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322 stories by "John Morrison"

Diary of a Madman by John Morrison

Al Smith's play, now at the Gate Theatre, garnered a raft of good reviews at the Traverse in Edinburgh in August, and it's easy to see why. It's a very loose adaptation of a short story by N…

SOURCE: John Morrison at 8:39am on September 9, 2016

Burning Doors by John Morrison

Belarus Free Theatre has been established in exile in the UK for more than a decade, but their uncompromising work makes few easy concessions to charm a fickle British theatre audience. Some…

SOURCE: John Morrison at 12:49pm on September 3, 2016

Antony Sher as Lear by John Morrison

Lear's cavalier division of his kingdom into three ranks with David Cameron's ill-thought referendum on EU membership as an example of catastrophic decision-making. Both moves are followed b…

SOURCE: John Morrison at 5:16pm on August 27, 2016

Macbeth at Shakespeare's Globe by John Morrison

Director Iqbal Khan has delivered a Macbeth packed with good acting and exciting ideas, but one whose impact is for me fatally undermined by the Globe's new policy of heavy reliance on artif…

SOURCE: John Morrison at 1:42pm on August 17, 2016

Russian city hosts a Martin McDonagh theatre festival by John Morrison

Playwright Martin McDonagh, winner of the 2015 Olivier best new play award for Hangmen, is being honoured with his own theatre festival, in which his plays will be performed non-stop for a w…

SOURCE: John Morrison at 7:10pm on August 14, 2016

Yerma by John Morrison

Even when the actors are wringing their guts out on stage, my usual approach is to keep a stiff upper lip and maintain my critical distance. Occasionally that's not possible, and I have to c…

SOURCE: John Morrison at 12:09pm on August 11, 2016

The Kreutzer Sonata by John Morrison

Some of the very best evenings in the theatre happen when great acting and directing bring to life a great text, without the benefit of elaborate sets, costumes, lighting, smoke, video monit…

SOURCE: John Morrison at 4:37pm on July 15, 2016

The Deep Blue Sea by John Morrison

This play is often considered Terence Rattigan's best, and it provides a fantastic opportunity for any actress in the central role of Hester Collyer, the judge's wife who has embarked on a d…

SOURCE: John Morrison at 11:27am on June 8, 2016

The Threepenny Opera by John Morrison

Sometimes in the theatre I look at my watch and hope the play will end soon. Just occasionally -- it happened last night -- I enjoy myself so much that when the show ends I want to see it al…

SOURCE: John Morrison at 4:22pm on June 5, 2016

Has Emma Rice a future at Shakespeare's Globe? by John Morrison

If it ain't broke, don't fix it. That's clearly not the belief of Emma Rice, who took over with a bang as artistic director of Shakespeare's Globe last month. Her two very successful predece…

SOURCE: John Morrison at 8:15am on May 29, 2016

Blue/Orange by John Morrison

Joe Penhall's Blue/Orange is a play with more questions than answers. One of the reasons it has become a classic is because the audience leaves the theatre after two and a half hours still u…

SOURCE: John Morrison at 9:38am on May 18, 2016

After Independence by John Morrison

Thank heavens for a playwright who is prepared to wade into controversial issues but refuses to tell the audience what to think. May Sumbwanyambe's play, set in Zimbabwe in the late 1990s, h…

SOURCE: John Morrison at 12:26pm on May 10, 2016

The Flick by John Morrison

What would that grand master of the art of pauses Harold Pinter have made of this play? Annie Baker's extraordinary low-key drama, now playing a sellout run at the National Theatre's Dorfman…

SOURCE: John Morrison at 12:02am on May 8, 2016

Hamlet/The Complete Walk by John Morrison

President Obama and I both dropped in at Shakespeare's Globe this weekend. He watched a short extract from Hamlet while I stood as a groundling to see the whole performance on Saturday night…

SOURCE: John Morrison at 8:45pm on April 24, 2016

All That Fall by John Morrison

Over a decade ago I was at Wilton's Music Hall for the most fascinating production of Macbeth I have ever witnessed, a promenade production set in a war-torn African country and directed by …

SOURCE: John Morrison at 8:08pm on April 1, 2016

People, Places & Things by John Morrison

THIS REVIEW CONTAINS PLOT SPOILERS Denise Gough has won rave reviews for her central performance as a drug-and-booze-fuelled actress trying to detox in Duncan Macmillan's play, which first o…

SOURCE: John Morrison at 8:08pm on April 1, 2016

Les Blancs by John Morrison

Nobody who saw South African director Yael Farber's stunning version of Mies Julie or her Old Vic reinvention of The Crucible will be surprised to hear that her new production is an absolute…

SOURCE: John Morrison at 2:56pm on March 25, 2016

The Maids by John Morrison

Everbody has heard of the French writer Jean Genet, but his plays are still unfamiliar to many people, and that includes me. This makes this stunning version of The Maids (Les Bonnes), writt…

SOURCE: John Morrison at 7:19pm on March 4, 2016

Uncle Vanya at the Almeida by John Morrison

My heart sank when I read in the programme for this revival of Uncle Vanya that Tobias Menzies, the actor playing Dr Astrov, had a spent a day in the woods learning about forestry as prepara…

SOURCE: John Morrison at 1:13pm on February 16, 2016

Les Liaisons Dangereuses by John Morrison

I made a last-minute outing to the NTLive transmission of the Donmar's stunning revival of Christopher Hampton's play, based on a classic French novel from the late 18th century. Seduction a…

SOURCE: John Morrison at 9:54am on February 5, 2016

Ma Rainey's Black Bottom by John Morrison

August Wilson's 1984 Broadway hit was a landmark in American theatre, launching his career as the 20th century's leading black playwright. This new production on the National Theatre's Lytte…

SOURCE: John Morrison at 10:55am on January 29, 2016

The Homecoming by John Morrison

Here's your starter question. Which play by Harold Pinter features references to a cheese roll and a Humber Super Snipe? The answer, of course, is The Homecoming, a play revived by Jamie Llo…

SOURCE: John Morrison at 10:02am on January 27, 2016

here we go by John Morrison

I know people who couldn't be dragged by wild horses to a Caryl Churchill play. That's perfectly okay by me (I have my own list of playwrights whose work I really don't want to see again) bu…

SOURCE: John Morrison at 12:51pm on December 18, 2015

Little Eyolf by John Morrison

Nothing is ever certain to succeed in the theatre, though some plays and productions are certain to fail. But if you're consulting the form book, a production of an Ibsen play at the Almeida…

SOURCE: John Morrison at 8:49pm on November 27, 2015

Evening At The Talk House by John Morrison

Some plays are like dogs. They sniff around a series of lampposts but never actually raise their legs. So it is with Wallace Shawn's new play at the National Theatre. At 100 minutes, it is a…

SOURCE: John Morrison at 11:10am on November 20, 2015
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