Alison Pill, Jeffrey Hatcher and Matt Shakman Shine Light on Geffen Playhouse's Wait Until Dark
Alison Pill, Jeffrey Hatcher and Matt Shakman chat with Playbill.com about the Geffen Playhouse's newly updated production of Wait Until Dark.
Alison Pill, Jeffrey Hatcher and Matt Shakman chat with Playbill.com about the Geffen Playhouse's newly updated production of Wait Until Dark.
Playbill.com chats with Thea Sharrock and Danny DeVito about the Center Theatre Group production of Neil Simon's The Sunshine Boys.
Playbill.com chats with Thea Sharrock, Danny DeVito and Judd Hirsch about Center Theatre Group production of Neil Simon's The Sunshine Boys.
Playbill.com chats with the director and stars of The Last Goodbye, the new musical fusing Shakespeare's Romeo and Juliet with music by Jeff Buckley.
Independent Shakespeare Company's "free" Griffith Park fare not only attracts bigger audiences than most LA theater, but the audiences are younger and more diverse.
Playbill.com offers a sneak peek at the upcoming Hollywood Bowl production of Chicago.
While it pulled in for little more than a two-month whistle stop on Broadway, the train that is The Scottsboro Boys has become a veritable express on the regional circuit, and the key member…
A quick-changing Jefferson Mays plays an octet of heirs in the new musical comedy A Gentleman's Guide to Love and Murder, now at The Old Globe in San Diego. The Tony Award-winning actor …
What is the often politically-minded Actors' Gang doing as the elections draw closer? Sheridan's 1775 comedy The Rivals. The Gang's Tim Robbins and director David Schweizer -- who saw the Ga…
As Jitney readies to travel from South Coast Repertory (where it's currently playing) to Pasadena Playhouse (where it will open June 21), artistic directors Marc Masterson and Sheldon Epp…
Burt Bacharach's new musical with lyricist/librettist Steven Sater is here to toast your cockles at San Diego's Old Globe
thisl-oving and occasionally lusty production f makes the nearly 3 hours spent at the Freud Playhouse a kick in the breeches. . . .