Mary Jane
The beautiful, incredibly nuanced Mary Jane, currently at New York Theatre Workshop, does what seems impossible: it burrows deep into a character who practically forces herself to be tw…
The beautiful, incredibly nuanced Mary Jane, currently at New York Theatre Workshop, does what seems impossible: it burrows deep into a character who practically forces herself to be tw…
Yes, I know, that does sound like the dryest name for the most boring play, ever, but I'm not discussing a show, here: this is the (admittedly fairly dry) title of my latest book, which was …
There's a lot going on in Girl from the North Country, Conor McPherson's play with songs by Bob Dylan that's running through the first week of October at the Old Vic in London. Set in a…
Humorless buzzkill that I am, I've never been a big fan of the 1993 movie Groundhog Day, even though just about everybody else on the planet seems to think that it's one of the most bri…
I was recently interviewed by the Dean of the Weissman School of Arts and Sciences at Baruch College. Here's the resultant clip. Also, here is a nice picture, which I'd combine with the clip…
Don't tell anyone, but until earlier this month, I'd never seen the stage or film version, or even listened to the score, of Hello, Dolly! This is kind of like a Vermeer specialist…
The stage version of George Orwell's 1984, grippingly adapted by Robert Icke and Duncan Macmillan, might not be the masterpiece the book is, but it's pretty damned good just the same. I…
We're cutting it a little close on the Tony forecast this year, but can you blame us? We've all been super busy reading the news, watching hearings, and calling our representatives all the t…
On her website, Alison S.M. Kobayashi describes herself as an identity contortionist. This is, as it turns out, a pretty accurate description for the highly interdisciplinary work she does, …
AnastasiaTime was when a middle-of-the-road, slightly overstuffed show like Anastasia would have sent me into paroxysms of self-righteous outrage, but I'm older, wiser, wearier, and maybe a …
Spring in these parts means fluctuating temperatures, the hectic and drawn-out end of the semester, more theater than I know what to do with, and very little time. What is a theater-loving, …
Hi, Show Showdown visitors!My take on the highly unconventional and mildly controversial Sam Gold production of The Glass Menagerie is currently featured on Broken and Woken, the blog a…
Kneehigh's stage adaptation of the 2006 children's novel The Amazing Story of Adolphus Tips by Michael Morpurgo is so bubbly, energetic, and wacky that a few times during the perfo…
The man in the pajama bottoms, slippers and suit jacket is terribly confused but always polite to the crowd he is somehow suddenly responsible for entertaining. He has snacks and juice stash…
Hey, have you wanted nothing other than to listen to me, director John Rando, and producer Jack Viertel talk about sex and musicals in a very nice performance space in lower Manhattan? Well,…
Dear Evan Hansen is an intimate, well-crafted, well-performed musical, the kind that tidily trashes the generalized dismissal of musical theater as an emotionally overwrought genre filled wi…
In years as rough and depressing as 2016 has been, I am extra-super-duper thankful for the theater. I have no desire, after a year as harsh as this one was, to come up with a "worst" list--e…
Joan MarcusJoan MarcusIn very dark times, I'm always telling my students, people crave the comfort-food version of mass entertainment: breezy movies, bubbly Broadway shows, silly TV sit-coms…
The great comet in question was actually in 1811. Just sayin'. Not like it matters: Broadway musicals are hardly the medium through which accurate historical information gets passed along to…
School of Rock is charming and engaging and the kind of big, shiny Broadway musical you could totally bring your kids or your friends from out of town to. It's basically a stage renditi…
Every so often, especially when you don't get too close or take them too seriously, selfish people can be enormously entertaining company. In Love, Love, Love, Mike Bartlett's short, lacerat…
In Richard Nelson's Hungry, which ran at the Public last spring, the Gabriel family of Rhinebeck, New York, had just finished scattering the ashes of their brother / husband / ex-h…
Small Mouth Sounds, a play by Bess Wohl currently being restaged at the Signature Theater after an initial run at Ars Nova last year, is sweet and diverting, if not as deft or probing as it …
Have you ever not completely connected with a show when you first sat through it, only to fall head over heels in love with it in retrospect? It's happened to me on only a few occasions that…
It's not atypical for me to see more than one play or musical over the course of the week, but it is rare that I see two shows back-to-back that are as different as Long Day's Journey Into N…