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958 stories by "Jesse Green"

Theater Review: At Encores!, Lady, Be Good! by Jesse Green

Sometimes " and I mean this in a good way " the Encores! series at City Center seems like the musical equivalent of A Night at the Museum, making the dinosaurs dance. That's certainly the ca…

SOURCE: Vulture at 4:28pm on February 5, 2015

Theater Review: A Beautiful Day in November on the Banks of the Greatest of the Great Lakes by Jesse Green

A brief pause in the drumbeat of new openings left me time last week to catch up with two Off Broadway plays I'd missed earlier in January. Both had gotten mixed reviews " not just varied bu…

SOURCE: Vulture at 12:04pm on February 2, 2015

Theater Review: A Month in the Country Whizzes Right By by Jesse Green

It's said that Chekhov was always trying to get the Moscow Art Theater to produce Ivan Turgenev's neglected classic A Month in the Country instead of his own new plays. Was this homage, self…

SOURCE: Vulture at 7:00pm on January 29, 2015

Theater Review: Trying to Smarten Up Vampire Romance, With Let the Right One In by Jesse Green

The frequent collaborators John Tiffany and Steven Hoggett seem to be everywhere these days, not just geographically but narratively. Whether the tale they're telling is psychological (as in…

SOURCE: Vulture at 10:34pm on January 25, 2015

Theater Review: Into the Newest Into the Woods by Jesse Green

By the standards of the Golden Age, when musicals with a cast of 60 and an orchestra of 40 were common, Into the Woods is not a huge show. Its 1987 Broadway premiere featured just 19 actors …

SOURCE: Vulture at 8:00pm on January 22, 2015

Theater Review: The Woodsman Gets You Home Before Dark by Jesse Green

Like "humanistic Judaism," the term "imaginative theater" ought to be a redundancy. (Shouldn't all theater be imaginative?) Still, some troupes seek to differentiate themselves from the main…

SOURCE: Vulture at 8:27pm on January 18, 2015

Theater Review: Does Honeymoon in Vegas Make the Jump? by Jesse Green

The new musical Honeymoon in Vegas is a throwback, and not just because it's based on a 1992 movie that was, even then, somewhat retrograde in its humor. Cancel the "somewhat": The plot hing…

SOURCE: Vulture at 10:00pm on January 15, 2015

Theater Review: Constellations Puts Jake Gyllenhaal in a Rom-Com Tesseract by Jesse Green

Would you like to see a two-hander in which Jake Gyllenhaal plays a hunky but bashful British beekeeper, hemming and half-smiling, while Ruth Wilson, so recently embaubled with a Golden Glob…

SOURCE: Vulture at 10:35pm on January 13, 2015

Theater Review: Trying Dying for It, Once Again by Jesse Green

The Suicide, Nikolai Erdman's biting 1928 satire of Soviet thought control, so overflows with ironies that they seem to slosh into real life. To begin with, the play died by its own hand: Er…

SOURCE: Vulture at 10:00pm on January 8, 2015

Theater Review: Sting Joins The Last Ship by Jesse Green

It would not ordinarily be newsworthy that a performer named Gordon Sumner took over a secondary role in a struggling Broadway musical. You do not hear much about cast changes at On the…

SOURCE: Vulture at 10:00pm on December 21, 2014

Theater Review: Bad Food and Worse Family Dynamics in Pocatello by Jesse Green

A famous agent used to instruct clients never to set a scene in a bus: Americans don't mind stories that are sad, he said, but they draw the line at downmarket depressing. Apparently Samuel …

SOURCE: Vulture at 9:25am on December 16, 2014

Theater Review: The Unexpected Brilliance of Every Brilliant Thing by Jesse Green

Aside from "Frank Wildhorn," the two words I least want to hear in conjunction with a show I'm about to attend are "audience participation." The prospect of being dragooned into awkward dial…

SOURCE: Vulture at 8:23pm on December 14, 2014

The 9 Best Plays (And 1 Best Musical) of 2014 by Jesse Green

This week, Vulture will be publishing our critics' year-end lists. Enjoy. 1. Audra McDonald in Lady Day at Emerson's Bar & GrillBroadwayNot many New York productions this year were …

