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180 stories by "Helen Hawkins"

The Code, Southwark Playhouse Elephant review - superbly cast, resonant play about the price of fame in Hollywood by Helen Hawkins

Tracie Bennett is outstanding as a ribald, riotous Tallulah Bankhead Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this t…

SOURCE: The Arts Desk at 6:54am on September 19, 2025

Interview, Riverside Studios review - old media vs new in sparky scrap between generations by Helen Hawkins

Robert Sean Leonard and Paten Hughes make worthy sparring partners The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;…

SOURCE: The Arts Desk at 8:06am on August 29, 2025

Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits by Helen Hawkins

Lenny Henry is the ideal ringmaster for this exercise in audience participation The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, …

SOURCE: The Arts Desk at 9:36am on August 9, 2025

Good Night, Oscar, Barbican review - sad story of a Hollywood great's meltdown, with a dazzling turn by Sean Hayes by Helen Hawkins

Oscar Levant is an ideal subject to refresh the debate about media freedom Back in the day, when America's late-night chat show hosts and their guests sat happily smoking as they shot the br…

SOURCE: The Arts Desk at 9:54am on August 7, 2025

The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard III by Helen Hawkins

The writer did impressive research but shouldn't have fleshed out Josephine Tey's story Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Ri…

SOURCE: The Arts Desk at 4:54am on July 31, 2025

That Bastard, Puccini!, Park Theatre review - inventive comic staging of the battle of the Bohèmes by Helen Hawkins

James Inverne enjoyably reconstructs the rivalry between Puccini and Leoncavallo Before Luigi Illica wrote the libretti for Puccini's Tosca and Madama Butterfly, he had joined the composer …

SOURCE: The Arts Desk at 2:36am on July 17, 2025

Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at war by Helen Hawkins

Beth Steel makes a stirring West End debut with her poignant play for today The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End…

SOURCE: The Arts Desk at 2:32pm on July 13, 2025

Intimate Apparel, Donmar Warehouse review - stirring story of Black survival in 1905 New York by Helen Hawkins

An early Lynn Nottage work gets a superb cast and production The corset is an unlikely star of the latest Lynn Nottage play to arrive at the Donmar Warehouse, 2003's Intimate Apparel. After …

SOURCE: The Arts Desk at 3:18pm on June 27, 2025

Stereophonic, Duke of York's Theatre review - rich slice of creative life delivered by a 1970s rock band by Helen Hawkins

David Adjmi's clever and compelling hit play gets a crack London cast The tag "the most Tony-nominated play of all time" may mean less to London theatregoers than it does to New Yorkers, but…

SOURCE: The Arts Desk at 8:48pm on June 15, 2025

A Midsummer Night's Dream, Bridge Theatre review - Nick Hytner's hit gender-bender returns refreshed by Helen Hawkins

This Dream is a great night out, especially for Shakespeare first-timers It's a sign of the inroads that the term "immersive" has made in theatreland that it now gets jokily namedropped at t…

SOURCE: The Arts Desk at 9:36am on June 10, 2025

Letters from Max, Hampstead Theatre review - inventively staged tale of two friends fighting loss with poetry by Helen Hawkins

Sarah Ruhl turns her bond with a student into a lesson in how to love In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her li…

SOURCE: The Arts Desk at 9:24am on June 3, 2025

The Fifth Step, Soho Place review - wickedly funny two-hander about defeating alcoholism by Helen Hawkins

David Ireland pits a sober AA sponsor against a livewire drinker, with engaging results The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic d…

SOURCE: The Arts Desk at 8:12pm on May 19, 2025

House of Games, Hampstead Theatre review - adapted Mamet screenplay entertains but is defanged by Helen Hawkins

Richard Bean has turned Mamet's steel trap into an amusing puzzle There is so much that is right about Jonathan Kent's new production of House of Games " the casting, the staging, the direct…

SOURCE: The Arts Desk at 8:54am on May 13, 2025

Giant, Harold Pinter Theatre review - incendiary Roald Dahl drama with topical bite by Helen Hawkins

John Lithgow gives a masterclass in delivering a 'human booby trap' When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now th…

SOURCE: The Arts Desk at 7:06am on May 9, 2025

Krapp's Last Tape, Barbican review - playing with the lighter side of Beckett's gloom by Helen Hawkins

The Irish actor Stephen Rea is a silent-movie Krapp to treasure In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door…

SOURCE: The Arts Desk at 4:24pm on May 2, 2025

Dealer's Choice, Donmar Warehouse review - fresh take on a classic about male self-destruction by Helen Hawkins

An ideal revisiting of Patrick Marber's play about risking all to move ahead Patrick Marber's powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was…

SOURCE: The Arts Desk at 9:24am on April 29, 2025

The Inseparables, Finborough Theatre review - uneven portrait of a close female friendship by Helen Hawkins

De Beauvoir's novel gets an often charming but undemanding staging The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war …

SOURCE: The Arts Desk at 2:54pm on April 24, 2025

Shanghai Dolls, Kiln Theatre review - fascinating slice of history inadequately told by Helen Hawkins

Amy Ng's take on two Chinese titans needs more dramatic ballast The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but…

SOURCE: The Arts Desk at 5:32am on April 14, 2025

Thanks for Having Me, Riverside Studios review - snappily performed comedy with a lightweight core by Helen Hawkins

Writer-actor Keelan Kember floods the stage with a torrent of gags but few ideas Keelan Kember's play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education,…

SOURCE: The Arts Desk at 5:32am on April 12, 2025

Wilko: Love and Death and Rock'n'Roll, Southwark Playhouse review - charismatic reincarnation of a rock legend by Helen Hawkins

Johnson Willis captures the anarchic energy and wit of the late guitarist Resurrecting the origins of old rock stars is becoming quite the thing, After cinema's Elton John, Freddie Mercury…

SOURCE: The Arts Desk at 6:36am on March 28, 2025

Weather Girl, Soho Theatre review - the apocalypse as surreal black comedy by Helen Hawkins

Julia McDermott triumphs as a Californian weather girl coping with fires inside and outside her head Can Francesca Moody do it again? Fleabag's producer has brought Weather Girl to London, a…

SOURCE: The Arts Desk at 10:42am on March 13, 2025

Farewell Mister Haffmann, Park Theatre review - French hit of confusing genre, with a real historical villain by Helen Hawkins

Jean-Philippe Daguerre tries to mix a farcical comedy of manners with the holocaust When Yasmina Reza's cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another…

SOURCE: The Arts Desk at 5:32pm on March 11, 2025

One Day When We Were Young, Park Theatre review - mini-marvel with a poignant punch by Helen Hawkins

Perfectly judged performances enhance a subtle staging of Nick Payne's two-hander Nick Payne, the writer of Constellations, has created another 90-minute zinger for two actors. This one is m…

SOURCE: The Arts Desk at 7:06pm on March 4, 2025

Backstroke, Donmar Warehouse review - a complex journey through a mother-daughter relationship by Helen Hawkins

Tamsin Greig and Celia Imrie shine in a multifaceted portrait of motherhood The theatre director Anna Mackmin has written and directed an extraordinary play about a mother and daughter relat…

SOURCE: The Arts Desk at 3:18pm on February 21, 2025

Oedipus, Old Vic review - disappointing leads in a production of two halves by Helen Hawkins

Is it a dance piece with added text, or a stripped down play with excess choreography? The opening scene of the Old Vic's Oedipus is dominated by a giant backdrop of a skull-like face, eyes …

SOURCE: The Arts Desk at 6:36am on February 6, 2025
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