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108 stories by "Harvey Perr"

Broadway Review: TOOTSIE (Marquis Theater) by Harvey Perr

TOOT-TOOT-TOOTSIE, HELLO! I'm here to sing the praises of all those musical comedy freaks who have been jonesing for a contemporary musical that will bring back, in some new form, the golden…

SOURCE: Stage and Cinema at 8:49am on April 30, 2019

Off-Broadway Review: FIDDLER ON THE ROOF IN YIDDISH (Stage 42) by Harvey Perr

SO WHAT'S NOT TO LIKE? As Shakespeare said, "Good wine needs no bush." Thus, there is no need to add to what New Yorkers have already discovered, that no matter how many productions of Fiddl…

SOURCE: Stage and Cinema at 8:49am on April 30, 2019

Broadway Review: GARY: A SEQUEL TO TITUS ANDRONICUS (Booth Theatre) by Harvey Perr

SEND IN THE CLOWNS A bloody war is ended. The bodies pile up. Who will clean up the mess? What to do? What to do? Oh, yes. Send in the clowns. On this note, Taylor Mac, the certified genius …

SOURCE: Stage and Cinema at 3:42pm on April 27, 2019

Theater Review: TIME NO LINE (John Kelly) by Harvey Perr

TEMPUS FUGIT There are great performance artists and, rarer still, there are great artists who perform. John Kelly is both. His Time No Line is a quietly breathtaking meditation on his life …

SOURCE: Stage and Cinema at 2:19am on April 27, 2019

San Francisco Theater Review: THE GREAT LEAP (A.C.T.) by Harvey Perr

A SMALL STEP There is a stillness in B.D. Wong that is the embodiment of grace. In his exquisitely calibrated portrayal of Wen Chang, a Chinese party loyalist, Wong walks a delicate line bet…

SOURCE: Stage and Cinema at 2:21pm on March 19, 2019

S.F. Theater Review: FIORELLO (42nd Street Moon) by Harvey Perr

MAYOR DREAMS COME TRUE SOME OTHER TIME The 42nd Street Moon production of Fiorello is just fine, if you allow for the looseness of staging, the clumsy choreography, and the overall sensation…

SOURCE: Stage and Cinema at 5:07pm on March 14, 2019

Theater Review: STEVE (New Conservatory Theatre Center in San Francisco) by Harvey Perr

THE BOYS IN THE BLAND "Every day a little death/In the parlor, in the bed." Thus spake Stephen Sondheim in his waltz time operetta A Little Night Music. And it is not totally frivolous to st…

SOURCE: Stage and Cinema at 2:08am on March 12, 2019

San Francisco Theater Review: HER PORTMANTEAU (A.C.T.'s Strand Theater) by Harvey Perr

CARRYING BAGGAGE Although it is written with an almost childlike simplicity, Mfoniso Udofia's Her Portmanteau tells a wrenching tale of the profound effect that separation creates when a wom…

SOURCE: Stage and Cinema at 12:46pm on March 6, 2019

Theater Review: WHAT IF THEY WENT TO MOSCOW? (Christiane Jatahy at REDCAT) by Harvey Perr

YOU MOSCOW, YOU MOSCOW The avant-garde seems more interested in re-invention these days than in invention, but from the point of view of someone who had thought that there was nothing new un…

SOURCE: Stage and Cinema at 6:01pm on February 23, 2019

Theater Review: THE B-SIDE: "NEGRO FOLKLORE FROM TEXAS STATE PRISONS" A RECORD ALBUM INTERPRETATION (Wooster Group at REDCAT) by Harvey Perr

B-SIDE MYSELF Breathes there a soul who hasn’t sung along with a favorite album? And, ah, if the songs we sing were rare and challenging and related to one’s life, we might have …

SOURCE: Stage and Cinema at 2:13am on February 3, 2019

Theater Review: AN INSPECTOR CALLS (The Wallis) by Harvey Perr

MAKE A CALL ON THIS INSPECTOR In Stephen Daldry’s architectually inspired revival of J.B. Priestley’s An Inspector Calls, an astute mixture of comedy of manners/tragedy of class/…

SOURCE: Stage and Cinema at 1:19pm on January 24, 2019

Los Angeles Theater Review: END OF THE RAINBOW (Ahmanson Theater) by Harvey Perr

A TRIUMPHANT TRAINWRECK If you've never applauded a trainwreck, be prepared to do so when you see Peter Quilter's End of the Rainbow. I am not talking about the gossip-driven, hardly revelat…

