Lantern Theater Company presents Marco Ramirez's The Royale by Gary L. Day

Now onstage at the Lantern, The Royale tells the true story of Jack Johnson, who defied Jim Crow laws with his historic boxing career. Gary Day reviews.

SOURCE: Broad Street Review at 2:50pm on November 22, 2022☆⚑

Science and Survival at the Science History Institute by Gary L. Day

The outdoor exhibition from the Science History Institute presents the story of Georg and Max Bredig, their scientific accomplishments, and their escape from Nazi Germany. Gary Day previews.

SOURCE: Broad Street Review at 2:18pm on November 16, 2022☆⚑

TILT Institute for the Contemporary Image presents If We Never Get Better by Gary L. Day

TILT mounts its largest exhibition of the last two years with If We Never Get Better, a group show of queer and/or trans artists of color who focus on healthcare, collective grief, disabilit…

SOURCE: Broad Street Review at 4:43pm on October 3, 2022☆⚑

The Print Center presents Ukrainian Photography Today by Gary L. Day

The Print Center teams up with Dr. Ksenia Nouril and Irina Glik for an exhibit photographing the people of Ukraine during their everyday lives, before and during the war. Gary L. Day preview…

SOURCE: Broad Street Review at 5:47pm on September 14, 2022☆⚑

The Barnes presents 'Marie Cuttoli: The Modern Thread from Miró to Man Ray' by Gary L. Day

A new exhibition at the Barnes shows how Marie Cuttoli enlisted the talents of some of the 20th century's biggest artists to help revive and redefine the art of the French tapestry. Gary Day…

SOURCE: Broad Street Review at 2:04pm on February 24, 2020☆⚑

ICA presents Karen Olivier's 'Everything That's Alive Moves' by Gary L. Day

Karen Olivier's epic exhibition at ICA looks at monuments: what they mean, and what they could mean. Gary Day reviews.

SOURCE: Broad Street Review at 3:58pm on February 16, 2020☆⚑

The Annenberg Center and NextMove dance present Ephrat Asherie's 'Odeon' by Gary L. Day

Ephrat Asherie's exuberant choreography in the Philly premiere of 'Odeon' brought the normally staid Annenberg audience to its feet. Gary Day reviews.

SOURCE: Broad Street Review at 8:00am on February 10, 2020☆⚑

Alla Kovgan's 'Cunningham' by Gary L. Day

Filmmaker Alla Kovgan's new biography examines how choreographic genius Merce Cunningham changed the face of modern dance. Gary Day reviews.

SOURCE: Broad Street Review at 3:33pm on January 3, 2020☆⚑

Chris Davis presents 'One-Man Nutcracker' by Gary L. Day

With 'One-Man Nutcracker,' Chris Davis brings some welcome grown-up wit to the hoary holiday chestnut. Gary L. Day reviews.

SOURCE: Broad Street Review at 1:43pm on December 23, 2019☆⚑

Michael Apted's '63 Up' by Gary L. Day

Director Michael Apted's 55-year social experiment on film ends with a powerful lesson about the wisdom age can bring. Gary Day reviews.

SOURCE: Broad Street Review at 3:43pm on December 10, 2019☆⚑

Muse Gallery presents 'Look Me In the Eye: Portraits of Homelessness' by Gary L. Day

Carolyn Harper's fabric-based work, now on view at Muse Gallery, compels a close look at what some would rather not see. Gary Day reviews.

SOURCE: Broad Street Review at 4:38pm on November 5, 2019☆⚑

François Ozon's 'By the Grace of God' by Gary L. Day

François Ozon's docudrama, 'By the Grace of God,' is based on a true story of a group of men who took on the priest who sexually abused them as children, and the Catholic hierarchy that t…

SOURCE: Broad Street Review at 12:47pm on November 5, 2019☆⚑

The Annenberg Center and NextMove Dance present Parsons Dance by Gary L. Day

NextMove closed out its season with a mixed bag of crowd-pleasing works by David Parsons at the Annenberg's Zellerbach Theatre. Gary L. Day reviews.

SOURCE: Broad Street Review at 3:36pm on May 15, 2019☆⚑

After 35 years, Sara Garonzik departs Philadelphia Theatre Company by Gary L. Day

After 35 years at its helm, Sara Garonzik plans to step away from the Philadelphia Theater Company. Critic Gary Day recalls the impact she had on him and his career.

SOURCE: Broad Street Review at 6:06pm on August 30, 2016☆⚑