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586 stories by "Howard Sherman"

Howard Sherman: Critics should learn the language of disability by Howard Sherman

Sam Gold's production of Tennessee Williams' The Glass Menagerie produced a wide range of critical responses when it opened last week, and

SOURCE: The Stage Registration at 3:00am on March 17, 2017

Howard Sherman: When ushers become part of the show by Howard Sherman

It's not terribly odd, in the US, for a member of the theatre's staff to walk on to the stage before a

SOURCE: The Stage Registration at 2:00am on March 10, 2017

Howard Sherman: In-theatre dining doesn't have to be disruptive by Howard Sherman

Cutting into my meat pie, at the New York transfer of the Tooting Arts Club's pie shop Sweeney Todd, I must confess

SOURCE: The Stage Registration at 2:00am on March 3, 2017

Two High School Shows That Couldn't Be Saved by Howard Sherman

When incidences of high school theatre censorship arise, the point at which they occur, and when that breaks out beyond school walls, can be central to efforts to reverse the decision. At ot…

SOURCE: www.artsintegrity.org at 1:09pm on March 2, 2017

 Zeros and Ones Don't Add Up To Live Action by Howard Sherman

For those who work in the theatre, the idea of defending the term "live action" would seem an unnecessary task. But as movie marketers, abetted uncritically by the entertainment press, seem …

SOURCE: Howard Sherman at 2:11pm on February 27, 2017

Howard Sherman: Andrew Lloyd Webber is riding high on Broadway all over again by Howard Sherman

Broadway is celebrating an Andrew Lloyd Webber festival. It’s not as though he ever said goodbye. But it's hard not to look

SOURCE: The Stage Registration at 2:00am on February 24, 2017

Winston Churchill's Famous Arts Quote Is, Alas, Bogus by Howard Sherman

Even if you've never read the quote, you've no doubt seen the meme, in all of its arts-affirming, damn the torpedoes glory. Just one small detail: it isn’t true. I am referring to the …

SOURCE: www.artsintegrity.org at 10:28am on February 21, 2017

Supposition Is No Support As NEA Is Threatened by Howard Sherman

Let's start with the positive, though I'm afraid that won't last long. In her New York Times article, "Might Ivanka Trump Speak Up If Her Father Guts The Arts?," Robin Pogrebin makes a serie…

SOURCE: Howard Sherman at 12:13pm on February 20, 2017

At University of Washington, Anonymous Hate Messages Extend To Campus Theatre by Howard Sherman

This is a revised and updated version of a prior post from earlier today, which has been withdrawn, because it suggested, based upon news accounts, that the UW theatre department had been si…

SOURCE: www.artsintegrity.org at 7:16pm on February 17, 2017

Howard Sherman: How fans played a part in the recording of a hit Broadway musical by Howard Sherman

I recorded tracks for my second Broadway cast album earlier this week. That’s quite remarkable when you consider I've never appeared in

SOURCE: The Stage Registration at 2:00am on February 17, 2017

Howard Sherman: Sunset and the limited-run musical on Broadway by Howard Sherman

The limited-run play has pretty much become the standard on Broadway: 14 weeks, 16 weeks, commercial, not-for-profit, maybe a short extension. But

SOURCE: The Stage Registration at 2:00am on February 10, 2017

Long Before "Ragtime," Musical Lessons From Lynn Ahrens by Howard Sherman

Two weeks ago, the musical Ragtime came under fire at a high school in Cherry Hill, New Jersey for its deployment of racial slurs in telling a anti-racism story that is intended to evoke …

SOURCE: Howard Sherman at 5:00pm on February 6, 2017

Howard Sherman: More than just a fan show, BroadwayCon 2017 was a political protest by Howard Sherman

Having attended the first BroadwayCon a year ago during a major blizzard, I was charmed and encouraged by the enthusiasm of the

SOURCE: The Stage Registration at 5:35am on February 3, 2017

With Curricular Context Added, "Ragtime" to Play On in Cherry Hill by Howard Sherman

On January 20, the Cherry Hill Public School system in New Jersey announced their intent to censor racially charged language for their upcoming drama group’s production of the musical …

SOURCE: www.artsintegrity.org at 4:02pm on January 27, 2017

Howard Sherman: Hollywood's debt to theatre is written all over 2017's Oscar nominations by Howard Sherman

Every year when the Tony Award nominations, and the awards themselves, roll around, there's a lot of discussion about how Hollywood stars

SOURCE: The Stage Registration at 2:00am on January 27, 2017

Cherry-Picking the Words of "Ragtime" in Cherry Hill by Howard Sherman

There is no question that there are racially charged words in the musical Ragtime, just as there were in the novel upon which it is based. In telling the story of black characters, of Jew…

SOURCE: www.artsintegrity.org at 12:35pm on January 24, 2017

Howard Sherman: Donald Trump inauguration revives protest culture in American arts by Howard Sherman

I was born just slightly late to remember, let alone participate in, the protest culture of the latter part of the 1960s

SOURCE: The Stage Registration at 12:14pm on January 18, 2017

Howard Sherman: Welcome to an arts marketplace with a difference by Howard Sherman

Having spent more than 30 years working in theatre, my work heavily weighted towards Broadway and institutional theatre in New York and

SOURCE: The Stage Registration at 2:00am on January 13, 2017

Howard Sherman: Decoding Broadway's weekly box office report by Howard Sherman

There's a Monday ritual in theatre offices around New York (shifted to Tuesday for holidays): the checking of the Broadway grosses. Obviously

SOURCE: The Stage Registration at 2:00am on January 6, 2017

Times Square Weirdness: 2016 In Review by Howard Sherman

Given that it was merely a stray amusement that became a popular offshoot of my photography hobby, "Times Square Weirdness" went worldwide this year with my discovery of Mike Hot-Pence…

SOURCE: Howard Sherman at 9:21am on December 26, 2016

Of Pleas, Pants, Race, Rights and Lin-Manuel: My Top Blog Posts of 2016 by Howard Sherman

In some ways, it might make more sense if I wrote this post about some of my least-read pieces of 2016, because I value almost everything I write equally and never quite know why some get…

SOURCE: Howard Sherman at 4:59pm on December 23, 2016

Howard Sherman: American Revolutions gives long-term value by Howard Sherman

That works of theatre on New York stages, and indeed on Broadway, have originated in regional theatres is not novel. The flow of

SOURCE: The Stage Registration at 2:00am on December 23, 2016

Howard Sherman: Yellowface is wrong, and the Print Room's explanation is meaningless by Howard Sherman

When the Print Room, a London theatre, cast white actors in Howard Barker's In the Depths of Dead Love " a play

SOURCE: The Stage Registration at 12:48pm on December 19, 2016

Howard Sherman: Mike Hot-Pence shows what going viral can do for the arts by Howard Sherman

I imagine we all marvel from time to time at how the same news story suddenly seems to be everywhere, riding the

SOURCE: The Stage Registration at 2:00am on December 16, 2016

Howard Sherman: Remembering the fierce " and funny " Edward Albee by Howard Sherman

I remember Edward Albee's longtime producer, Elizabeth McCann, saying to me as the 2005 Broadway revival of Who's Afraid of Virginia Woolf?

SOURCE: The Stage Registration at 2:00am on December 9, 2016
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