2,710 stories by "HowlRound"
By Kyle Whalen. Kyle Whalen explores the "moments of the unknowable" in the Steppenwolf production of Lucas Hnath's The Christians in Chicago, Illinois.
By Ricky Young-Howze. In this final installment, Ricky Young-Howze reflects on self-producing new work in a "theatre desert," and acknowledges the importance of learning, wisdom, and respect.
By Alisha Huber. Educator and theatre artist Alisha Huber discusses her teaching theatre history process.
By Jonathan Mandell. Jonathan Mandell compares The Penitent by David Mamet with Penitent by Terrance McNally, and argues that neither late-career playwright has anything for which to apologi…
By HowlRound TV. Celebrate World Theatre Day with performances from South Africa, Sweden, and the US of an American classic A Raisin in the Sun . Livestreaming on HowlRound TV at howlround.t…
By Anđela Vidović. Anđela Vidović critiques the relevance of a Croatian adaptation of Richard Bean's One Man, Two Guvnors.
By Michael Lueger. Michael Lueger talks with Dr. Paul Gagliardi about It Can't Happen Here.
By Mya Kagan. Mya Kagan discusses the successes and challenges of self-producing a nationwide festival.
By Robin Goldberg, Stephen Gordon, Laurie Hochman, Naomi Ibasitas. Robin Goldberg interviews early career theatre artists about how their work has been impacted by the new US presidential ad…
By Holly L. Derr. Holly Derr writes about Jacqueline E. Lawton's new play at Arena Stage, part of their Power Plays commissioning initiative.
By Seth Baumrin. Seth Baumrin, artistic director of Subpoetics International, discusses the history, process, and journey of a company working with the stories of refugees and displaced peop…
By HowlRound TV. Thinking about applying for a fellowship or internship in theatre? Hear from current fellows at regional theatre companies around the country including Berkeley Repertory Th…
By Em Piro. Em Piro images what a Paleo theatre practice would involve.
By Tammy Ryan. Playwright and educator Tammy Ryan speaks to the benefits of taking a break in a field when there seems to be constant pressure to always be producing.
By Yvette Nolan. In the first installment of this new series, a collaboration with Canada's SpiderWebShow, Yvette Nolan ponders the porous boundary between the United States and Canada, and …
By Tiffany Antone. Tiffany Antone makes a case for why we have to reconsider how/why we engage audiences, and why it is now every artist's job to be out on the frontlines, cultivating radica…
By Ricky Young-Howze. In this last installment, Ricky Young-Howze discusses the importance of having archival footage of new work, which serves as a historical document.
By Harvey Young. Harvey Young, chair of Northwestern University's theatre department, looks at how American theatre has responded to a rise in conservativism to forecast not only what may ap…
By Jamil Khoury. Jamil Khoury writes about curating a series of six staged readings about the Israeli-Palestinian conflict, and that power of theatre to speak to controversial issues.
By Bryn Boice. Bryn Boice writes about how a rift with her father led her to begin work on a devised piece called I, Snowflake.
By Jonathan Mandell. Jonathan Mandell digs into three recent productions in New York City" Made in China , Confucius , and Caught "that explore US-China relations.
By Henrik Eger. Henrik Eger interviews Tina Brock about how her company is responding to the current political climate in the US, and what she feels that absurdist theatre has to offer.
By Zeina Salame. Zeina Salame shares her experience attending a reading of Heather Raffo's Noura produced by Noor Theatre, and discusses the social impact of Middle Eastern American theatre …
By Olga Sanchez Saltveit. Olga Sanchez on the writing and production process of El Payaso by Emilio Rodriguez at Milagro Theatre in Portland, OR.
By HowlRound. HowlRound has developed and is launching The World Theatre Map . / HowlRound ha desarrollado y está por lanzar el Mapa Mundial de Teatro .
