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9 stories by "Inkoo Kang"

“Half Man” TV Review by Inkoo Kang

Richard Gadd’s follow-up to “Baby Reindeer” traces a decades-long quasi-familial relationship that’s thornier than any other male bond on TV.

SOURCE: The New Yorker Subscription at 6:00am on April 24, 2026☆⚑

"Jury Duty Presents: Company Retreat" and Age of the Prestige Prank Show by Inkoo Kang

The series, returning for a second season, is the latest example of a new breed"one that relies on elaborate, full-immersion experiments rather than on one-off stunts.

SOURCE: The New Yorker Subscription at 6:00am on March 27, 2026☆⚑

TV Review: Ryan Murphy's "The Beauty," on FX and Hulu on Disney+ by Inkoo Kang

Ryan Murphy attempts to comment on incels, celebrity culture, and the age of Ozempic in a new FX series about a drug that makes its users young and gorgeous"at a terrible price.

SOURCE: The New Yorker Subscription at 6:00am on January 22, 2026☆⚑

The Obliging Apocalypse of "Pluribus" by Inkoo Kang

The new sci-fi drama from Vince Gilligan posits an end-of-humanity scenario that everyone other than its protagonist can agree on.

SOURCE: The New Yorker Subscription at 6:00am on November 22, 2025☆⚑

"Death by Lightning" Dramatizes the Assassination America Forgot by Inkoo Kang

The new Netflix miniseries makes the 1881 killing of President James Garfield feel thrillingly current.

SOURCE: The New Yorker Subscription at 3:52pm on November 11, 2025☆⚑

The Safe Space of "Good Hang with Amy Poehler" by Inkoo Kang

The "Parks and Recreation" star has created the ultimate comfort listen"one that hinges on making her celebrity guests comfortable, too.

SOURCE: The New Yorker Subscription at 3:27pm on October 9, 2025☆⚑

"Too Much" Remixes the Rom-Com by Inkoo Kang

In her new Netflix show, Lena Dunham revitalizes the genre by delving into her characters' pre-meet-cute pasts"and all the attendant emotional baggage.

SOURCE: The New Yorker Subscription at 6:00am on July 10, 2025☆⚑

"The Gilded Age" Is a Poor Man's Period Drama by Inkoo Kang

The HBO series is peppered with references to real-life personages and historical events"but it lacks the anything-goes energy of the era in which it's set.

SOURCE: The New Yorker Subscription at 8:12am on June 24, 2025☆⚑

UK's Channel 4 Exec Tessa Ross Becomes Head of National Theatre | Women and Hollywood by Inkoo Kang

Tessa Ross, the Channel 4 film and drama controller who's been called "the mother of British filmmaking," will leave her current position to head the National Theatre.

SOURCE: blogs.indiewire.com at 7:44am on March 27, 2014☆⚑
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