2,710 stories by "HowlRound"
By Abraham Benson-Goldberg. Abraham Benson-Goldberg discusses Khan Theatre's production of Philoctetes , examining the intersections of young soldiers, heroism, war, and politics.
By Daniel Alexander Jones. Daniel Alexander Jones talks about the women who raised him in theatre, and encourages artists to not lose sight of the power of imagination.
By Edward Einhorn. Edward Einhorn discusses the relevance of absurdist theatre.
By Rick Stemm. In this last installment, Rick Stemm shares the production process"from idea to execution"for Heroes Must Die.
By Meghan McLeroy. Meghan McLeroy digs into the refreshing representation of the American South in Audrey Cefaly's Love is a Blue Tick Hound produced by Terrific New Theatre in Birmingham, A…
By Thomas Schmidt. Thomas Schmidt on the history and model of German theatre. The first in a series of essays about the theatre in Germany.
By Catherine Trieschmann. Catherine Trieschmann attends a political rally, but has trouble not criticizing it through a theatrical lens.
By HowlRound TV. Santiago a Mil International Festival 2017 in Santiago, Chile presents two conversations during its presenters' week with the theme of Latin America Today livestreaming on t…
By Cherry Lou Sy. Cherry Loy Sy reports on the first day of 2016 NOW AFRICA Playwrights Festival, which included a panel discussion and performances addressing connection across the African …
By John Freedman, Kristina Matvienko, Elyse Dodgson. Interview with Elyse Dodgson, the international director at the Royal Cout Theatre, at the Stanislavsky Electrotheatre in Moscow about he…
By Hailey Bachrach. Hailey Bachrach reflects on Phyllida Lloyd's The Tempest , the final installment of her Shakespeare trilogy featuring all-female casts, produced by the Donmar Warehouse a…
By Eric Booth. Eric Booth discusses the El Sistema model, an international music training program for young people living in poverty across the globe, and advocates for a similar widespread …
By Michael Lueger. Michael Lueger talks with Dr. Anita Gonzalez about a website that reconstructs historical performances.
By Jeff Burke, Jared J. Stein. The process of creating two works, as part of the UCLA School of Theater, Film and Television's participation in Google's Glass Creative Collective, that use a…
By Irene Loy. In this fourth installment, Irene Loy discusses the Trickster and child characters, exploring how play factors in their story arcs.
By verity healey. verity healey considers the Battersea Arts Centre's new Courtyard theatre space and inviting an audience to participate in the performance through interaction with the perf…
By Jonathan Mandell. Jonathan Mandell reflects on what makes immersive theatre, through the lens of Inside the Wild Heart , Group .BR's immersive show about the late Brazilian writer Clarice…
By Emily White. Emily White writes about how her research on posttraumatic growth informs her belief that theatre can be an important tool to help America unite and heal.
By HowlRound TV. Livestreaming The Gathering 2017: Advocating for Black Female Choreographers in the Contemporary Dance World"from New York City on the global, commons-based peer produced Ho…
By Rick Shiomi. Rick Shiomi discusses the Philadelphia Asian Theater Project, sharing his process working with local theatre companies and organizations to promote Asian American theatre art…
By Zach Dorn. Zach Dorn explores Kuro Tanino's mythical Avidya: No Lights Inn, a ritualistic and darkly spiritual experience at the Kyoto International Performing Arts Festival in Japan.
By HowlRound. The HowlRound community is designing and building the World Theatre Map. Track its progress and participate in its design and development.
By Peggy Wright-Cleveland. Peggy Wright-Cleveland on the FSU production of Seminar by Theresa Rebeck.
By Gary English. Gary English, artistic associate at The Freedom Theatre on the West Bank in the Jenin refugee camp, discusses the complications of presenting work on the Palestinian/Israeli…
By Rachel E. Diken. Rachel E. Diken on Aglio e Olio , a "kitchen theatre" piece written and performed by Meg Persichetti and produced and directed by Laura Gilkey in Maplewood, New Jersey.
