★★★★ THE FORSYTE SAGA PARTS 1 AND 2, PARK THEATRE Epic adaptation falls away a little, but still packs a punch Joseph Millson leads a super cast in a classy produ…
★★★ AUTUMN, PARK THEATRE Adaptation of Ali Smith's acclaimed novel drifts when it should bite Promising production, beautifully acted, slides into side plots and confusi…
★★ LAND OF THE FREE, SOUTHWARK PLAYHOUSE Good timing, but clunky structure and plodding pace limits appeal A president shot, as a divided country seeks political solutions Str…
★★★ KNIFE ON THE TABLE, COCKPIT THEATRE London teenagers pulled into gang culture's world of drugs, knives and misery This is exactly the kind of play that should be…
★★★★ THE LEHMAN TRILOGY The rise and rise and rise of an iconic Wall Street institution - and its collapse  Sensational stagecraft elevates familiar tale o…
★★★ FRENCH TOAST The English and the French, the men and the women, the young and the old, lock horns in 70s farce  Comedy gains momentum when characters are roun…
★★★ HERE IN AMERICA David Edgar's new play sounds a warning from the past When political expediency intervenes in a personal and professional friendship, what should…
★★★ THE TRUTH ABOUT HARRY BECK Nostalgic comedy about the man who originated an everyday design classic An English eccentric quietly re-invents our view of the capital I…
★★★ THE BAND BACK TOGETHER AGAIN The perils of turning back the clock laid bare The second album is still tough, even if you never recorded the first We meet Joe first a…
★★★ KIM'S CONVENIENCE, Gentle comedy delivers laughs, but proves too safe and too predictable The play that inspired a Netflix series is heartwarming, but needs more…
★★★ WHY AM I SO SINGLE?, GARRICK THEATRE Six's writers lay bare their souls in new musical Marlow and Moss are back with deeply personal exploration of how lives are liv…
★★★★ THE SILVER CORD, FINBOROUGH THEATRE Narcissism up-close and disturbingly relevant Beautifully staged and acted revival of Sidney Howard's century-old blac…
★★★★ ART, THEATRE ROYAL BATH Three men fall out over a painting in a very French comedy Male friendships buckle as egos clash, with a resonance for today's culture…
★★★★ SHIFTERS, THE DUKE OF YORK'S THEATRE Winning and witty 21st century love story Only the third West End written play by a black woman will not be the last Pete…
★★ THE FABULIST, CHARING CROSS THEATRE Plenty of ambition, but achieves very little Beautiful music, but curious decisions in scripting and staging sink the show On opening ni…
★★★★ THE BIRTHDAY PARTY, USTINOV STUDIO, THEATRE ROYAL BATH Landmark play revived to shock and surprise all over again Jane Horrocks garners the laughs in a very d…
★★★★★ FIDDLER ON THE ROOF, REGENT'S PARK OPEN AIR THEATRE As entertaining and poignant as ever, 60 years on Unique venue adds a new dimension to canonical mu…
★★ FRANKIE GOES TO BOLLYWOOD, SOUTHBANK CENTRE Small town girl makes good in Bollywood, then takes on the patriarchy Bhangra-inspired musical let down by storyline and singing…
★★★ NEXT TO NORMAL, WYNDHAM'S THEATRE Technically superb show gets ovation and tears Award-winning comes to West End - bring your handkerchiefs We open on one of tho…
★★★★ MISS JULIE, PARK THEATRE Sparks fly across class and gender divides that persist today Much adapted play gets a traditional staging fuelled by electric leads …
★ MARIE CURIE, CHARING CROSS THEATRE Korean musical makes elementary mistakes Celebrated scientist is ill-served by confused and dull show imported from Seoul There are many women w…
★★ MULTIPLE CASUALTY INCIDENT, THE YARD THEATRE Too many tricks from the writer and the director dissipates the drama Sami Ibrahim's play examines ethics in a war zone, bu…
★★★★★ SPIRITED AWAY, LONDON COLISEUM Faithful adaptation will delight Studio Ghibli fans Growing up with Chihiro/Sen is overwhelming, enlightening and be…
★★★ TESTMATCH, THE ORANGE TREE THEATRE Kate Attwell packs too much into her kitbag as India challenges England  Winning performances cannot overcome a scattergun …
★★★★ AN ACTOR CONVALESCING IN DEVON, HAMPSTEAD THEATRE Paul Jesson finds considerable poignancy in Richard Nelson's bespoke play Fact lightly repackaged as fiction…