618 stories by "Fergus Morgan"
Erica Murray's The Cat's Mother scours like only caustic Irish comedy can. Written as part of the Soho Theatre's Young Writers Lab
There can be few shows at this year's festival better suited to their underground environs than Anonymous is a Woman's Think of
Hail Hytner! Nick's immersive Shakespeare overcomes its own innate lameness triumphantly.
The post Review: Julius Caesar at the Bridge Theatre appeared first on Exeunt Magazine.
Double Infemnity is one of those show, that, while bursting with good ideas, lacks the finesse to pull them off. A joint
You enter the space, your bag is taken from you, and you're guided, individually, to your place on an uncomfortable wooden bench.
Welcome to the weird world of HP Lovecraft. Dominic Allen and Simon Maeder's comic new show takes you on a whistlestop tour
About halfway through Lamplighters, Neil Connolly's interactive homage to the spy thrillers of John Le Carre, something goes seriously wrong. An audience
As London's Vault Festival moves into its third week, Fergus Morgan picks out five shows to watch out for, from a solo piece based
How to describe a show like Vanishing Mankind? Theatre directors Simon Evans and David Aula turn performers again for this semi-sequel to
Nicholas Hytner kicked off his reign at the National with a timely revival of Henry V, one that emphatically echoed contemporary political
This is a neat piece of writing. A murder mystery, set in North-West London's chemsex scene, that simultaneously supplies a nagging study
With the public gaze fixed squarely on the depraved attendees of the Presidents Club dinner, Joana Nastari's one-woman play about stripping, Fuck
There's the kernel of a good idea here. Using Dwayne "The Rock" Johnson as a semi-ironic symbol of hope against the belligerent
Silk Road, for the uninitiated, was a darknet narcotics marketplace on which you could order everything from crack cocaine to painkillers and
After an opening salvo of musicals about The Rock and Bitcoin-funded darknet dramas, London’s Vault Festival swings into its second week with a
Wilde's in the West End. Dominic Dromgoole's new company Classic Spring follows last autumn's lightly appreciated, generally four-starred A Woman Of No
While the UK is home to a buzzing fringe scene " not to mention the biggest arts festival in the world "
The 2018 edition of Vault Festival kicks off with a typically varied selection of shows, ranging from one-man monologue rants, including a
Happy birthday to The Birthday Party. Harold Pinter's classic play turns 60 this year, and to mark the occasion the West End
Since its first edition in 2012, Vault Festival has livened up the traditionally slow months after Christmas. A haven of bars, booze
Kim Noble for kids. It doesn't sound like a recipe for success. In fact it sounds like something that would give most
The East End is not what it once was. Outside the King’s Head Theatre " where Steven Berkoff’s drama East made its London
Whatever the ethics and effects of new writing competitions are, that they throw up intriguing, exciting plays is undeniable. Here are three:
Consensus was in short supply among theatre critics in 2017, with everything from all-too-exclusive shows and gender swapping dividing opinion. Fergus Morgan
Hamilton's here, at last. Lin-Manuel Miranda's mega-hit musical took America by storm two years ago, and now it hopes to do the