SOURCE: Stage and Cinema at 3:06am on March 21, 2013

Off Broadway Theater Review: WILD WITH HAPPY (The Public Theatre) by Harvey Perr

FORGET YOUR TROUBLES.  COME ON, GET HAPPY. When the lights go up on Wild With Happy, we see Colman Domingo, in cool shades and wearing his best Paris-Is-Burning attitude, speak his openin…

SOURCE: Stage and Cinema at 8:27pm on October 30, 2012

Off Broadway Theater Review: NEUTRAL HERO (The Kitchen) by Harvey Perr

MAXWELL COUNTRY: WHERE HEROES ROAM There is only one Richard Maxwell and, in his extraordinarily textured Neutral Hero, he has gone back to his roots.  For those of us who have longed for…

SOURCE: Stage and Cinema at 8:03pm on October 30, 2012

Off Broadway Theater Review: MODERN TERRORISM (2econd Stage Theatre) by Harvey Perr

WHERE IS DR. STRANGELOVE WHEN YOU NEED HIM? The best thing about Joe Kern's Modern Terrorism, or They Who Want To Kill Us and How We Learn to Love Them is its title.  And if it bears a cl…

SOURCE: Stage and Cinema at 6:06pm on October 25, 2012

Off Broadway Theater Review: HOUSE FOR SALE (The Duke on 42nd Street) by Harvey Perr

SOLD: ONE HOUSE.  AT A DISAPPOINTING RATE. Since Daniel Fish has been certified a new genius by New York's avant-garde elite, I am loath to label him a hoax on the basis of having seen ju…

SOURCE: Stage and Cinema at 5:38pm on October 25, 2012

New York Cabaret Review: ANDREA MARCOVICCI: SMILE (Café Carlyle) by Harvey Perr

SMILE, THOUGH YOUR HEART IS BREAKING Andrea Marcovicci, who reinvented the torch song for a new generation, has looked our depression/recession straight in the face and decided that what she…

SOURCE: Stage and Cinema at 5:09am on October 20, 2012

Off Broadway Theater Review: HARPER REGAN (Atlantic Theater Company) by Harvey Perr

THE JOURNEY HOMEWARD The title character in Simon Stephens's freshly observed new play, Harper Regan, is at a crossroads in her life, in the midst of what we used to call a midlife crisis.Â…

SOURCE: Stage and Cinema at 10:14pm on October 18, 2012

New York Cabaret Review: JOHN KELLY (Joe's Pub at the Public Theater) by Harvey Perr

WOE AND BEHOLD When John Kelly descends into the regions of darkness, he does so with a soaring intensity that is intoxicating and never depressing. In his new cabaret act at Joe's Pub, Kell…

SOURCE: Stage and Cinema at 9:49pm on October 18, 2012

Off Broadway Theater Review " HERESY (The Flea Theatre) by Harvey Perr

"Satire," as George S. Kaufman once famously said, "is what closes Saturday night."  Though written in jest, it has served as an admonition for playwrights in pursuit of satire. In this a…

SOURCE: Stage and Cinema at 2:48pm on October 16, 2012

Los Angeles Theater Review: WAR HORSE (Ahmanson Theatre) by Harvey Perr

WHO’LL SAVE THE PLOW HORSE? War Horse is almost critic-proof. It has been garnering all sorts of Best Play awards, but, in truth, there are all sorts of new, unrecognized categories fo…

SOURCE: Stage and Cinema at 1:01am on July 1, 2012

Los Angeles Theater Review and Commentary: JITNEY (Pasadena Playhouse) by Harvey Perr

THE SIZZLE’S A FIZZLE It is an uncontestable fact that every play August Wilson wrote justifies being looked at again and again. It has been fascinating to see how the moral, political…

SOURCE: Stage and Cinema at 9:36pm on June 29, 2012

Los Angeles Theater Review: FOLLIES (Ahmanson Theatre) by Harvey Perr

FOLLIES IN HOLLYWOOD Follies has always been a fabulous musical. It may not be Stephen Sondheim‘s greatest musical, but it is the Stephen Sondheim musical that his admirers most desper…

SOURCE: Stage and Cinema at 5:11am on May 20, 2012

Broadway Theater Review: THE COLUMNIST (Samuel J. Friedman Theatre) by Harvey Perr

THE PROBLEM WITH BEING TOO WELL-MANNERED David Auburn‘s The Columnist gets the good part over with in the first scene and then proceeds to become exactly the sort of play we might have…

SOURCE: Stage and Cinema at 2:36am on May 13, 2012

New York Theater Reviews: RECENT SPRING OPENINGS ON AND OFF BROADWAY by Harvey Perr

Stage and Cinema sent Harvey Perr back to the east coast to catch up on this very busy time of the season in New York City theater, when new shows open one right after the other and Tony fev…

SOURCE: Stage and Cinema at 9:50pm on May 9, 2012
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