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618 stories by "Fergus Morgan"

Southern Italian companies strut their stuff at the Puglia Showcase in Rome by Fergus Morgan

Six years after the Italian Theatre Institute was abolished, theatremakers from the south are taking matters into their own hands to bring

SOURCE: The Stage Registration at 7:30am on October 8, 2018

The Stage's verdict on ITV talent show The Big Audition: 'Diverting but very little of the professional process' by Fergus Morgan

In many ways, ITV's latest Friday night reality offering covers well-worn ground. The Big Audition, as the title suggests, offers hopefuls the

SOURCE: The Stage Registration at 5:01pm on October 5, 2018

People Like Us review at Union Theatre, London " 'excruciatingly bad, painfully partisan' by Fergus Morgan

Pro-Brexit journalist Julie Burchill and pro-Brexit writer Jane Robins have teamed up to write a new play about Brexit " a supposedly

SOURCE: The Stage Registration at 5:13am on October 5, 2018

Memoirs of an Asian Football Casual review at Leicester Curve " 'energetic, if uneven' by Fergus Morgan

There's admirable scope to Memoirs of an Asian Football Casual, Dougal Irvine's fresh adaptation of Riaz Khan's 2010 autobiography of the same

SOURCE: The Stage Registration at 8:18am on October 4, 2018

Pinter at the Pinter starring Antony Sher, Russell Tovey and David Suchet" review round-up by Fergus Morgan

A decade after his death, and Harold Pinter is receiving a salutation to remember at the West End theatre that bears his

SOURCE: The Stage Registration at 1:40pm on October 1, 2018

Sian Williams: 'Theatres are waking up to the value of movement directors' by Fergus Morgan

With a CV spanning Olivier and Tony award-winning productions, Sian Williams has forged a career in an often misunderstood role. She tells

SOURCE: The Stage Registration at 8:05am on October 1, 2018

Antony and Cleopatra starring Ralph Fiennes and Sophie Okonedo at the National Theatre " review round-up by Fergus Morgan

The National has had a patchy period when it comes to Shakespeare. The theatre's community-focused musical adaptation of Pericles met with widespread

SOURCE: The Stage Registration at 11:36am on September 28, 2018

4.48 Psychosis review at New Diorama Theatre " 'a striking bilingual production' by Fergus Morgan

People have played around with Sarah Kane's 4.48 Psychosis before " it was adapted by Philip Venables for the Royal Opera two

SOURCE: The Stage Registration at 6:52am on September 24, 2018

Inside Out Dorset: Coastal Encounters review " 'eclectic, ephemeral installations' by Fergus Morgan

This is kind of cool. Over nine days of watery September sunshine, Dorset's Inside Out Festival offers a varied roster of arts

SOURCE: The Stage Registration at 8:34am on September 17, 2018

Heathers starring Carrie Hope Fletcher at the Theatre Royal Haymarket " review round-up by Fergus Morgan

American high school movies don't come much more iconic than Daniel Waters and Michael Lehmann's 1988 comedy Heathers. The film gradually grew

SOURCE: The Stage Registration at 12:20pm on September 14, 2018

The Woods review at Royal Court, London " 'harrowing and hallucinatory' by Fergus Morgan

If you go down to The Woods today, you're in for a big surprise. Robert Alan Evans' new play is certainly not

SOURCE: The Stage Registration at 6:28am on September 13, 2018

Once review at New Wolsey Theatre, Ipswich " 'lively regional premiere of the much-loved musical' by Fergus Morgan

You must have a heart of stone if you’re not moved by Once. This co-production between Ipswich’s New Wolsey Theatre and the

SOURCE: The Stage Registration at 6:06am on September 13, 2018

There's a lot in a name, actually by Fergus Morgan

Fergus Morgan writes on the Kiln's controversial rebrand, and the message the backlash against it sends. The post There’s a lot in a name, actually appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 2:43am on September 12, 2018

