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1,750 stories by "Ghoover"

“Richard III”: A Most Sinister Delight by Ghoover

By Eva Phillips The complexities and nuances of Shakespeare’s tremendous tragedy Richard III are apparent to even those uninitiated to Shakespeare’s antics. Grandiloquent as it is intri…

SOURCE: onstagepittsburgh.com at 8:00pm on May 8, 2019

Constructing Ourselves in 12 Peers’ “[blank]” by Ghoover

By Eva Phillips Two fundamental queries for any devoted theatre-goer or dramaturgically-minded individual should be “what does it mean to be a playwright” and “what constitutes a play?…

SOURCE: onstagepittsburgh.com at 3:57pm on May 6, 2019

Pittsburgh Playhouse Unveils Exhilarating 2019-2020 Season by Ghoover

  Point Park University’s $74 million theater complex Downtown will be paying dividends during its second season of operation this fall. The shiny new space attracted one of the school’…

SOURCE: onstagepittsburgh.com at 1:11pm on May 4, 2019

Attack Theatre Presents “The Rube Goldberg Variations” by Ghoover

By Chloe Kinnahan Attack Theatre has once again pushed the limits of movement, objects, and space in their latest performance, The Rube Goldberg Variations at the New Hazlett. Combining insp…

SOURCE: onstagepittsburgh.com at 10:17am on April 28, 2019

Transcendent Community in Pittsburgh Public Theatre’s “Indecent” by Ghoover

By Cayleigh Boniger There are some plays that are easy to distill into what is essentially a single essence: family drama, crisis of identity, agit prop.  Paula Vogel’s Indecent, performe…

SOURCE: onstagepittsburgh.com at 9:15am on April 28, 2019

Pittsburgh Opera to Wrap 80th Season with a Hollywood Take on “Don Pasquale” by Ghoover

For the last offering of a season that seems to have just begun, Pittsburgh Opera will present Donizetti’s melodious and comic Don Pasquale – an 1834 opera buffa with a 1950’s Hollywoo…

SOURCE: onstagepittsburgh.com at 8:13pm on April 22, 2019

Pittsburgh Savors “Cruel Intentions: The ’90s Musical” at The Byham Theatre by Ghoover

Our teenage years are our most tempestuous and our most formative. We take advantage of our diminished inhibitions, delighting in perhaps reckless behavior. At the same time, we find ourselv…

SOURCE: onstagepittsburgh.com at 2:22pm on April 18, 2019

“The Burdens” by Ghoover

By Brian Pope In The Burdens, Jane and Mordy Berman’s bond as siblings is only as strong as their network connection. She’s a working mother on one coast. He’s a starving artist on ano…

SOURCE: onstagepittsburgh.com at 6:36pm on April 17, 2019

Fringe Day 3: Alex Gets A Clean Home and Vibrant Dance by Ghoover

By Laura Caton Day three of Fringe Festival started off completely differently than any previous Fringe. Because it started in my home. Which isn’t to say I don’t usually start these day…

SOURCE: onstagepittsburgh.com at 5:51pm on April 12, 2019

You’ll Find Something Spectacular Going “Into the Woods” With UP Stages by Ghoover

By Eva Phillips Musical theatre camp (the aesthetic, not summer camp) is a certain audacious brand of camp that is not meant for everyone. Brash, flamboyant, micro-referential, and aggressi…

SOURCE: onstagepittsburgh.com at 6:50pm on April 11, 2019

“Forever” Serving You Realness with moon baby by Ghoover

Drag and performance art offer some of the most cleverly-referential, divinely carnal, lavishly absurdist, outlandish, and stunning performances and characters that enrich and complicate the…

SOURCE: onstagepittsburgh.com at 1:28pm on April 10, 2019

What’s Love Got to do With “A Little Night Music??” by Ghoover

By Casey Cunningham A Little Night Music by Stephen Sondheim and Hugh Wheeler is a show about loves. Old loves, young Loves, wrong loves, right loves, and all the various kinds of love in be…

SOURCE: onstagepittsburgh.com at 3:12pm on April 9, 2019

Fringe Day 3: Cayleigh’s Fringe is A Box of Chocolates by Ghoover

By Caleigh Boniger Pittsburgh Fringe Festival is like a box of chocolates: you never know what you’re gonna get.  Every year there is always a healthy mix of improvisation, comedy, dance,…

