Southern Italian companies strut their stuff at the Puglia Showcase in Rome
Six years after the Italian Theatre Institute was abolished, theatremakers from the south are taking matters into their own hands to bring
Six years after the Italian Theatre Institute was abolished, theatremakers from the south are taking matters into their own hands to bring
In many ways, ITV's latest Friday night reality offering covers well-worn ground. The Big Audition, as the title suggests, offers hopefuls the
Pro-Brexit journalist Julie Burchill and pro-Brexit writer Jane Robins have teamed up to write a new play about Brexit " a supposedly
There's admirable scope to Memoirs of an Asian Football Casual, Dougal Irvine's fresh adaptation of Riaz Khan's 2010 autobiography of the same
A decade after his death, and Harold Pinter is receiving a salutation to remember at the West End theatre that bears his
With a CV spanning Olivier and Tony award-winning productions, Sian Williams has forged a career in an often misunderstood role. She tells
The National has had a patchy period when it comes to Shakespeare. The theatre's community-focused musical adaptation of Pericles met with widespread
People have played around with Sarah Kane's 4.48 Psychosis before " it was adapted by Philip Venables for the Royal Opera two
This is kind of cool. Over nine days of watery September sunshine, Dorset's Inside Out Festival offers a varied roster of arts
American high school movies don't come much more iconic than Daniel Waters and Michael Lehmann's 1988 comedy Heathers. The film gradually grew
If you go down to The Woods today, you're in for a big surprise. Robert Alan Evans' new play is certainly not
You must have a heart of stone if you’re not moved by Once. This co-production between Ipswich’s New Wolsey Theatre and the
Fergus Morgan writes on the Kiln's controversial rebrand, and the message the backlash against it sends. The post There’s a lot in a name, actually appeared first on Exeunt Magazine.
There has been no shortage of gig theatre up in Edinburgh this year. There's been gig romcoms, gig documentaries, gig dramas, and
For a moment, it seems like Stuart Laws' The Journey might be the worst thing ever " a lame, loosely structured romcom
For every gram of cocaine snorted on the UK’s streets, criminals profit, communities suffer, ecosystems are destroyed, and people die. That's the
Edouard Louis was just 21 when he wrote The End of Eddy. It's an astonishing work, an autobiographical chronicling of his childhood
It's difficult to believe Wolf is the work of just one man, so vivid and detailed is the world that creator and
Luke Wright has written two cracking, politically-charged verse plays in recent years " What I Learned from Johnny Bevan and Frankie Vah
There's a breathless intensity to Jennifer Roslyn Wingate's Entropy that grips, at first. There's an elusive, Pinter-ish menace to her writing, a
This is so frustrating. Living Record Productions' Thrown has one of the coolest set-ups of any show in Edinburgh " a binaural
The feminist, punk-rock protest group Pussy Riot is a vital voice in Russian society, daring to dissent in the face of an
You know what you're getting with a Henry Naylor play by now. An authoritative voice, a well-researched story, an unapologetically political message,
Burnt Lemon Theatre " freshly minted as a New Diorama Graduate Emerging Company for 2018-19 " is well worth watching, judging by
Multi-disciplinary Belgian theatre-maker Marieke Dermul wants to enter Eurovision 2019 with her European Citizen Popsong " an anthem combining musical influences from