53 stories by "George Collins"
Review: I Was Naked, Smelling of Rain, Southbank Centre 3.0Overall Score If you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying…
Review: The Origin of Carmen Power, The Southbank Centre3.0Overall ScoreIf you're enjoying our content, then please consider becoming a patreon with every penny going towards keeping paying …
Review: Tales from the Front Lines...and other stories, Talawa Theatre4.0Overall ScoreIn these first two episodes of Tales from the Front Line…and other stories, Talawa Theatre creates a h…
Review: Nomad, Greenwich Theatre4.0Overall ScoreNomad is a screamingly raw portrayal of institutionalisation and homelessness " delivered straight from a soul with direct experience. Nell Ha…
Review: Fibres, Citizens Theatre4.0Overall ScoreReader Rating 0 VotesFibres may well be one of the most emotionally driven political plays I have ever experienced. Frances Poet's writing is …
Review: The Poltergeist, The Southwark Playhouse4.0Overall ScoreWhile his writing of The Poltergeist is nowhere near as unhinged as Tender Napalm, Philip Ridley brings us an enthralling new …
Review: Shaken, The Actor's Centre3.0Overall ScoreReader Rating 0 VotesShaken drags you through the spectacle of a post-earthquake Puebla. We are met with the most phenomenal set " even more…
Review: A Black Story, Applecart Arts2.0Overall ScoreReader Rating 0 VotesThe layout of A Black Story at Applecart Arts swamps it instantly. Six bland office chairs in two rows of three sit …
Review: Blue Electric, The Playground Theatre3.0Overall ScoreBlue Electric is the tale of a rebellious daughter's fight for acceptance from her father, broken by his experience as a Holocaus…
Review: How to Survive the Cherpocalypse, The Space4.0Overall ScoreWho gave Heather Bandenburg permission to snatch my wig this hard? I Need To Cher are a phenomenal company specialisi…
Review: A Midsummer Night's Dream, Flute Theatre Online4.0Overall ScoreReader Rating 0 VotesZoom is an unruly medium in itself. We are all aware of this hellscape which has dominated our liv…
Review: Persephone's Dream, The Cockpit3.0Overall ScoreThis is one of the most insane pieces of work I have ever seen. An entire ensemble, most of them over fifty, do cats cradle or upper-bo…
Review: How to Hug, Frumpish Theatre 4.0Overall Score In the morning, I am sent a text message from an unknown number asking me to meet them on the bridge in St James's Park to collect my de…
Review: We Sing/I Sang, The Cockpit2.0Overall ScoreI have never been to a show where a google form is integral to the performance; however, We Sing I Sang opens such gateways. As I sit in th…
Review: A Man Stands in a Forest, Pitlochry Festival Theatre4.0StarsIn this short from the Pitlochry Festival Theatre's Shades of Tay series, Richard Colvin conveys a broken soldier, reflect…
Review: Fish Woman, Pitlochry Festival Theatre4.0StarsI have so much to write about this stunning piece of work, even though it only lasted a short four minutes. Fish Woman by Frances Poet i…
Review: The Twits, Unicorn Theatre4.0starsRoald Dahl's twisted children's book, The Twits has never been more vibrant. If you've got kids and fancy introducing them to a British Classic, I u…
Review: Godspell, Hope Mill Theatre2.0StarsIf a spinning woman singing praises to a selfie-stick in the woods doesn't excite you, then I'm uncertain what would. This 50th Anniversary concert…
Review: Love in a Nutshell, The Cockpit Theatre4.0starsIn Xameleon's adaptation of an array of Anton Chekov's short stories, you'll be whisked into two hours of unequivocally sterling storyt…
Review: N89, Matchstick Piehouse 3.0stars In the Matchstick Piehouse theatre you'll find yourself on the N89 London night bus following characters Kim (played by Grace Boyle) and Daniel (pla…
Review: Clown-hearted, VAULT Festival 3.0stars The stage is littered with cardboard boxes, each labelled with a different realm of struggle, 'Shame', 'Hope', 'Fear'. A sad clown absent of an…
Review: Mina, Camden People's Theatre4.0starsConversion therapy is still legal in the United Kingdom. In Mina, Nataly Lebouleux expresses this fact with persistent clarity in the hope of rai…
Review: How We Love, VAULT Festival 3.0stars Annette Brook's writing conveys markedly realistic characters who inhabit the rugged space with enough flare to drive a continually engaging and …
Review: Kaspar and the Sea of Houses, Barons Court Theatre2.0StarsDeep in the basement of the moderately creepy Baron's Court Theatre, the audience are greeted by classical music which echoe…
Review: Crooks 1926, COLAB Theatre4.0starsCrooks 1926 is a hugely ambitious project where you are dragged headfirst into a London based gang who will guide you through an evening of carefull…
