594 stories by "Gary Naylor"
Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie.
Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the some of its parts.
Gary Naylor traces five years in which a show playing to 32 customers in a rundown shop on a back street in distant district of South London made it first to the West End and now to New York.
Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic.
Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs.
Gary Naylor sees a play that examines the failures of the social experiment of Skelmersdale, a 60s council mega estate stuck between Liverpool and Wigan
Gary Naylor sees an award-winning show get a deserved transfer to the West End where it bubbles with laughs and some hard edged observations of how we live today.
Gary Naylor sees an extraordinary hour of storytelling that releases the human spirit from its physical incarceration.
Gary Naylor sees a comedy that lacks the pace and focus it needs to realise its potential.
Gary Naylor sees a wonderfully funny farce blessed with strong performances and a script that packs a punch along with the punchlines.
Gary Naylor enjoys a treat for eyes and ears with music and singing and love and hate coming together in opera's unique alchemy.
Gary Naylor sees a play with a tricksy structure and a vagueness in its script that leaves the actors with few places to go.
Gary Naylor sees a funny, contemporary comedy blessed with an Ayckbournesque script and some very fine acting.
Gary Naylor sees La La Land, a film that hits you as hard in the heart as it does in the head. He doubts if he'll see a better movie in 2017.
Gary Naylor sees a show that generates laughs and shows potential, but doesn't make the most of the setup before the punchline arrives too soon.
Gary Naylor sees an adaptation of the celebrated novel, The Kite Runner, that loses some of its epic quality in transition to stage and ends up just a bit too generic for his tastes.
Gary Naylor sees a play that rewards repeated viewing, as relevant today as ever and, in this version, performed with subtlety and grace by an excellent cast.
Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.
Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.
Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.
Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.
Gary Naylor sees a new play about an old problem turning up in new forms - loneliness. This time in the 21st century.
Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.
Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.
Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality
