By HowlRound TV. The International Theatre Institute (ITI), the World Organization for the Performing Arts presents events from the 35 th ITI World Congress in Segovia, Spain livestreaming f…
By Suzanne Bradbeer, June Guralnick. Conversation between director June Guralnick and playwright Suzanne Bradbeer about The God Game , plays about faith post-election, and the division of ch…
By Meghan Randolph. Meghan Randolph surveys theatregoers to consider best practices to market lesser-known plays.
By Eli Keel. Airness uses air guitar to ask what is real. The answer: the families we make.
By HowlRound. Through The HowlRound Challenge, we will produce and host up to five in-person convenings in Boston, from September 2017 to June 2019 that will incubate ideas and seed action t…
By Taysha Canales, Sydonia Lucchesi, Sam Silbiger. A report on the Temps D'Image Festival in Cluj, Romania, from the perspectives of "Surfing" fellows Sydonia Lucchesi, Sam Silbiger, and Tay…
By Jamie Gahlon. Jamie Gahlon, Senior Creative Producer of HowlRound, reports on a trip she took in fall 2016 to explore, deepen, and build partnerships with theatremakers and organizations …
By Kate Langsdorf. Kate Langsdorf writes about why she never took an unpaid internship.
By Catherine Trieschmann. Catherine Trieschmann sets rules to govern her daily news consumption.
By Derek McCormack. Derek McCormack reports on the ongoing trend in productions that are avant-garde reimaginings of old texts in particular at BAM's New Wave Festival.
By Heather Helinsky, Jeni Mahoney, Christy Montour-Larson, Tira Palmquist. Tira Palmquist, Christy Montour-Larson, Heather Helinsky, and Jeni Mahoney share their insight and lessons learned …
By Melissa Bergstrom. Documentary theatre artist Melissa Bergstrom advocates using documentary theatre practices to listen and create new work in today's social climate.
By Mark Krawczyk. Mark Krawczyk writes about the experience his students at Boston Conservatory at Berklee had during a semester of working with artists from Double Edge Theatre.
By Jonathan Mandell. On the eve of the inauguration of Donald J. Trump, Jonathan Mandell looks at how the political resistance of theatre artists is playing out on and off stage in New York.
By Amelia Parenteau. Amelia Parenteau deconstructs the use of technology in The Builders Association's production of Elements of Oz , an adaptation of The Wizard of Oz , presented at 3LD in …
By Catherine Trieschmann. Catherine Trieschmann's daughter is mis-cast as the lead in the Christmas pageant.
By Teresa Eyring, Laura Penn, Tazewell Thompson. Remarks by Laura Penn, Teresa Eyring, and Tazewell Thompson at A Celebration of Life for Zelda Fichandler hosted by Arena Stage and the Ficha…
By Rachel Spencer Hewitt. Rachel Spencer Hewitt talks to members of Mothers Artists Makers, a collective of feminist mothers in Irish theatre with children.
By CJ Byrd. CJ Byrd on Taylor Mac's A 24-Decade History of Popular Music, a "communal, intelligent, erotic, participatory, spectacular performance art concert; a marathon survey dedicated to…
By Jonathan Mandell. Jonathan Mandell asks how perceptions of theatre have changed since November 8 and if and how theatre itself will change as a result of the new regime.
By Matt BÅ‚ażejewski. Matt BÅ‚ażejewski discusses the Me Too Monologues and its impact as a community-based theatre project that spreads awareness of mental health issues to coll…
By HowlRound. Read the community responses to our questions, "What do you stand for? What does your art stand for?"
By Jonathan Mandell. Jonathan Mandell reviews Anna Deavere Smith's latest solo performance piece, which presents seventeen real-life characters to establish a connection between school failu…
By Christopher Diercksen, Yvonne Hartung. The second dispatch from Team Awesome Robot on producing independent theatre in New York City.
By Hannah Sachs. Hannah Sachs considers the intersection of theatre, religion, and spirituality.