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131 stories by "Francesca Peschier"

Unexploded Ordnances (UXO) review at Barbican Pit, London " 'thought-provoking' by Francesca Peschier

In 2014, the ground-breaking lesbian feminist performance group Split Britches was touring Governor's Island. They were told not to do any digging.

SOURCE: The Stage Registration at 12:17pm on May 16, 2018[SHARE]

Review: Rattle Snake at the Soho Theatre by Francesca Peschier

One very dangerous man: Catrina McHugh's two-hander explores the issues of coercive control within relationships. The post Review: Rattle Snake at the Soho Theatre appeared first on Exeunt M…

SOURCE: exeuntmagazine.com at 5:05pm on May 13, 2018[SHARE]

Nightclubbing review at Camden People's Theatre, London " 'fiercely political' by Francesca Peschier

Rachel Young's Nightclubbing takes its audience on a journey from the 1980s Black Girl Magic of Grace Jones to shivering in a 2015 nightclub

SOURCE: The Stage Registration at 7:29am on May 9, 2018[SHARE]

Review: Suicide Notes at Shoreditch Town Hall by Francesca Peschier

Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey's solo set into words. The post Review: Suicide Notes at Shoreditch Town Hall appeared first on Exeunt …

SOURCE: exeuntmagazine.com at 6:12am on May 7, 2018[SHARE]

Review: Chess at the Coliseum by Francesca Peschier

Checkmate: Benny and Bjorn's classic eighties musical is completely ridiculous The post Review: Chess at the Coliseum appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:45pm on May 2, 2018[SHARE]

Review: One Green Bottle at the Soho Theatre by Francesca Peschier

Francesca Peschier reviews Hideki Noda's "utterly bizarre gender-bending kaleidoscopic piece of work". The post Review: One Green Bottle at the Soho Theatre appeared first on Exeunt Magazin…

SOURCE: exeuntmagazine.com at 8:57am on May 2, 2018[SHARE]

We Can Time Travel review at Shoreditch Town Hall, London " 'imaginative gig theatre' by Francesca Peschier

We Can Time Travel is the latest piece of gig theatre from Dom Coyote, who created genre frontrunner Songs for the End

SOURCE: The Stage Registration at 10:54am on April 30, 2018[SHARE]

Review: Strictly Ballroom at the Piccadilly Theatre by Francesca Peschier

A Will Young concert with a bit of story: the musical adaptation of Baz Luhrmann's 1992 doesn't sparkle as bright as its sequins. The post Review: Strictly Ballroom at the Piccadilly Theatre…

SOURCE: exeuntmagazine.com at 2:06am on April 27, 2018[SHARE]

Dames review at Pleasance Theatre, London " 'toilet humour' by Francesca Peschier

Dames looks incredible. The music's pounding, the alcopops are flowing and designer April Dalton's interpretation of the nightclub toilet setting is all

SOURCE: The Stage Registration at 9:13am on April 23, 2018[SHARE]

Review: The Bekkrell Effect at Roundhouse by Francesca Peschier

If Pixar did electrons... Francesca Peschier reviews a piece of circus based on the discovery of radioactivity The post Review: The Bekkrell Effect at Roundhouse appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 2:50am on April 23, 2018[SHARE]

Roundtable: Working Conditions and Pay in Theatre Design by Francesca Peschier

Ahead of an open meeting called by the Society of British Theatre Designers, eight designers at all career levels discuss the struggle for fair working conditions The post Roundtable: Worki…

SOURCE: exeuntmagazine.com at 6:40am on April 11, 2018[SHARE]

Review: Devil with the Blue Dress at the Bunker Theatre by Francesca Peschier

No shoes: Francesca Peschier reviews a play inspired by the Monica Lewinsky scandal through its costumes The post Review: Devil with the Blue Dress at the Bunker Theatre appeared first on E…

SOURCE: exeuntmagazine.com at 6:10am on April 9, 2018[SHARE]

Random Selfies review at Ovalhouse, London " 'charming, if lightweight' by Francesca Peschier

Social media has changed the way we live. It's also brought with it new insecurities. Random Selfies, produced by Ovalhouse as part

SOURCE: The Stage Registration at 11:52am on April 3, 2018[SHARE]

Theatre's missing accents by Francesca Peschier

Francesca Peschier explores how regional and working class accents are both underused and misused by theatre. The post Theatre’s missing accents appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:35am on April 3, 2018[SHARE]

Review: Ruthless! The Musical at the Arts Theatre by Francesca Peschier

Who on earth is this for? Joel Paley and Marvin Laird's inane Off-Broadway cult hit punches down not up, and that's the least of its problems. The post Review: Ruthless! The Musical at the A…

SOURCE: exeuntmagazine.com at 9:55am on March 28, 2018[SHARE]

Three Sisters review at Jack Studio Theatre, London " 'exquisite visuals' by Francesca Peschier

Ross McGregor's new adaption of Three Sisters for Arrows and Traps is witty and accessible. Beautifully presented and elegantly design by Odin

SOURCE: The Stage Registration at 12:29pm on March 27, 2018[SHARE]

Review: Miss Nightingale at London Hippodrome by Francesca Peschier

A good night out: Francesca Peschier on Matthew Bugg's bawdy wartime musical. The post Review: Miss Nightingale at London Hippodrome appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:27am on March 26, 2018[SHARE]

Review: Follow Suit at Vault Festival 2018 by Francesca Peschier

You won't look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces' office-based comedy. The post Review: Follow Suit at Vault Festival 2018 appeared fir…

SOURCE: exeuntmagazine.com at 5:07am on March 13, 2018[SHARE]

Review: The Dog Beneath the Skin at Jermyn Street Theatre by Francesca Peschier

The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood The post Review: The Dog Beneath the Skin at Jermyn Street Theatre appeared …

SOURCE: exeuntmagazine.com at 5:01am on March 12, 2018[SHARE]

After the Ball review at Upstairs at the Gatehouse, London " 'stilted and jarring' by Francesca Peschier

Ian Grant's After the Ball explores how war breaks down the things that people consider integral to their sense of self. Despite opening

SOURCE: The Stage Registration at 12:33pm on March 9, 2018[SHARE]

Review: The Strongbox at Vault Festival 2018 by Francesca Peschier

Stephanie Jacob's new play about modern slavery is 'menacingly volatile'. The post Review: The Strongbox at Vault Festival 2018 appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:36am on March 6, 2018[SHARE]

Review: An Evening with Jonathan Blazer at Vault Festival by Francesca Peschier

Francesca Peschier has a long, hard think about why she didn't like this. The post Review: An Evening with Jonathan Blazer at Vault Festival appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:17am on March 6, 2018[SHARE]

Review: Electra at The Bunker Theatre by Francesca Peschier

Sophocles...but make it punk: Francesca Peschier reviews DumbWise Theatre's take on a classic. The post Review: Electra at The Bunker Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:05am on March 5, 2018[SHARE]

Review: Ken at The Bunker by Francesca Peschier

If in doubt, get naked and jump on the table: Terry Johnson's tribute to Ken Campbell has lessons for life as well as theatre. The post Review: Ken at The Bunker appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 9:58am on February 23, 2018[SHARE]

Review: If We Got Some More Cocaine I Could Show You How I Love You at Vault Festival 2018 by Francesca Peschier

Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance". The post Review: If We Got Some More Cocaine I Could Show You How I Love You at Vau…

SOURCE: exeuntmagazine.com at 9:36am on February 17, 2018[SHARE]
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