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618 stories by "Fergus Morgan"

Bismillah! An Isis Tragicomedy review at Vaults, London " 'humorous and humane' by Fergus Morgan

Wound Up Theatre takes the terror out of terrorism with this delightfully drawn two-hander featuring a captured British soldier and a gun-toting

SOURCE: The Stage Registration at 8:18am on March 1, 2018

Split review at Vaults, London " 'warm, witty and nostalgic' by Fergus Morgan

Time for some noughties nostalgia. Emma Pritchard and songwriter-comedian Tamar Broadbent's new play Split follows the growth of two high-school girls' friendship

SOURCE: The Stage Registration at 5:13am on March 1, 2018

Clockwork Canaries review at Theatre Royal, Plymouth " 'weird, wild and baffling' by Fergus Morgan

Christopher William Hill's comedy Clockwork Canaries is weird. And not in a good way. In a disconcerting and dispiriting way. In the

SOURCE: The Stage Registration at 8:06am on February 27, 2018

Lindsay Posner: "I either had the choice of casting stars or not doing the play" by Fergus Morgan

Fergus Morgan interviews the enigmatic West End director about star casting, commercial theatre, and the post-Weinstein landscape. The post Lindsay Posner: “I either had the choice of …

SOURCE: exeuntmagazine.com at 2:24am on February 26, 2018

Vault Festival: Our pick of the best shows to see in week six by Fergus Morgan

As the Vault Festival 2018 nears the home stretch, Fergus Morgan picks out five more shows that will definitely be worth seeing…

SOURCE: The Stage Registration at 2:00am on February 26, 2018

Director Rebecca Frecknall: 'Though it's changing, theatre is still white, middle-class and male' by Fergus Morgan

Having worked her way up through national and regional directors' schemes, Rebecca Frecknall is about to open her second production of Tennessee

SOURCE: The Stage Registration at 7:30am on February 23, 2018

Frozen at Theatre Royal Haymarket, London " review round-up by Fergus Morgan

It's a tragedy. London is swamped by hordes of young Disney fans, dressed in pale blue Elsa gowns, clutching precious tickets in

SOURCE: The Stage Registration at 12:22pm on February 22, 2018

Cause review at Vaults, London " 'nuanced new writing' by Fergus Morgan

James Huntrods' new play, Cause, staged by director Lucy Jane Atkinson, is a neat, nuanced three-handed exploring that age-old tug-of-war between principles

SOURCE: The Stage Registration at 8:39am on February 22, 2018

The Rain God review at Vaults, London " 'moments of genuine joy' by Fergus Morgan

Charles Hatfield made it rain. Or at least he claimed he could, travelling around the USA in the early 1900s, offering his

SOURCE: The Stage Registration at 5:50am on February 22, 2018

Ad Libido review at Vaults, London " 'relentlessly hilarious' by Fergus Morgan

Like around a third of the female population, Fran Bushe suffers from female sexual dysfunction. For her, sex has always been tricky,

SOURCE: The Stage Registration at 2:51am on February 22, 2018

Air Time review at Vaults, London " 'ambitious, but inaccessible' by Fergus Morgan

I tried to engage, I really did, but Nik Wakefield's solo show Air Time is one of those performance art pieces that

SOURCE: The Stage Registration at 12:57pm on February 19, 2018

The Droves review at CoLab Factory, London " 'interactive theatre designed by children' by Fergus Morgan

An interactive theatre experience for adults, designed and performed by kids. What could go wrong? Surprisingly little, in fact, in Coney's part

SOURCE: The Stage Registration at 8:48am on February 19, 2018

Vault Festival: Our pick of the best shows to see in week five by Fergus Morgan

The Rain God Pronk! is a collective of creatives set up last spring with the aim of combining science and storytelling to

SOURCE: The Stage Registration at 2:00am on February 19, 2018

You review at Vaults, London " 'sensitive and compelling' by Fergus Morgan

Mark Wilson's two-hander, You, originally premiered at the Brighton Fringe in 2015, and it's lost little of its power since then. It's

SOURCE: The Stage Registration at 10:46am on February 16, 2018

I Have a Mouth and I Will Scream review at Vaults, London " 'funny, fierce, furious' by Fergus Morgan

It feels so, so wrong to pass comment on I Have a Mouth and I Will Scream, because if there's one thing

SOURCE: The Stage Registration at 8:31am on February 16, 2018

A Serious Play About World War II review at Vaults, London " 'a metatheatrical farce' by Fergus Morgan

The new show by Willis and Vere " the duo behind 2015's hit fringe farce The Starship Osiris " is called A

SOURCE: The Stage Registration at 11:03am on February 15, 2018

Surprise! review at Vaults, London " 'an enjoyable exploration of anxiety' by Fergus Morgan

Lauren Silver's Surprise! is one of those frank, friendly solo shows that explores issues of mental health or social stigma with the

SOURCE: The Stage Registration at 9:34am on February 15, 2018

Cotton review at Vaults, London " 'free-flowing and forgivably raw' by Fergus Morgan

What makes one world real and one world imaginary? That's the Matrix-like dilemma at the centre of Exeter-based company the Peaceful Defeat's

SOURCE: The Stage Registration at 4:15am on February 15, 2018

How Akademi's touring show The Troth is saluting India's wartime sacrifice through dance by Fergus Morgan

British South Asian company Akademi is marking the centenary of the First World War with an adaptation of a short story commemorating the

SOURCE: The Stage Registration at 7:30am on February 14, 2018

Vault Festival: Our pick of the best shows to see in week four by Fergus Morgan

As Vault Festival strides into its fourth week, there's a real sense that the festival has found its feet. Week four sees

SOURCE: The Stage Registration at 2:00am on February 12, 2018

Wrecked review at Vaults, London " 'an intimate thriller performed in a car' by Fergus Morgan

Fever Dream Theatre's Wrecked boasts one of the bolder concepts of this year's festival. It's a 45-minute thriller performed in a crashed

SOURCE: The Stage Registration at 12:06pm on February 10, 2018

An Act of Kindness review at Vaults, London " 'carefully crafted' by Fergus Morgan

No-one talks to strangers anymore. At train stations, on the tube, at coffee shops, it's smartphones out and earbuds in. Except in

SOURCE: The Stage Registration at 6:18am on February 10, 2018

Revolution review at the Vaults, London " 'engaging interactive strategy game' by Fergus Morgan

Exit Productions’ show is one of the mainstays of this year's festival. It’s here from first week to last, occupying Unit 9

SOURCE: The Stage Registration at 10:26am on February 9, 2018

Mission Abort review at Vaults, London " 'frank and funny' by Fergus Morgan

Therese Ramstedt's solo show Mission Abort uses Flight of the Conchords in its soundtrack, so its automatically great. But even if it

SOURCE: The Stage Registration at 9:45am on February 9, 2018

Review round-up: Long Day's Journey Into Night by Fergus Morgan

When Eugene O'Neill finished a draft of Long Day's Journey Into Night in 1941, he insisted the play never be performed and

SOURCE: The Stage Registration at 12:25pm on February 8, 2018
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