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618 stories by "Fergus Morgan"

Pinocchio at the National Theatre " review round-up by Fergus Morgan

As theatres around the country sparkle up with sequins and dial up their dames for panto season, Rufus Norris' National turns to

SOURCE: The Stage Registration at 1:14pm on December 19, 2017

Dick Whittington at the London Palladium " review round-up by Fergus Morgan

Last year, pantomime producing giants Qdos brought festive fun back to the London Palladium with its gloriously excessive Cinderella, which saw seasoned

SOURCE: The Stage Registration at 11:42am on December 18, 2017

The Jungle review at Young Vic, London " 'vital, vibrant and extraordinarily moving' by Fergus Morgan

Welcome to The Jungle. Joe Murphy and Joe Robertson's debut full-length play " a co-production from the Young Vic, the National and

SOURCE: The Stage Registration at 7:59am on December 16, 2017

Aladdin review at Royal and Derngate, Northampton " 'the wrong sort of bad' by Fergus Morgan

Northampton Royal and Derngate's Aladdin claims it has "everything you could wish for in a panto". As far as I can tell,

SOURCE: The Stage Registration at 5:03am on December 14, 2017

FCUK'D review at the Bunker Theatre, London " 'meaty and muscular' by Fergus Morgan

On a white-lined square of astro turf, with autumn leaves piled in the corners and a streetlamp blinking pink overhead, Will Mytum

SOURCE: The Stage Registration at 4:41am on December 14, 2017

Review: Thirty Christmases at the New Diorama Theatre by Fergus Morgan

The loneliest time of the year: Jonny and the Baptists' Christmas show has brilliant songs and a big heart. The post Review: Thirty Christmases at the New Diorama Theatre appeared first on E…

SOURCE: exeuntmagazine.com at 1:58am on December 14, 2017

The Ladykillers of Humber Doucy Lane review at Sir John Mills Theatre, Ipswich " 'pops with wit and invention' by Fergus Morgan

This is the second stage adaptation of Alexander Mackendrick’s tired old Ealing comedy to reach Ipswich this year, but where Peter Rowe’s

SOURCE: The Stage Registration at 7:49am on December 11, 2017

Grimly Handsome review at Royal Court, London " 'playfully philosophical' by Fergus Morgan

What to make of this? Julia Jarcho's Obie award-winning 2013 three-hander  here making its UK premiere in a lightly immersive staging created

SOURCE: The Stage Registration at 6:51am on December 10, 2017

Jack and the Beanstalk review at Cambridge Arts Theatre " 'A bit too slick, a bit heartless' by Fergus Morgan

There’s a unique delight in seeing Tony Christie fumble out gags about his sparkling back catalogue to a baffled audience of entirely

SOURCE: The Stage Registration at 8:01am on December 8, 2017

Rapunzel review at Cambridge Junction " 'witty, warm and wacky' by Fergus Morgan

It’s Rapunzel, but not as we know it. Cambridge Junction’s Christmas show, a co-production with Valentina Ceschi and Thomas Eccleshare’s Dancing Brick,

SOURCE: The Stage Registration at 5:52am on December 8, 2017

Review: Parliament Square at Bush Theatre by Fergus Morgan

Timely vitality: James Fritz's intense, sprawling new play is a call to action. The post Review: Parliament Square at Bush Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:01am on December 4, 2017

'Tis Unmanly Grief review at Theatre N16, London " 'fearless, but flawed' by Fergus Morgan

Lifting its title from a line in Hamlet, and also focusing on the increasingly alarming behaviour of a young man mourning his

SOURCE: The Stage Registration at 10:50am on December 1, 2017

Red Riding Hood: The Rock 'n' Roll Panto review at New Wolsey Theatre, Ipswich " 'barnstorming' by Fergus Morgan

New Wolsey artistic director Peter Rowe and long-time panto partner-in-crime Ben Goddard have hit upon a winning festive formula: their annual 'rock

SOURCE: The Stage Registration at 5:50am on November 29, 2017

Everybody's Talking About Jamie at the Apollo Theatre " review round-up by Fergus Morgan

Everybody really is talking about Jamie. Tom MacRae’s new musical turned heads when it premiered in Sheffield last year, and it’s turning

SOURCE: The Stage Registration at 12:59pm on November 24, 2017

The Secret Theatre review at Sam Wanamaker Playhouse, London " 'an engrossing spy thriller' by Fergus Morgan

Anders Lustgarten’s new play The Secret Theatre inhabits the same historical moment as Schiller’s Mary Stuart " the late 1580s, with Elizabeth

SOURCE: The Stage Registration at 8:42am on November 23, 2017

Jamaican pantomime: How a British tradition was given a Caribbean flavour by Fergus Morgan

For more than 75 years, the Little Theatre Movement has been staging pantomimes in Jamaica's capital, starting with very British-style offerings, but

SOURCE: The Stage Registration at 8:42am on November 22, 2017

Network starring Bryan Cranston at the National Theatre " review round-up by Fergus Morgan

Last December, Belgian big-shot Ivo van Hove’s production of Hedda Gabler opened on the National’s Lyttelton stage, a radical revival that the

SOURCE: The Stage Registration at 8:05am on November 16, 2017

Glengarry Glen Ross starring Christian Slater at the Playhouse Theatre " review round-up by Fergus Morgan

David Mamet’s Pulitzer Prize-winning play, now revered as an all-American classic, actually started its life in London. Its first production came courtesy

SOURCE: The Stage Registration at 9:25am on November 13, 2017

Contractions review at the New Diorama, London " 'nerve-wrenching' by Fergus Morgan

Contractions is like a site-specific episode of Black Mirror. Emma (Abigail Poulton), a chirpy, cheery salesman at an unnamed international company, is

SOURCE: The Stage Registration at 10:33am on November 10, 2017

Quaint Honour review at Finborough Theatre, London " 'an astutely staged revival' by Fergus Morgan

Roger Gellert’s only play, Quaint Honour, received its world premiere in 1958 at the Arts Theatre, where it was able to dodge the

SOURCE: The Stage Registration at 8:52am on November 8, 2017

The Retreat review at Park Theatre, London " 'funny and catarthic' by Fergus Morgan

Comedy writing duo Sam Bain and Jesse Armstrong share an impressive CV " sketch writers for Mitchell and Webb, co-creators of the

SOURCE: The Stage Registration at 8:36am on November 8, 2017

Picasso review at the Playground Theatre, London " 'wincingly misjudged' by Fergus Morgan

There are misjudged artistic decisions and then there’s this. The inaugural production of Latimer Road’s new Playground Theatre is an outrageously sexist,

SOURCE: The Stage Registration at 7:01pm on November 7, 2017

Trestle review at Southwark Playhouse, London " 'funny, adorable, elegaic' by Fergus Morgan

Stewart Pringle’s Papatango prize-winning two-hander is the sort of play you want to take your gran to: a modest not-quite-love story brimming with gentle humour

SOURCE: The Stage Registration at 5:55am on November 6, 2017

HG Wells' The Invisible Man review at Queen's Theatre, Hornchurch " 'awkwardly underwritten' by Fergus Morgan

There’s one big problem with reworking The Invisible Man for the theatre. See if you can spot it. No, it’s him. Over

SOURCE: The Stage Registration at 8:31am on November 1, 2017

Young Marx at the Bridge Theatre " review round-up by Fergus Morgan

Nicholas Hytner and Nick Starr, who together ran the National Theatre for 12 years and oversaw some of the biggest theatrical smash-hits

SOURCE: The Stage Registration at 1:23pm on October 30, 2017
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