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581 stories by "Gary Naylor"

BWW Review: HOBSON'S CHOICE, Jack Studio Theatre by Gary Naylor

Hobson's Choice is given a late 50s makeover in this fine revival of a play the themes of which remain as relevant today as ever they were.

SOURCE: BroadwayWorld at 7:18pm on September 6, 2018

BWW Review: SIX, Arts Theatre by Gary Naylor

A show that bursts with great tunes, witty lyrics and fine singing that puts the six wives of Henry VIII back into the narrative - and about time too.

SOURCE: BroadwayWorld at 9:11am on September 5, 2018

BWW Review: CATERPILLAR, Theatre503 by Gary Naylor

Caterpillar takes us to a seaside town guesthouse within which three dysfunctional people circle each other, troubled and needy.

SOURCE: BroadwayWorld at 3:48am on September 4, 2018

BWW Review: BLACK CAT: BOHEMIA, Underbelly Festival by Gary Naylor

Come down to the Southbank for a little circus, a little cabaret and a little naughty banter with the singer, the tumblers and the fire breathing woman.

SOURCE: BroadwayWorld at 6:35am on August 31, 2018

BWW Review: PERICLES, National Theatre by Gary Naylor

Pericles shows our nation what our nation is - a tremendous achievement by the National Theatre's Public Acts movement and a gamechanger for the concept of outreach.

SOURCE: BroadwayWorld at 10:48am on August 28, 2018

BWW Review: TAMBURLAINE, Swan Theatre, Stratford-upon-Avon by Gary Naylor

Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality

SOURCE: BroadwayWorld at 7:24am on August 24, 2018

BWW Interview: Charity Wakefield Talks EMILIA at Shakespeare's Globe by Gary Naylor

Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.

SOURCE: BroadwayWorld at 5:42am on August 20, 2018

BWW Review: THE MERRY WIVES OF WINDSOR, Royal Shakespeare Theatre by Gary Naylor

What larks Maybe not for the purists nor for anyone looking for a Chekhovian analysis of the human condition, but a guilty pleasure full the laughs.

SOURCE: BroadwayWorld at 8:02am on August 15, 2018

BWW Interview: Priyanga Burford Talks THE WINTER'S TALE and PRESS by Gary Naylor

BWW talks to Priyanga Burford about The Winter's Tale currently at The Globe, the forthcoming BBC series, Press, and the differences between acting for stage and screen

SOURCE: BroadwayWorld at 3:32am on August 10, 2018

BWW Interview: Community Participants Talk PERICLES at the National Theatre by Gary Naylor

BroadwayWorld has spoken to Pericles director Emily Lim,writer Chris Bushand composer Jim Fortune. Now, we hear from community members Sue and Rehma. Sue is a staff member at one of the Nati…

SOURCE: BroadwayWorld at 8:37am on August 9, 2018

BWW Review: THE RAPE OF LUCRETIA, Arcola Theatre by Gary Naylor

A demanding, but rewarding, production of Britten's opera about ancient Rome, with plenty of lessons for today.

SOURCE: BroadwayWorld at 10:32am on July 26, 2018

BWW Review: THE SIMON AND GARFUNKEL STORY, Lyric Theatre by Gary Naylor

The Simon and Garfunkel Story is a loving tribute to the multi-platinum selling 60s dup that suffers a little from presentational issues.

SOURCE: BroadwayWorld at 9:23am on July 24, 2018

BWW Review: THE WHITE ROSE - THE STORY OF SOPHIE SCHOLL, Brockley Jack Studio Theatre by Gary Naylor

The tragic story of a student resistance group in wartime Munich told with skill and commitment by a talented cast.

SOURCE: BroadwayWorld at 7:32am on July 20, 2018

BWW Review: KNIGHTS OF THE ROSE, Arts Theatre by Gary Naylor

Jukebox musical that should have stayed in the pub.

SOURCE: BroadwayWorld at 8:24am on July 13, 2018

BWW Interview: David Haig Talks PRESSURE by Gary Naylor

David Haig, whose extensive acting career encompasses stage and screen, is currently starring inPressureat the Ambassadors Theatre - a play that he also wrote.

SOURCE: BroadwayWorld at 10:28am on July 12, 2018

BWW Review: IT HAPPENED IN KEY WEST, Charing Cross Theatre by Gary Naylor

A strange show about the strange relationship between a fake German count and his young, but dead, bride.

SOURCE: BroadwayWorld at 10:24am on July 11, 2018

BWW Review: SIRENS OF THE SILVER SCREEN, Tabard Theatre by Gary Naylor

A show about Judy, Audrey and Marilyn including songs by the gifted Beth Burrows - but does it tell us anything new

SOURCE: BroadwayWorld at 5:32am on July 5, 2018

BWW Review: MISS LITTLEWOOD, Swan Theatre, Stratford upon Avon by Gary Naylor

Miss Littlewood pays tribute to a pioneer of British theatre whose work either side of the Second World War did more for what is called outreach these days, than any other figure before or s…

SOURCE: BroadwayWorld at 10:36am on July 4, 2018

BWW Review: FOR KING AND COUNTRY, Southwark Playhouse by Gary Naylor

Courtroom drama set on the Western Front that doesn't convince in its script and staging but still presses the emotional buttons.

SOURCE: BroadwayWorld at 8:18am on July 3, 2018

BWW Review: MY BEAUTIFUL CIRCUS, Chiswick House and Gardens by Gary Naylor

My Beautiful Circus brings a traditional entertainment to the village green but delivers it with 21st century savvy and morals.

SOURCE: BroadwayWorld at 7:32am on June 29, 2018

BWW Review: AS YOU LIKE IT, Shakespeare in the Squares by Gary Naylor

As You Like It - wit, wisdom and flaws - done in the squares of London on beautiful summer evenings, What's not to like

SOURCE: BroadwayWorld at 11:04am on June 28, 2018

BWW Review: THE TURN OF THE SCREW, Regent's Park Open Air Theatre by Gary Naylor

Britten's celebrated opera re-imagined for a summer evening pregnant with ill-resolved threat.

SOURCE: BroadwayWorld at 11:32am on June 26, 2018

BWW Review: DAISY PULLS IT OFF, Charing Cross Theatre by Gary Naylor

The 80s West End hit is revived by the actor-musicians of the graduating class of Guildford School of Acting in a production that never quite settles on a tone that fits 2018 audiences' sens…

SOURCE: BroadwayWorld at 9:24pm on June 21, 2018

BWW Review: THE LITTLE PONY, Cervantes Theatre by Gary Naylor

Based on a true story, The Little Pony examines how two parents react to their child who clings to his pink backpack as the bullying, physical and psychological, piles up.

SOURCE: BroadwayWorld at 4:24am on June 15, 2018

BWW Review: THE END OF HISTORY, St Giles-in-the-Fields by Gary Naylor

A play that explores the impact of gentrification on London through two characters, flawed but real, in an engaging work.

SOURCE: BroadwayWorld at 9:45am on June 13, 2018
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