SOURCE: onstagepittsburgh.com at 4:52pm on April 8, 2019

Fringe Day 3: Brian Gets Up Close and Personal with an Ex-Evangelist, Poet-Composer Duo, and a Socially Conscious Comic by Ghoover

By Brian Pope My day of seeing shows in the 2019 Pittsburgh Fringe Festival was indicative of the event’s change in locale. The proceedings gained a great deal of intimacy in their move fr…

SOURCE: onstagepittsburgh.com at 8:56am on April 8, 2019

Fringe Day 1 and 2: Alex Survives HR, Triathlon Training, and Much More by Ghoover

By Alex Walsh It’s that time of year again – Fringe Festival is back! The annual smorgasbord of independent theater and art always exposes me to a lot of new things, and this year that…

SOURCE: onstagepittsburgh.com at 11:05am on April 7, 2019

Fringe Day 1-Confronting Insecurities and Relationships in Lola Hughes’ “Two Lines” by Ghoover

By Eva Phillips The portentous, Two Lines of Lola Hughes’ short but impactful play cause a whole lot of intersection and collision for being so starkly parallel. Two Lines is, of course…

SOURCE: onstagepittsburgh.com at 1:37pm on April 6, 2019

“Midnight Radio’s: The Wonderful Wizard of Oz” by Ghoover

By Brian Pope Can you name a place more magical than the emerald-spangled, poppy-pink land of Oz where witches, wizards, and munchkins (Oh my!) call home? It’s a place where not only the f…

SOURCE: onstagepittsburgh.com at 10:45am on April 2, 2019

“with a shadow of…” And Euphoric Submersion into Unknowning by Ghoover

By Eva Phillips Beth Corning knows precisely what she’s doing. Even when breaching the borderless, lawless, and seemingly indiscernible realm of the unknown, the unconscious/subconscious, …

SOURCE: onstagepittsburgh.com at 4:25pm on March 30, 2019

The Breathtaking Surrealiasm of Aloft Circus’ “Brave Space” by Ghoover

By Casey Cunningham Like most things in life, attempting to write a review about a show like Brave Space is an exercise in risk taking, in trial and error, about falling flat on your face an…

SOURCE: onstagepittsburgh.com at 11:14am on March 29, 2019

Exhalations Dance Theatre Exuberantly Heralds Spring with “Equinox” by Ghoover

By Eva Phillips Our bodies have ways of reminding us of their autonomy. Like vestiges of unseen worlds, our bodies are intrinsically linked to untraceable sensations and unutterable memories…

SOURCE: onstagepittsburgh.com at 4:45pm on March 28, 2019

Jean-Luc Tingaud on Pittsburgh Opera’s Upcoming “La bohème” by Ghoover

  Audiences worldwide have flocked to Puccini’s perennial favorite since the 1890s, making it a safe bet that the days of writing anything new about La bohème expired decades ago. So it…

SOURCE: onstagepittsburgh.com at 9:25pm on March 24, 2019

“Proof” by Ghoover

By Tyler Prah When presented with an unconventional space, innovation is dire to tailor a show to the environment. Fortunately, Pittsburgh Classic Players handles this task with ease, conver…

SOURCE: onstagepittsburgh.com at 4:19pm on March 20, 2019

“Sunday in the Park with George” by Ghoover

By Brian Pope The following is a piece I’d like to call “A Friday Evening in Point Park University’s Gorgeous New PNC Theater.” It may not be my masterpiece. It probably won’t revo…

SOURCE: onstagepittsburgh.com at 11:10am on March 19, 2019

Spring Preview 2019 by Ghoover

A Letter from the Editor, Friends, we have finally staggered our way through the unforgiving winter, plagued with days of 20 hours of darkness and a massively disappointing awards shows. Yet…

SOURCE: onstagepittsburgh.com at 4:02pm on March 17, 2019

Spring Preview 2019 Countdown by Ghoover

It is a rare instance in my life that my severe OCD, and my hopeless yet unapologetic love of theatre get to intersect so harmoniously as they do when I get to make a list of theatre things …

SOURCE: onstagepittsburgh.com at 3:48pm on March 17, 2019
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