SOURCE: Vulture at 4:50pm on December 9, 2014

Theater Review: The Invisible Hand Grabs You and Won't Let Go by Jesse Green

When you enter the East 4th Street home of New York Theatre Workshop, you can never be sure what you're going to find. The blank-slate interior has been turned into an amphitheater for Caryl…

SOURCE: Vulture at 10:00pm on December 8, 2014

Theater Review: Bradley Cooper and Patricia Clarkson Help Free The Elephant Man by Jesse Green

As Peter Pan is traditionally portrayed by a gamine actress, and Hairspray's Edna Turnblad by a chunky actor, theatrical tradition dictates that John Merrick, the grotesquely deformed title …

SOURCE: Vulture at 10:00pm on December 7, 2014

Theater Review: Can Emma Stone Do Cabaret? by Jesse Green

Some 17 Sally Bowleses painted their nails green and sang "Maybe This Time" for the Sam Mendes revisal of Cabaret that ran on Broadway from March 1998 (Natasha Richardson) through January 20…

SOURCE: Vulture at 10:00pm on December 4, 2014

Theater Review: A Tristan & Yseult That Tries to Be Laughed Off by Jesse Green

A Cornish knight, an Irish princess, and the king they both betray by falling in love: For centuries the tale circulated Europe in various forms. But after Wagner's monumental Tristan und Is…

SOURCE: Vulture at 10:00pm on November 24, 2014

Theater Review: A Delicate Balance, Still Necessary and Brilliant by Jesse Green

To begin with, A Delicate Balance is a masterpiece. I'm not sure that anything in Edward Albee's daunting catalog " some 30 plays " surpasses it. Who's Afraid of Virginia Woolf? is sadder; T…

SOURCE: Vulture at 10:00pm on November 20, 2014

Direction and Misdirection: An Appreciation of Mike Nichols, 1931–2014 by Jesse Green

If Mike Nichols ever produced anything as banal as a résumé, it would have looked highly suspicious, the humblebrag of a con man. He did too many things, they were too far-flung, a…

SOURCE: Vulture at 3:45pm on November 20, 2014

Theater Review: A Sped-Up, Slimmed-Down Allegro, With Momentum by Jesse Green

With all the larks praying and bird-pairs bursting in song, it's sometimes hard to hear the real voice of Oscar Hammerstein in his lyrics. But his "poetic," not to say ornithological, flight…

SOURCE: Vulture at 9:15pm on November 19, 2014

Theater Review: The Dual Nature of Side Show by Jesse Green

Despite what seemed like weeks of buzz about its radical transformations, the revival of Side Show that opened on Broadway tonight is not as meaningfully different from the 1997 or…

SOURCE: Vulture at 11:45pm on November 17, 2014

Theater Review: Straight White Men Is Impressive (Not Oppressive) by Jesse Green

In 2003, when she was not yet 30, Young Jean Lee founded a theater company for the purpose of producing her own work. Call it savvy or call it hubris, the move was bold, especially for an ar…

SOURCE: Vulture at 10:00pm on November 17, 2014

Theater Review: Hugh Jackman's Manly Charms Are on Display in the Haunting The River by Jesse Green

What with The Last Ship, Disgraced, and seminude Bradley Cooper all on the boards this fall, Broadway is more testosterony than usual, full of scruff and blowtorches, beefcake and wife-beati…

SOURCE: Vulture at 9:00pm on November 16, 2014

Theater Review: Lost Lake Could Use a Few More Waves by Jesse Green

It's surprising how much you can remove from a play and still have a play " hell, Beckett lets a pair of disembodied lips yak at you for 15 minutes and it's riveting theater. But David Aubur…

SOURCE: Vulture at 10:00pm on November 11, 2014

Theater Review: At Encores!, The Band Wagon Searches for Its Fred Astaire by Jesse Green

The Band Wagon has been a lot of things. First it was a groundbreaking musical revue, with sketches by George S. Kaufman and songs by Arthur Schwartz and Howard Dietz, including the classic …

SOURCE: Vulture at 8:42pm on November 9, 2014
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