“Richard III”: A Most Sinister Delight
By Eva Phillips The complexities and nuances of Shakespeare’s tremendous tragedy Richard III are apparent to even those uninitiated to Shakespeare’s antics. Grandiloquent as it is intri…
By Eva Phillips The complexities and nuances of Shakespeare’s tremendous tragedy Richard III are apparent to even those uninitiated to Shakespeare’s antics. Grandiloquent as it is intri…
By Eva Phillips Two fundamental queries for any devoted theatre-goer or dramaturgically-minded individual should be “what does it mean to be a playwright” and “what constitutes a play?…
Point Park University’s $74 million theater complex Downtown will be paying dividends during its second season of operation this fall. The shiny new space attracted one of the school’…
By Chloe Kinnahan Attack Theatre has once again pushed the limits of movement, objects, and space in their latest performance, The Rube Goldberg Variations at the New Hazlett. Combining insp…
By Cayleigh Boniger There are some plays that are easy to distill into what is essentially a single essence: family drama, crisis of identity, agit prop. Paula Vogel’s Indecent, performe…
For the last offering of a season that seems to have just begun, Pittsburgh Opera will present Donizetti’s melodious and comic Don Pasquale – an 1834 opera buffa with a 1950’s Hollywoo…
Our teenage years are our most tempestuous and our most formative. We take advantage of our diminished inhibitions, delighting in perhaps reckless behavior. At the same time, we find ourselv…
By Brian Pope In The Burdens, Jane and Mordy Berman’s bond as siblings is only as strong as their network connection. She’s a working mother on one coast. He’s a starving artist on ano…
By Laura Caton Day three of Fringe Festival started off completely differently than any previous Fringe. Because it started in my home. Which isn’t to say I don’t usually start these day…
By Eva Phillips Musical theatre camp (the aesthetic, not summer camp) is a certain audacious brand of camp that is not meant for everyone. Brash, flamboyant, micro-referential, and aggressi…
Drag and performance art offer some of the most cleverly-referential, divinely carnal, lavishly absurdist, outlandish, and stunning performances and characters that enrich and complicate the…
By Casey Cunningham A Little Night Music by Stephen Sondheim and Hugh Wheeler is a show about loves. Old loves, young Loves, wrong loves, right loves, and all the various kinds of love in be…
By Caleigh Boniger Pittsburgh Fringe Festival is like a box of chocolates: you never know what you’re gonna get. Every year there is always a healthy mix of improvisation, comedy, dance,…
By Brian Pope My day of seeing shows in the 2019 Pittsburgh Fringe Festival was indicative of the event’s change in locale. The proceedings gained a great deal of intimacy in their move fr…
By Alex Walsh It’s that time of year again – Fringe Festival is back! The annual smorgasbord of independent theater and art always exposes me to a lot of new things, and this year that…
By Eva Phillips The portentous, Two Lines of Lola Hughes’ short but impactful play cause a whole lot of intersection and collision for being so starkly parallel. Two Lines is, of course…
By Brian Pope Can you name a place more magical than the emerald-spangled, poppy-pink land of Oz where witches, wizards, and munchkins (Oh my!) call home? It’s a place where not only the f…
By Eva Phillips Beth Corning knows precisely what she’s doing. Even when breaching the borderless, lawless, and seemingly indiscernible realm of the unknown, the unconscious/subconscious, …
By Casey Cunningham Like most things in life, attempting to write a review about a show like Brave Space is an exercise in risk taking, in trial and error, about falling flat on your face an…
By Eva Phillips Our bodies have ways of reminding us of their autonomy. Like vestiges of unseen worlds, our bodies are intrinsically linked to untraceable sensations and unutterable memories…
Audiences worldwide have flocked to Puccini’s perennial favorite since the 1890s, making it a safe bet that the days of writing anything new about La bohème expired decades ago. So it…
By Tyler Prah When presented with an unconventional space, innovation is dire to tailor a show to the environment. Fortunately, Pittsburgh Classic Players handles this task with ease, conver…
By Brian Pope The following is a piece I’d like to call “A Friday Evening in Point Park University’s Gorgeous New PNC Theater.” It may not be my masterpiece. It probably won’t revo…
A Letter from the Editor, Friends, we have finally staggered our way through the unforgiving winter, plagued with days of 20 hours of darkness and a massively disappointing awards shows. Yet…
It is a rare instance in my life that my severe OCD, and my hopeless yet unapologetic love of theatre get to intersect so harmoniously as they do when I get to make a list of theatre things …