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1,787 stories by "Elisabeth Vincentelli"

Cirque du veggies by Elisabeth Vincentelli

AN entire circus extravaganza is crammed on one itty-bitty stage, where a trained dog and a magician dazzle the audience with their tricks. Sharp knives are thrown and caught -- through clen…

SOURCE: The New York Post Subscription at 9:13pm on September 16, 2011

'The Wood' reduces columnist's tale to pulp by Elisabeth Vincentelli

As far as subjects for a play go, Mike McAlary is a pretty great choice. In the 1990s, the big-mouthed, big-hearted tabloid journalist embodied both tough-guy reporting and the gritty Gotham…

SOURCE: The New York Post Subscription at 10:39pm on September 15, 2011

Sing out, people! by Elisabeth Vincentelli

Some Broadway stars are so big, they don't have to wait for the right musical to come along: They can strike out on their own. And that's just what Hugh Jackman, Patti LuPone and Mandy Patin…

SOURCE: The New York Post Subscription at 11:49pm on September 13, 2011

Science geeks lack the chemistry lovers seek by Elisabeth Vincentelli

There's something fas cinating about the mat ing rituals of science nerds: How could these people be so smart and yet so stupid? The TV hit "The Big Bang Theory" is about to spend a fifth…

SOURCE: The New York Post Subscription at 10:29pm on September 13, 2011

Only score's of note by Elisabeth Vincentelli

In the right hands, "Fol lies" is a punch in the gut -- set to a fantastic score. Stephen Sond heim and James Gold man's 1971 musical juxtaposes past and present, reality and fantasy. It can…

SOURCE: The New York Post Subscription at 11:31pm on September 12, 2011

Something new under 'Sun' by Elisabeth Vincentelli

Probably the last things that come to mind when thinking about Ernest Hem ingway are "laughs" and "awesome dance moves." And yet there are plenty of both during "The Select (The Sun Also Ris…

SOURCE: The New York Post Subscription at 10:39pm on September 11, 2011

Irish eyes are not smiling by Elisabeth Vincentelli

The Mint Theater spe cializes in unearthing obscure material, but a year ago it dug particularly deep: It presented an arcane 1930s drama, originally written for radio by an Irishwoman large…

SOURCE: The New York Post Subscription at 11:10pm on August 29, 2011

Seoul-ful, tuneful Korean 'Hero' welcome by Elisabeth Vincentelli

A fearless resistance fighter sings out about his dreams and beliefs. A sexy spy seduces her opponent with her wiles and lung-busting power ballads. Romantic scenes alternate with kinetic ch…

SOURCE: The New York Post Subscription at 10:56pm on August 25, 2011

'Tenant' leaves you dwelling on its many flaws by Elisabeth Vincentelli

When it rains, it pours: New York now hosts two site- specific, choose-your-own-narrative works in which the audience roams all over a large, custom-decorated building. Since April, the f…

SOURCE: The New York Post Subscription at 11:16pm on August 24, 2011

Not a perfect 'Ten,' but 'Cents' pays off by Elisabeth Vincentelli

Williamstown, Mass. -- It's not often that you leave a musical revue thinking, Wow, that looked great! But John Doyle's tribute to Rodgers and Hart, "Ten Cents a Dance," is full of stylish, …

SOURCE: The New York Post Subscription at 11:40pm on August 22, 2011

This car's too small for its star by Elisabeth Vincentelli

Britain's Simon Russell Beale has been hailed as the great est stage actor of his generation. The 50-year-old virtuoso interpreter of Shakespeare and Chekhov is versatile, too: He sent up hi…

SOURCE: The New York Post Subscription at 11:32pm on August 22, 2011

Taymor tale a tad too tame by Elisabeth Vincentelli

The problem with "The Legend of Julie Tay mor, or The Musical That Killed Everybody!" isn't that it was written in a mere six weeks. Betty Comden, Adolph Green and Leonard Bernstein coughed …

SOURCE: The New York Post Subscription at 11:57pm on August 21, 2011

'Devil' may care, but you won't by Elisabeth Vincentelli

There's good storytel ling, and then there's "Tricks the Devil Taught Me." Minutes tick by in Tony Georges' new off-Broadway play as you wait for a point, any point, to emerge. By intermi…

