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1,750 stories by "Ghoover"

Midnight Radio Holiday Spectaular by Ghoover

Pittsburghese and yuletide cheer converge in the Midnight Radio Holiday Spectacular at Bricolage Production Company’s space downtown. No, this is not the live version of a local radio sho…

SOURCE: onstagepittsburgh.com at 12:00pm on December 5, 2016

The Man Who Mistook His Wife for a Hat by Ghoover

We spend a lot of time as a culture romanticizing quirky iconoclasts, people who see the world just a little bit differently than us, in films, novels and plays. We spend considerably less t…

SOURCE: onstagepittsburgh.com at 11:50am on December 4, 2016

Mr. Marmalade by Ghoover

Perhaps the most compelling aspect of CMU’s production of Mr. Marmalade is the actors’ ability to take on the roles of children.  Specifically, a four year old.  Aleyse Shannon, as the…

SOURCE: onstagepittsburgh.com at 5:04pm on December 3, 2016

Winter Preview 2016 by Ghoover

A letter from the Editor To our beloved readers, The countdown has begun; there are just 21 days left until the first day of Winter and we have put together a preview sure to prepare you for…

SOURCE: onstagepittsburgh.com at 8:27pm on November 30, 2016

5 Musicals You Don’t Want to Miss This Winter by Ghoover

The selection of which musical to produce in any given season can be a dilemma. There are many factors to consider that include casting, designer, director and performance space. These decis…

SOURCE: onstagepittsburgh.com at 8:09pm on November 30, 2016

Loosening the Screws of Performance with Unbolted by Ghoover

Containment, dimensionality, perspective and strictures or limitations of space are the most impeding elements of theatre.  At times imperceptible, these elements structure and even haunt t…

SOURCE: onstagepittsburgh.com at 8:55am on November 30, 2016

Between Riverside and Crazy by Ghoover

Here’s the thing about this review: it’s loaded. Overall, the play was great because the acting and directing were well executed. Although, it tackles some issues with race that are comp…

SOURCE: onstagepittsburgh.com at 1:25pm on November 28, 2016

The Rover by Ghoover

Perhaps more than in any other western country, citizens in America view the seismic shift of cultural norms as a result of the last 100 years of progress. Before the sexual revolution of th…

SOURCE: onstagepittsburgh.com at 7:29pm on November 27, 2016

The Sea by Ghoover

Moments of bewilderment, outrage, psychological unraveling and genuine misery collide in unanticipated ways to create the peculiar experience of watching Pittsburgh Playhouse’s Conservator…

SOURCE: onstagepittsburgh.com at 8:24am on November 17, 2016

Hair by Ghoover

I shouldn’t be partisan.  Anybody can read this and as a journalistic document or review, this should appeal to all people.  Though there is something undeniably liberal about the classi…

SOURCE: onstagepittsburgh.com at 6:21pm on November 12, 2016

12 Angry Men by Ghoover

Few scripts are as universally lauded as Reginald Rose’s 12 Angry Men. A tense drama driven entirely by conversation, the plot follows white 12 jurors in 1950’s America who are preparing…

SOURCE: onstagepittsburgh.com at 2:53pm on November 11, 2016

How I Learned to Drive by Ghoover

Sexual abuse and the way women are often negatively sexualized once they experience the onset of puberty is a subject that has been at the forefront in recent news headlines; making the over…

SOURCE: onstagepittsburgh.com at 7:24pm on November 8, 2016

To Kill a Mockingbird by Ghoover

Prime Stage Theatre has kicked off its 20th-anniversary season with a not-to-miss production of the beloved literary classic To Kill a Mockingbird, which continues to play for two weekends a…

SOURCE: onstagepittsburgh.com at 11:50am on November 6, 2016

Yankee Tavern by Ghoover

A certain part of me thrives off of conspiracy theories. I’ll admit–it’s a malignantly nefarious part of me, one which dwells in the gallows of my brain and entertains tomfoolery that …

SOURCE: onstagepittsburgh.com at 8:49am on November 3, 2016

Giselle by Ghoover

In spirit of the season of the autumnal harvest, the Pittsburgh Ballet Theatre has conjured up a spectacular production of the 19th century ballet, Giselle. An eerily beautiful way to burst …

SOURCE: onstagepittsburgh.com at 7:01am on November 3, 2016

Feeding the Dragon by Ghoover

One actor plays in the theater are often attempted but few really succeed. The charming, funny, and moving autobiographical play Feeding the Dragon at City Theatre gets everything right. Fro…

SOURCE: onstagepittsburgh.com at 10:06am on October 31, 2016

Midnight Radio’s Night of the Living Dead N’at by Ghoover

In a Halloween season where America’s most popular zombie show, The Walking Dead, just had one of their most devastating, gory episodes of all time, it’s refreshing to find an opportunit…

SOURCE: onstagepittsburgh.com at 12:45pm on October 30, 2016

Barefoot in the Park by Ghoover

Neil Simon’s Barefoot in the Park is one of those plays that annually gets produced probably more than it should. The play was considered contemporary in 1963, when Barefoot was considered…

SOURCE: onstagepittsburgh.com at 12:14pm on October 30, 2016

A Midsummer Night’s Dream by Ghoover

There are ultimately two questions audience members will ask themselves at the outset of any contemporary Shakespeare production: what has the production done to modernize the play and what,…

SOURCE: onstagepittsburgh.com at 12:32pm on October 28, 2016

Carrie: The Musical by Ghoover

There is something inherently disconcerting about going to see a theatrical restaging of the 1976 film Carrie, and finding out the theatre it’s presented in is a rustic barn.  Seemingly b…

SOURCE: onstagepittsburgh.com at 7:16am on October 27, 2016

The Who’s Tommy by Ghoover

Many people credit The Who as one of their favorite rock bands. Maybe you like their music as the theme song for your favorite CSI: series. One thing the Who should probably get credit for i…

SOURCE: onstagepittsburgh.com at 7:05am on October 27, 2016

Jekyll & Hyde by Ghoover

People know when attending a Pittsburgh Musical Theater’s Richard E. Rauh Conservatory Company (RERC) show that the production features all youths, rather than a Broadway cast of professi…

SOURCE: onstagepittsburgh.com at 12:37pm on October 23, 2016

Trial by Jury and Gianni Schicchi by Ghoover

When asked to review The Pittsburgh Savoyard’s productions of Gianni Schicchi and Trial by Jury I at first refused. Up until my attendance of these operas my experience of this art form wa…

SOURCE: onstagepittsburgh.com at 11:22am on October 17, 2016

The River by Ghoover

I remember the first time in my life I asked a question that had no satisfactory answer. I was maybe, 11 and asked a buddy at school something about why other kids made such a big deal about…

SOURCE: onstagepittsburgh.com at 10:39pm on October 13, 2016

Intimate Apparel by Ghoover

There is a certain added poignancy felt when watching the marvelously, passionately staged work Intimate Apparel at the University of Pittsburgh Stages. Set in New York in 1905 and functioni…

SOURCE: onstagepittsburgh.com at 10:27pm on October 13, 2016
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