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86 stories by "John Bavoso"

Studio Theatre's Curve of Departure (review) by John Bavoso

The convening of people who may not have anything more in common with one another than shared DNA at holiday time can result in more misery than merriment for all involved. A funeral, too, c…

SOURCE: DC Theatre Scene at 12:04pm on December 4, 2017[SHARE]

Musical parody The Book of Merman from Landless Theatre (review) by John Bavoso

I walked into the DC Arts Center to catch The Book of Merman expecting a tale of half-men, half-fish, all-Mormon singers and dancers. What I found was even campier than that. Billed as "a de…

SOURCE: DC Theatre Scene at 12:42pm on November 18, 2017[SHARE]

Review: A Short Series of Disagreements … at Studio Theatre by John Bavoso

I had the entire introduction to this review written out in my head before I stepped foot in Studio Theatre to see the world premiere of Daniel Kitson's new solo show, A Short Series of Disa…

SOURCE: DC Theatre Scene at 11:24pm on November 8, 2017[SHARE]

Stones in His Pockets review, captivating serious comedy by John Bavoso

"Kids these days," or so I'm told, use “extra” as an adjective to denote that something is more than what is usual, expected, or necessary. As a noun, it means a person hired dai…

SOURCE: DC Theatre Scene at 11:12am on September 27, 2017[SHARE]

Noah: Apocalypse from LiveArtDC (review) by John Bavoso

While sitting in DC Reynolds on Georgia Avenue on a Sunday afternoon, I learned a new drinking game. While this in and of itself might not be remarkable for a neighborhood bar during a holid…

SOURCE: DC Theatre Scene at 11:54am on September 5, 2017[SHARE]

Numesthesia (Capital Fringe review) by John Bavoso

"Torture numbers," author Gregg Easterbrook once wrote, "and they'll confess to anything." David S. Kessler, a masterful storyteller aided by onstage musicians and projections in his new sho…

SOURCE: DC Theatre Scene at 7:54pm on July 16, 2017[SHARE]

Contractions (Capital Fringe review) by John Bavoso

At this point, there's an entire genre of books, TV shows, and films about bad bosses and the bizarre vagaries of corporate workplaces. One of the perhaps lesser-known but extremely effectiv…

SOURCE: DC Theatre Scene at 10:48am on July 10, 2017[SHARE]

Last Ditch Playlist (Capital Fringe review) by John Bavoso

The unofficial rules for crafting a successful play also tend to apply to compiling the perfect mixtape: tell a compelling story, know your audience but keep them guessing, set a tone, stick…

SOURCE: DC Theatre Scene at 11:54am on July 8, 2017[SHARE]

Taylor Mac's HIR, unsettling and unforgettable (review) by John Bavoso

One barometer by which you can gauge the impact of a play is by whether it can be interpreted in wildly different ways by different audience members. Woolly Mammoth's production of Taylor…

SOURCE: DC Theatre Scene at 12:06pm on May 30, 2017[SHARE]

Side Effects, a doctor struggles to survive in an unforgiving heath care system (review) by John Bavoso

Taffety Punk Theatre Company’s new rep of healthcare plays"Mercy Killers and Side Effects, both written and performed by Michael Milligan – tackle the broken nature of America…

SOURCE: DC Theatre Scene at 10:54am on May 22, 2017[SHARE]

Mercy Killers shows the human toll of a broken healthcare system (review) by John Bavoso

"If you want to change something by Tuesday, theater is no good. Journalism is what does that," playwright Tom Stoppard once said. "But, if you want to just alter the chemistry of the moral …

SOURCE: DC Theatre Scene at 10:54am on May 22, 2017[SHARE]

Forgotten Kingdoms: missionaries and mysticism in Indonesia, at Rorschach (review) by John Bavoso

"Sometimes, a greater truth is revealed when the facts are fuzzy," says Rebecca Holiday (Natalie Cutcher) in the second act of Rorschach Theatre's production of Randy Baker's new play, Forgo…

SOURCE: DC Theatre Scene at 9:02am on May 2, 2017[SHARE]

Nu Sass takes on Karl Marx and wins. Marx in Soho (review) by John Bavoso

"Is there anything more outrageous than an honest critic?" asks Karl Marx (Mary Myers) at one point during Nu Sass Productions' presentation of Howard Zinn's 1999 one-person show, Marx in So…

