with the actors taking a little whi…

SOURCE: A Younger Theatre at 6:20am on July 24, 2011

Review: Common Sounds " Enter the Void by Elinor Walpole

Common Sounds: Enter The Void was an evening of performances and installations that responded to the architecture, purpose and current condition of decay of the former Commonwealth Institute…

SOURCE: A Younger Theatre at 4:56am on July 19, 2011

Review: The Clock Master by Elinor Walpole

As the audience entered the intimate theatre space of the Rosemary Branch Theatre, a hidden gem atop a quaint pub full of stuffed stoats and model airplanes, the air was filled with the kind…

SOURCE: A Younger Theatre at 2:31pm on June 20, 2011

Review: Hand Me Down by Elinor Walpole

Hand Me Down at the Tristan Bates Theatre is a compelling, one-woman show, co-created by Steve Gilroy and Kate Craddock, who performed the piece. Rarely have I come away from a theatre show …

SOURCE: A Younger Theatre at 2:17pm on June 20, 2011

Review: (Wo)Men and Me by Elinor Walpole

Wo(Men) and Me comprised two dance performances that played with conceptions of gender identity and the idea of the perfect body, choreographed and performed by Tonny A, Nick Smith and Jean …

SOURCE: A Younger Theatre at 6:57am on June 11, 2011

Review at Accidental Festival: Comedy Showcase by Elinor Walpole

I was quite surprised to attend the Comedy Showcase and find not only that a fairly large section of the audience were of school age, but also that rather a lot of them knew one another. It …

SOURCE: A Younger Theatre at 7:55am on May 24, 2011
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