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210 stories by "Jeremy M. Barker"

Joris Lacoste on Making Dreams by Jeremy M. Barker

Crossing the Line invites the French director/artist to hypnotically produce art in NYC

SOURCE: Culturebot at 12:23pm on October 10, 2012

Raimund Hoghe on "Pas de Deux" at BAC by Jeremy M. Barker

The German choreographer and dancer discusses his work at Crossing the Line this year

SOURCE: Culturebot at 11:18am on October 10, 2012

Prelude.12: Breath and Manifestos by Jeremy M. Barker

A Configuration of Thoughts as We Hit Day Three

SOURCE: Culturebot at 10:45am on October 5, 2012

Prelude.12: About Manifestos by Jeremy M. Barker

After participating in Prelude's manifesto-Marathon Jessica Applebaum, Maxwell Cramer and Kai Tuchmann discussed the old literary genre of the manifesto and its usage by Prelude's artists wi…

SOURCE: Culturebot at 5:15pm on October 4, 2012

Prelude.12: Livestream by Jeremy M. Barker

SOURCE: Culturebot at 7:08pm on October 3, 2012

Crossing the Line 2012 Journal: On Denying the Surplus Value of Art(?) by Jeremy M. Barker

Considering transdisciplinary art

SOURCE: Culturebot at 3:44am on October 3, 2012

Prelude.12 Coming Up This Week by Jeremy M. Barker

Culturebot joins the hoi polloi of contemporary theater (including, in fact, Hoi Polloi) as both artists and critical partners of the 2012 Prelude Festival

SOURCE: Culturebot at 6:58pm on October 2, 2012

Philadelphia Live Arts: The Mixed-Bag Shows by Jeremy M. Barker

New Paradise Labs' "27" and Lucidity Suitcase's "Red-Eye to Havre de Grace" have plenty of strengths, but don't fully pull it off

SOURCE: Culturebot at 9:26pm on September 27, 2012

DD Dorvillier on "Danze Permanente" at the Kitchen by Jeremy M. Barker

The Paris-based choreographer discusses translating a late Beethoven quartet into movement

SOURCE: Culturebot at 12:45pm on September 26, 2012

Fitzgerald and Stapleton Tackle Wage Inequality by Jeremy M. Barker

The Irish performance company returns to New York to develop their newest work exploring gender, body politics, and economics

SOURCE: Culturebot at 2:32pm on September 21, 2012

Gérald Kurdian on "The Magic of Spectacular Theater" by Jeremy M. Barker

A pop deconstructionist explores the spectacle of pop music and the virtual body at Crossing the Line

SOURCE: Culturebot at 4:35pm on September 17, 2012

Lucien Zayan on the Birth of the Invisible Dog Arts Center by Jeremy M. Barker

The improbable story of how a French theater producer gave it all up to turn an old Brooklyn factory into one of New York's leading contemporary art spaces

SOURCE: Culturebot at 3:53pm on September 14, 2012

Pig Iron's Dan Rothenberg Talks About "Zero Cost House," a Collaboration With Toshiki Okada by Jeremy M. Barker

Rothenberg reveals how one of Japan's pre-eminent theater artists wound up re-imagining his own life as an act of political courage with a cast of American artists

SOURCE: Culturebot at 12:54am on September 7, 2012

Lili Chopra, Simon Dove & Gideon Lester Discuss This Year's Crossing the Line Festival by Jeremy M. Barker

The three curators share their thoughts on this year's artists as well as their future vision of festival both presenting and supporting the creation of new transdisciplinary work

SOURCE: Culturebot at 1:50pm on September 6, 2012

Contemporary Dance Is Not Stripping by Jeremy M. Barker

Or, Alastair Macaulay should try thinking above the belt from time to time.

SOURCE: Culturebot at 1:02pm on August 24, 2012

A Few Thoughts on Art As a Lived Experience by Jeremy M. Barker

What a poor self-initiated restoration job undertaken by an old Spanish woman can tell us about art as a vital part of our daily lives

SOURCE: Culturebot at 5:02pm on August 23, 2012

Culturebot Needs an Editorial Intern by Jeremy M. Barker

Editorial Intern   Culturebot is looking for an editorial intern in New York to help with editorial tasks centered on covering the fall season. The role like requires 8-10 hours of work…

SOURCE: Culturebot at 12:07pm on August 23, 2012

High Class Culture All Over the Place! by Jeremy M. Barker

A new Bravo reality show about wannabe gallerists invites the art world to firmly turn the Gaze toward its own navel

SOURCE: Culturebot at 12:42pm on August 16, 2012

Serious Arts Criticism, or, The Curse of Black, Licorice-Flavored Jelly Beans by Jeremy M. Barker

Parsing Richard Dare's well-reasoned rant on HuffPo to get to the nitty-gritty of what he really means: That art is like black jelly beans no one wants to eat like vegetables except that veg…

SOURCE: Culturebot at 2:26pm on August 13, 2012

The Bessies Respond to Criticism by Jeremy M. Barker

Lucy Sexton responds to Gia Kourlas--and the field's--critique of this year's Bessie categories, but fails to grapple with the root cause

SOURCE: Culturebot at 11:21am on August 13, 2012

"At the Performance End of the Dance Spectrum" by Jeremy M. Barker

This year's Bessie nominees--and the torturous categories into which they've been placed

SOURCE: Culturebot at 2:24pm on August 10, 2012

Five Questions With Choreographer Yin Yue by Jeremy M. Barker

The artist talks about her coming up in Shanghai and her first full-length work

SOURCE: Culturebot at 1:46pm on August 9, 2012

Erin Leddy Talks About "My Mind Is Like an Open Meadow" by Jeremy M. Barker

One of the core members of Portland's Hand2Mouth discusses creating a performance-memoir of her grandmother's life, playing at 59E59 Theaters this month

SOURCE: Culturebot at 1:03pm on August 8, 2012

David Levine on "Habit" at Crossing the Line/PS 122 This September by Jeremy M. Barker

"I used to say this all the time: the ideal Brechtian space is not a theater, it's a gallery. A gallery alienates everything."

SOURCE: Culturebot at 3:50pm on August 7, 2012

Mac Wellman's Bring a Weasel and a Pint of Your Own Blood Fest Returns by Jeremy M. Barker

Mac Wellman is not only a legend of the experimental theater scene but lynchpin of the downtown scene through his role at the playwrighting MFA program at Brooklyn College. Along with the Wo…

SOURCE: Culturebot at 1:51pm on July 28, 2012
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