618 stories by "Fergus Morgan"
Internationaal Theater Amsterdam " formerly Toneelgroep Amsterdam " has been a regular fixture at the Barbican in recent years. Ivo van Hove’s
Is this the next globe-trotting, all-conquering, chart-topping US musical sensation? Anais Mitchell's Hadestown has taken a long time to reach the big
You can't move for Macbeths at the moment. There's the Royal Shakespeare Company's horror-infused staging at the Barbican. There's the National Youth
Pinter at the Pinter, Jamie Lloyd's star-studded West End season of one-act Harold Pinter plays at the theatre named after the legendary
After starting out as a performer, Imitating the Dog's Simon Wainwright has moved to a career in video design. He tells Fergus
Reece Connolly's Chutney concerns a frustrated young couple embark on a spree of animal killings to alleviate their boredom. But this idea
Christopher York's one-woman adaptation of The Pit and the Pendulum for Oxford-based Creation Theatre isn't a straightforward page-to-stage reworking of Edgar Allan
White Teeth is sacred ground for some. Zadie Smith's debut novel, published 18 years ago now, is arguably the best British novel
Jesse Briton's new play A Pupil, tells the story of Ye, once a great violinist, now a jaded tutor, as she struggles
As interactive shows have hit the mainstream in the past 20 years, their success has sometimes been tempered with failure. Specifiq's Oscar
This is quite the achievement. Writer Chris Thorpe and director Sam Pritchard have toured six towns and cities in the North, and
Remember the name: Alice Vilanculo. She's a brilliant, naturally comedic actor, and easily the best thing about Victoria's Knickers, the second instalment
Rosana Cade is Barry, a moustachioed radio presenter in a boxy grey suit. Ivor MacAskill is Barry, a moustachioed radio presenter in
Martin Crimp's 1988 play Dealing With Clair is, in some ways, more relevant than ever in 2018. In others, it's awkwardly old-fashioned.
Brace yourself. Martin McDonagh returns to playwriting for the first time since Hangmen, his phenomenally successful, darkly hilarious 2015 hit. He's not
Evan Placey's 2015 play for the National Youth Theatre, revived here by the NYT Rep Company as part of their 2018 West
Following the announcement that the NT's Travelex sponsorship is coming to an end, Fergus Morgan writes on the trouble with cheap ticket schemes.
The post The Trouble with Ticket Schemes app…
Emma Rice is back. After her acrimonious departure from Shakespeare's Globe earlier this year, the former artistic director of Kneehigh returns with
A Guide for the Homesick is yet another one of those 80-minute, one-act American two-handers. You know the formula: tightly written, clinically
At last: after a long, long wait, Marianne Elliott's production of George Furth and Stephen Sondheim's much-loved musical Company has opened in
There's a certain, old-style schoolboy thrill about this Australian import. A play about Charles Darwin's legendary round-the-world voyage on the HMS Beagle,
In 2014, Florian Zeller was introduced to British theatre. The French playwright's Moliere Award-winning work The Father arrived in the West End,
Here we go, here we go, here we go: Kwame Kwei-Armah's hotly anticipated first season as artistic director of the Young Vic
Though it's something of a muddle, there's a coherent conceit behind Leo Butler's new comedy All You Need Is LSD. It's a
The Enemy's 2007's platinum-selling album We'll Live and Die in These Towns definitely had something. An angsty, aggressive edge that catapulted the