SOURCE: DC Theatre Scene at 8:36pm on March 13, 2017[SHARE]

The How and the Why at Theater J (review) by John Bavoso

Science is real"and really dramatic"at the Edlavitch DCJCC, the home to Theater J's latest production, The How and the Why. Written by acclaimed writer and producer Sarah Treem, whose credit…

SOURCE: DC Theatre Scene at 11:42am on February 24, 2017[SHARE]

Riot Grrrls' Trojan Women: in defeat, transcendence by John Bavoso

History, they say, is written by the victors, which may be one reason why Euripides's The Trojan Women is such a striking piece. By focusing on the women of Troy in the time between the fall…

SOURCE: DC Theatre Scene at 11:54am on February 20, 2017[SHARE]

[gay] Cymbeline from Theatre Prometheus (review) by John Bavoso

If you've never seen"or even heard of"Shakespeare's Cymbeline, you're in good company. One of the Bard's least-produced works, the synopsis of the play's plot would take up at least the leng…

SOURCE: DC Theatre Scene at 11:48am on January 16, 2017[SHARE]

SpookyMsgPlsFWD! (review) by John Bavoso

Full disclosure: The synopsis for Cats Onstage!'s debut show, SpookyMsgPlsFWD!, mentioned unicorns, so I was already highly predisposed to liking it. Unfortunately, not even the presence of …

SOURCE: DC Theatre Scene at 12:00pm on July 15, 2016[SHARE]

I Found That the Sun Will Rise Tomorrow (review) by John Bavoso

  If you're the kind of person who rolls your eyes when you hear about an author in his or her mid-twenties receiving a lofty sum to write a memoir, you may initially be suspicious of t…

SOURCE: DC Theatre Scene at 11:38am on July 13, 2016[SHARE]

The Importance of Normal (review) by John Bavoso

Four dancers, a cellist, and a pianist walk into the Sprenger Theater at the Atlas Performing Arts Center. What's the punch line? Probably not what you'd expect. Or at least not what I was e…

SOURCE: DC Theatre Scene at 1:13pm on July 10, 2016[SHARE]

Ready to Serve (review) by John Bavoso

  "Remember the nurses." That's a sentence from the last paragraph"more like a footnote, really"from a Baltimore Sun article written in 1917 about the first group of American doctors an…

SOURCE: DC Theatre Scene at 11:07am on July 10, 2016[SHARE]

75 Lezbos, 2 Trannies, 1 Pannie, Me & Me Too! by John Bavoso

Heat indexes and the sheer quantity of shows aside, the numbers associated with Capital Fringe are generally kept deliberately small: budgets, cast sizes, tech hours, etc. So, it's a fitting…

SOURCE: DC Theatre Scene at 3:00pm on July 9, 2016[SHARE]

20 favorite YPT plays performed as Young Playwrights' Theater turns 20 by John Bavoso

Within its purple and yellow beanbag-strewn office overlooking Meridian Hill Park, the small but energetic staff of Young Playwrights' Theater (YPT) has been finalizing plans for its biggest…

SOURCE: DC Theatre Scene at 1:15pm on December 8, 2014[SHARE]

The Program Assistant by John Bavoso

Angst. Jealousy. Introspection. Betrayal. These are all emotions that could potentially arise when two cohabitating best friends interview for the same job and only one gets it. Unfortunatel…

SOURCE: DC Theatre Scene at 11:19am on July 16, 2014[SHARE]

Saving Private Poo by John Bavoso

As you enter Redrum at Fort Fringe to see 1UP Theatre's Saving Private Poo"a violent smashing-together of the film Saving Private Ryan and A.A. Milne's classic Winnie-the-Pooh characters"you…

SOURCE: DC Theatre Scene at 3:47pm on July 15, 2014[SHARE]

Interrogation by John Bavoso

To be honest, I'm a little bit scared to review Fringe veteran John Feffer's new play, Interrogation. For one, he makes it very clear that he has access to my name, email address, and employ…

SOURCE: DC Theatre Scene at 5:23pm on July 13, 2014[SHARE]
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