618 stories by "Fergus Morgan"
Why are we afraid of the dark? Why do we get lonely? Why do we wage wars? Inspired by the work of Israeli historian
A Super Happy Story (About Feeling Super Sad) is a pretty accurate title. Silent Uproar’s cabaret musical " penned by Rotterdam author
There’s a lot going for 2Magpies Theatre’s surreal satire on state-sanctioned torture and anti-terror tactics: a free Cuba Libre on arrival, a comfy deckchair
Alice is dead, but is hanging around for the funeral. That’s the somewhat wonky, somewhat derivative central conceit of writer-performer Milly Thomas' new one-woman
You’ll need WhatsApp to fully appreciate The Believers Are But Brothers. Writer, performer and co-director Javaad Alipoor uses a live group chat, into which the audie…
Part science lecture, part interwoven monologue drama, part cheery, chirpy sing-a-long,  Joe Sellman-Leava and Michael Woodman’s three-handed Fix " one of three Worklight T…
Solo Scottish storyteller Gary McNair was made an associate artist at the Traverse back in February, and he returns to the theatre
In his productions of The Glass Menagerie and Harry Potter and the Cursed Child, Olivier-winning director John Tiffany crafted worlds of delicacy
Let's be clear this is not a "Bob Dylan musical”. Girl from the North Country might feature songs from the Nobel Prize-winning, singer-songwriter’s extensive catalogue,
London’s Young Vic has moved into the West End this summer, with Australian director Benedict Andrews' much-anticipated revival of Tennessee Williams’ Cat on a Hot Tin
Emma Rice’s valedictory Summer of Love season has so far whisked audiences from Shakespeare’s Globe to a grotesquely clownish Verona in Daniel Kramer’s Romeo and
Latitude is my local festival. I’ve been coming since 2009. I saw Damon Albarn in a thunderstorm, Bloc Party before they split
Dee is 33. She lives in an unglamorous bedsit in London, far from her home in the Welsh valleys. She has a
What lengths would you go to for a child to call your own? What relationships would you forsake? What laws would you
Amer Hlehel’s one-man play Taha paints a personal portrait on a political canvas, weaving the life story of Palestinian poet Taha Muhammad Ali against the backd…
Kenneth Grahame’s classic 1908 children’s novel has worked its way into the fabric of British society over the last century, adapted multifariously into films,
Shit-faced Shakespeare " a pared down play in which one of the cast members is three sheets to the wind " has been a staple
Lanie Robertson’s 1986 work Lady Day at Emerson’s Bar and Grill isn’t exactly a musical and it isn’t exactly a play. Styled
Andrew Keatley’s Alligators has serious bite. Revised and refined since its 2016 developmental run, Simon Evans’ production returns to the Hampstead Theatre Downstair…
James Graham is having a busy 2017. His 2012 smash-hit This House finished its long-overdue West End run in February, his new comedy Labour of Love
Britain's best-selling fish-and-chip-wrapper: Fergus Morgan reviews James Graham's new play about the Sun.
The post Review: Ink at the Almeida appeared first on Exeunt Magazine.
Coupling the knotty legal dialectic of 12 Angry Men with the gut-wrenching emotional tug of United 93, Ferdinand von Schirach’s Terror makes
Meat Loaf has had one hell of a shelf life. Initially a barbarised Peter Pan musical project, then an operatic prog-rock album
Something happens just before the interval in US playwright Branden Jacobs-Jenkins’ Gloria that shocks, viscerally. Out of the blue and on a
The first fruit of Furnace, the Birmingham Rep’s community theatre initiative, was We’re Here Because We’re Here, the Somme centenary memorial that flooded locations
