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618 stories by "Fergus Morgan"

Richard Bean's The Hypocrite at Hull Truck Theatre " review round-up by Fergus Morgan

Hull is UK City of Culture 2017. Which means that this year the city will play host to a jam-packed catalogue of cultural events,

SOURCE: The Stage Registration at 12:14pm on March 6, 2017

Blasted review at Styx, London " 'a sanitised revival' by Fergus Morgan

A terminally ill journalist. A naive young girl. A hotel room. A violent soldier. A rape. A dead baby. Ali Pidsley’s production marks the opening salvo in Rift'…

SOURCE: The Stage Registration at 8:50am on March 3, 2017

Andrew Scott in Hamlet at the Almeida Theatre " review round-up by Fergus Morgan

David Tennant has had a go. Benedict Cumberbatch has taken a stab at it. And now fellow star of BBC Steven Moffat

SOURCE: The Stage Registration at 12:22pm on March 2, 2017

Twelfth Night starring Tamsin Greig " review round-up by Fergus Morgan

Glenda Jackson as King Lear? Harriet Walter as Prospero? Michelle Terry as Henry V? And now Tamsin Greig as Malvolio? It’s almost

SOURCE: The Stage Registration at 10:10am on February 27, 2017

A Midsummer Night's Dream review at the Young Vic Theatre, London " 'a mirthless mud bath' by Fergus Morgan

It may be the nation’s favourite Shakespeare, but when you stop and think about it, A Midsummer Night’s Dream is pretty damn problematic: a

SOURCE: The Stage Registration at 5:55pm on February 23, 2017

Gary Barlow and Tim Firth's The Girls " review round-up by Fergus Morgan

Gary Barlow is taking over the world, one step at a time. He’s already dominated the small screen as a judge on BBC

SOURCE: The Stage Registration at 11:18am on February 23, 2017

Hotel Europe review at Green Rooms Hotel " 'absorbing new writing' by Fergus Morgan

An epistolary tale documenting the global diaspora of one Italian family. A heated discussion stripping away layers of latent prejudice in a

SOURCE: The Stage Registration at 5:59am on February 22, 2017

Good Dog review at Watford Palace Theatre " 'compellingly vital' by Fergus Morgan

Inspired by a desire to understand the rage that fuelled riots across England in 2011, Arinze Kene’s Good Dog is an ambitious, sprawling

SOURCE: The Stage Registration at 5:40am on February 18, 2017

Ventoux review at Vault, London " 'ambitiously kaleidoscopic' by Fergus Morgan

In 2000, two infamous cyclists " Lance Armstrong and Marco “the Pirate” Pantani " fought out a thrilling contest during Stage 12 of

SOURCE: The Stage Registration at 5:48am on February 16, 2017

Glitter Punch review at King's Cross Theatre, London " 'a sting in its tail' by Fergus Morgan

For the first 55 minutes of its one hour running time, Lucy Burke’s Glitter Punch is little more than a sweet, cringingly adolescent story

SOURCE: The Stage Registration at 12:39pm on February 10, 2017

Killing Time review at the Park Theatre, London " 'trite kookiness' by Fergus Morgan

Zoe Mills’ Killing Time presents us with a mother daughter relationship, not in the play, but in the cast. Still Open All

SOURCE: The Stage Registration at 10:44am on February 9, 2017

School Play review at Southwark Playhouse, London " 'sharp, moving, timely' by Fergus Morgan

Good Will Hunting. Dead Poets Society. The History Boys. Dramas about teaching tend to follow a pattern (and tend to star Robin Williams).

SOURCE: The Stage Registration at 5:54am on February 7, 2017

Run the Beast Down review at Finborough Theatre, London " 'breathless, trippy, riveting' by Fergus Morgan

Run the Beast Down, the debut play from writer, director and musician Titas Halder, is a bewildering, kaleidoscopic tale of an impressionable young man gradually losing his

SOURCE: The Stage Registration at 6:45am on February 4, 2017

The Trouble With 'National' Theatre by Fergus Morgan

"Olivier, Hall, and Nunn had it easy. Norris has it all to do." As Rufus Norris comes under attack, Fergus Morgan explores the troublesome business of theatre and nation building. The post T…

SOURCE: exeuntmagazine.com at 4:04am on February 3, 2017

The Iron Man review at Unicorn Theatre, London " 'an uneven adaptation' by Fergus Morgan

Ted Hughes’ classic 1968 children’s novel The Iron Man should be compulsory reading. It’s a heartwarming modern-day myth about improbable allies that celebrates

SOURCE: The Stage Registration at 5:41am on February 1, 2017

Winter Solstice review at the Orange Tree Theatre, London " 'exciting, experimental, insightful' by Fergus Morgan

'Twas the night before Christmas and all through the house, a fascist went raving, spewing out essentialist propaganda within earshot of his

SOURCE: The Stage Registration at 5:25am on January 19, 2017

The Lower Depths review at Arcola Theatre, London " 'awkward and tedious' by Fergus Morgan

2017 marks the 100th anniversary of the birth of Soviet Russia and, at the Arcola Theatre, revolution is in the air with

SOURCE: The Stage Registration at 7:25am on January 17, 2017

The Albatross 3rd and Main review at Park Theatre, London " 'teasingly enigmatic' by Fergus Morgan

Welcome to Lacy's, a dusty, unkempt Massachusetts general store with no customers, few prospects, and an awful lot of debt. Proprietor Gene

SOURCE: The Stage Registration at 11:16am on January 16, 2017

Review: Much Ado About Nothing, Theatre Royal Haymarket by Fergus Morgan

The four friends that depart for the Western Front at the end of Christopher Luscombe's Edwardian reimagining of Love's Labour's Lost for the RSC, return in his twin production of Much Ado A…

SOURCE: A Younger Theatre at 11:48am on January 11, 2017

Review: Love's Labour's Lost, Theatre Royal Haymarket by Fergus Morgan

The RSC's twin productions of Love's Labour's Lost and Much Ado About Nothing have enjoyed a sparkling few years, first playing to acclaim in Stratford-upon-Avon in 2014, before being revive…

SOURCE: A Younger Theatre at 10:42am on January 11, 2017

Dreamgirls at the Savoy Theatre " review round-up by Fergus Morgan

It's been 35 years since Tom Eyen and Henry Krieger's Dreamgirls opened on Broadway, and although it won six Tony awards, has

SOURCE: The Stage Registration at 12:12pm on December 16, 2016

Cinderella pantomime at the London Palladium " review round-up by Fergus Morgan

It's that time of year. Oxford Street is rammed, there are fewer than choccies left in your advent calendar, and you've already

SOURCE: The Stage Registration at 7:23am on December 16, 2016

Simon Callow's A Christmas Carol review at Arts Theatre, London " 'verve and vigour' by Fergus Morgan

Was there ever a more spine-chilling, heart-warming, consistently inspiring festive tale than A Christmas Carol? And was there ever a more perfectly

SOURCE: The Stage Registration at 7:19am on December 16, 2016

Hedda Gabler review round-up: does Ivo van Hove deliver at the National Theatre? by Fergus Morgan

After what only feels like minutes since his Off-Broadway production of Lazarus fell to Earth in King's Cross, the sizzlingly hot Belgian

SOURCE: The Stage Registration at 4:38pm on December 14, 2016

Beauty and the Beast review at Cambridge Junction " 'pure, inspiring and music-filled' by Fergus Morgan

There is something quite wonderful about stripping a Disneyfied fairytale back to its roots, something joyous about dispensing with all the corporate

SOURCE: The Stage Registration at 8:23am on December 9, 2016
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