SOURCE: The New York Post Subscription at 11:57pm on August 21, 2011

Doesn't rise to occasion by Elisabeth Vincentelli

The New York Fringe Festival's single big gest success story is "Urinetown," which not only made it to Broadway in 2001, but won Tonys for best book and best score. So when that show's creat…

SOURCE: The New York Post Subscription at 11:49pm on August 17, 2011

Sharp zingers make for salty 'Olive' by Elisabeth Vincentelli

You've got to hand it to Charles Busch: He doesn't make it easy for his audience. The title character of his latest comedy, "Olive and the Bitter Herbs," has to be the sourest puss on the Ne…

SOURCE: The New York Post Subscription at 12:14am on August 17, 2011

Diverting, but falls short by Elisabeth Vincentelli

Isabelle is 17 and bright. She's a valedicto rian, and she's about to lose her virginity. It doesn't take Nostradamus to foretell a coming-of-age story. At least the period setting of you…

SOURCE: The New York Post Subscription at 10:50pm on August 15, 2011

Not quite grand Larson-y by Elisabeth Vincentelli

Jonathan Larson's hit musical "Rent" left the Great White Way a mere three years ago, and now it's back where it started: in an off-Broadway theater. Yet the production that opened at New Wo…

SOURCE: The New York Post Subscription at 10:57pm on August 11, 2011

Praise for 'Hotel,' with reservations by Elisabeth Vincentelli

People get up to all kinds of shenanigans in a rented room. No surprise, then, that a few butts are bared in "HotelMotel," a site-specific doubleheader staged in a small suite at the Gershwi…

SOURCE: The New York Post Subscription at 10:57pm on August 10, 2011

Cate's great as Kennedy Center tries 'Uncle' by Elisabeth Vincentelli

WASHINGTON, DC -- THE word "slapstick" isn't often used in conjunction with Chekhov. And yet here's the imperious Cate Blanchett, nearly tumbling down as the door against which she was strik…

SOURCE: The New York Post Subscription at 10:46pm on August 8, 2011

Not the big Brecht you've been waiting for by Elisabeth Vincentelli

If aliens came to New York in the summer, they'd assume the only plays here are by Shakespeare. Everywhere you turn, there he is: in the park, in the parking lot (see above) and on Park Aven…

SOURCE: The New York Post Subscription at 11:49pm on August 1, 2011

All hail RSC's 'Julius Caesar' by Elisabeth Vincentelli

With "Julius Cae sar," its fifth and last production at the Park Avenue Armory, the Royal Shakespeare Company's local season ends in an orgy of violence and gore. Director Lucy Bailey cou…

SOURCE: The New York Post Subscription at 11:27pm on July 31, 2011

'Tale' of discontent by Elisabeth Vincentelli

It had to happen: The Royal Shakespeare Company's taken a tumble. The troupe's first en tries in its five-play season at the Park Avenue Armory ranged from a delightful "As You Like It" t…

SOURCE: The New York Post Subscription at 11:14pm on July 28, 2011

'House' needs work, but you'll rave for Rabe by Elisabeth Vincentelli

WILLIAMSTOWN, Mass. -- Lily Rabe isn't yet 30, but she commands the stage with calm, steady authority. This daughter of Jill Clayburgh and playwright David Rabe more than held her own agains…

SOURCE: The New York Post Subscription at 11:58pm on July 27, 2011

War's hell, show doesn't jell by Elisabeth Vincentelli

The Royal Shake speare Company isn't the only theater happening at the Lin coln Center Festival. Back for a spin is Ireland's Druid Theatre -- the troupe that brought six plays by John M. Sy…

SOURCE: The New York Post Subscription at 11:56pm on July 27, 2011

Little new in 'People' by Elisabeth Vincentelli

Zach Braff must have had fun last year at Sec ond Stage, where he played a dominatrix's client in Paul Weitz's "Trust": The engaging star of "Scrubs" is back -- this time making his playwrit…

SOURCE: The New York Post Subscription at 12:08am on July 26, 2011
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