Alabama God Damn review at Pleasance Dome, Edinburgh " 'rootin'-tootin' gig-theatre show' by Fergus Morgan

There has been no shortage of gig theatre up in Edinburgh this year. There's been gig romcoms, gig documentaries, gig dramas, and

SOURCE: The Stage Registration at 1:15pm on August 24, 2018

The Journey review at Pleasance Dome, Edinburgh " 'smart deconstruction of theatrical power play' by Fergus Morgan

For a moment, it seems like Stuart Laws' The Journey might be the worst thing ever " a lame, loosely structured romcom

SOURCE: The Stage Registration at 6:19am on August 24, 2018

Stardust review at Pleasance Dome, Edinburgh " 'explores history and horror of cocaine trade' by Fergus Morgan

For every gram of cocaine snorted on the UK’s streets, criminals profit, communities suffer, ecosystems are destroyed, and people die. That's the

SOURCE: The Stage Registration at 6:08am on August 24, 2018

The End of Eddy review at the Studio, Edinburgh " 'harrowing study of small-town homophobia' by Fergus Morgan

Edouard Louis was just 21 when he wrote The End of Eddy. It's an astonishing work, an autobiographical chronicling of his childhood

SOURCE: The Stage Registration at 12:51pm on August 23, 2018

Wolf review at Underbelly Cowgate, Edinburgh " 'exuberant and inventive solo thriller' by Fergus Morgan

It's difficult to believe Wolf is the work of just one man, so vivid and detailed is the world that creator and

SOURCE: The Stage Registration at 10:37am on August 22, 2018

Luke Wright, Poet Laureate review at Bar Bados, Edinburgh " 'fierce, wistful and witty poetry' by Fergus Morgan

Luke Wright has written two cracking, politically-charged verse plays in recent years " What I Learned from Johnny Bevan and Frankie Vah

SOURCE: The Stage Registration at 9:37am on August 22, 2018

Entropy review at Underbelly, Edinburgh " 'fails to sustain its stylishly bruising start' by Fergus Morgan

There's a breathless intensity to Jennifer Roslyn Wingate's Entropy that grips, at first. There's an elusive, Pinter-ish menace to her writing, a

SOURCE: The Stage Registration at 1:23pm on August 21, 2018

Thrown review at Underbelly Cowgate " 'stylish set-up let down by a weak script' by Fergus Morgan

This is so frustrating. Living Record Productions' Thrown has one of the coolest set-ups of any show in Edinburgh " a binaural

SOURCE: The Stage Registration at 12:55pm on August 21, 2018

Pussy Riot: Riot Days review at Summerhall, Edinburgh " 'unsophisticated and unimaginative' by Fergus Morgan

The feminist, punk-rock protest group Pussy Riot is a vital voice in Russian society, daring to dissent in the face of an

SOURCE: The Stage Registration at 5:18am on August 21, 2018

Games review at Gilded Balloon Teviot, Edinburgh " 'competent but clinical' by Fergus Morgan

You know what you're getting with a Henry Naylor play by now. An authoritative voice, a well-researched story, an unapologetically political message,

SOURCE: The Stage Registration at 12:22pm on August 20, 2018

The Half Moon Shania review at Zoo Southside, Edinburgh " 'infectiously exuberant gig-theatre show' by Fergus Morgan

Burnt Lemon Theatre " freshly minted as a New Diorama Graduate Emerging Company for 2018-19 " is well worth watching, judging by

SOURCE: The Stage Registration at 12:06pm on August 20, 2018

European Citizen Popsong review at Summerhall, Edinburgh " 'sweet, but slight and superficial' by Fergus Morgan

Multi-disciplinary Belgian theatre-maker Marieke Dermul wants to enter Eurovision 2019 with her European Citizen Popsong " an anthem combining musical influences from

SOURCE: The Stage Registration at 11:37am on August 20, 2018
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