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55 stories by "John Murphy"

Coriolanus review at Crucible Theatre, Sheffield " 'thrilling and timely' by John Murphy

In 2017, Robert Hastie announced himself as the new artistic director of Sheffield Theatres with his inaugural production " a thrilling version

SOURCE: The Stage Registration at 6:47am on March 11, 2020

Run Sister Run review at the Crucible Studio, Sheffield " 'ingeniously structured new writing' by John Murphy

It's the start of a new era for Paines Plough. Charlotte Bennett and Katie Posner took over last year as joint artistic

SOURCE: The Stage Registration at 7:56am on March 5, 2020

The Glee Club review at Cast, Doncaster " 'a tender exploration of male friendship' by John Murphy

Richard Cameron's The Glee Club was the first ever production at Doncaster's Cast theatre in 2013, so it seems an appropriate venue

SOURCE: The Stage Registration at 7:43am on March 4, 2020

The Turn of the Screw review at Grand Theatre, Leeds " 'exudes an air of menace' by John Murphy

Benjamin Britten's adaption of Henry James' novella The Turn of the Screw presents a number of challenges to any director, not least

SOURCE: The Stage Registration at 7:12am on February 17, 2020

The Marriage of Figaro review at Leeds Grand Theatre " 'joyous and witty' by John Murphy

Mozart's most famous opera has been staged so many times it's difficult to see how much freshness can be brought to a

SOURCE: The Stage Registration at 6:02am on February 3, 2020

Dr Korczak's Example review at Leeds Playhouse " 'timely revival of David Greig's play' by John Murphy

To coincide with International Holocaust Remembrance Day, James Brining revives his production of David Greig's 2001 short play, Doctor Korczak's Example. Brining's

SOURCE: The Stage Registration at 4:38am on January 30, 2020

Snow White and the Seven Dwarfs review at Alhambra Theatre, Bradford " 'Billy Pearce on especially entertaining form' by John Murphy

Billy Pearce is as much as a Bradford institution as curry houses and wool mills. Snow White and the Seven Dwarfs is

SOURCE: The Stage Registration at 1:10pm on December 19, 2019

Cinderella review at Cast Theatre, Doncaster " 'fun but formulaic' by John Murphy

Doncaster's Cast theatre's pantomime has always been a more modest, small-scale production, eschewing celebrity casting and gimmicks and this year's Cinderella is

SOURCE: The Stage Registration at 8:32am on December 16, 2019

The Wizard of Oz review at Leeds Playhouse " 'will inspire a whole new generation to fall in love with Oz' by John Murphy

It must be quite a challenge to stage something as iconic as The Wizard of Oz. How do you breathe new life

SOURCE: The Stage Registration at 11:24am on November 27, 2019

Jack and the Beanstalk review at Theatre Royal, Wakefield " 'fun but overlong traditional panto' by John Murphy

There can't be too many pantomimes that begin with a Hamilton parody, but that's exactly how Rhiannon Hannon's production of Jack and

SOURCE: The Stage Registration at 5:40am on November 27, 2019

My Mother Said I Never Should review at Crucible Studio, Sheffield " 'a creative staging' by John Murphy

Written in 1987 and performed many times since, Charlotte Keatley's play has never been staged in the way that Sheffield Theatres and

SOURCE: The Stage Registration at 10:42am on November 14, 2019

La Boheme review at Grand Theatre, Leeds " 'witty, poignant and enjoyable' by John Murphy

Before she helmed the global hit Mamma Mia!, Phyllida Lloyd began her career as an opera director with Opera North in 1991.

SOURCE: The Stage Registration at 10:13am on October 16, 2019

The Last King of Scotland review at Crucible Theatre, Sheffield " 'powerful, thought-provoking adaptation' by John Murphy

An eccentric leader sweeps to power, promising to put his countrymen first. His leadership is initially welcomed with dancing in the streets,

SOURCE: The Stage Registration at 10:55am on October 2, 2019

Reasons to Stay Alive review at Crucible Studio, Sheffield " 'handled with skill and sensitivity' by John Murphy

Just as there are 'unfilmable' novels, it's difficult to imagine how Matt Haig's Reasons to Stay Alive could be adapted for the

SOURCE: The Stage Registration at 5:56am on September 19, 2019

The Greek Passion review at Grand Theatre, Leeds " 'accessible and affecting' by John Murphy

Bohuslav Martinu's The Greek Passion may be more than 60 years old, but its contemporary relevance is stinging. The Czech composer's opera,

SOURCE: The Stage Registration at 4:57am on September 17, 2019

One Man, Two Guvnors review at Derby Theatre " 'gloriously daft and highly entertaining' by John Murphy

One Man, Two Guvnors may only be eight years old, but it feels like it's been around a lot longer. Since its

SOURCE: The Stage Registration at 7:49am on September 11, 2019

Swallows and Amazons review at Theatre Royal, York " 'witty and winsome score' by John Murphy

Helen Edmundson's musical adaptation of Arthur Ransome's classic children's novel Swallows and Amazons is proving to have quite a shelf life. Following

SOURCE: The Stage Registration at 11:35am on July 31, 2019

Life of Pi review at Crucible Theatre, Sheffield " 'pure theatrical magic' by John Murphy

It was hard to envisage how any theatremaker could possibly do justice to Yann Martel's Booker-winning multimillion-selling novel about a boy named

SOURCE: The Stage Registration at 5:59am on July 9, 2019

Be My Baby review at Leeds Playhouse " 'poignant and heartfelt performances' by John Murphy

Even though Amanda Whittington's play was written more than 20 years ago, and it's set in the mid-1960s, there's something eerily prescient

SOURCE: The Stage Registration at 8:50am on May 17, 2019

Around the World in 80 Days review at Leeds Playhouse " 'an irreverent and unashamedly silly adaptation' by John Murphy

Leeds Playhouse follows Amy Leach's intense, sprawling production of Hamlet with Toby Hulse's irreverent, pacy and unashamedly silly adaptation of Jules Verne's

SOURCE: The Stage Registration at 12:11pm on April 12, 2019

Standing at the Sky's Edge review at Crucible Theatre, Sheffield " 'a glorious musical tribute to an iconic Sheffield building' by John Murphy

Park Hill flats have stood over Sheffield for nearly 60 years, as much a part of the city's history as steel, snooker

SOURCE: The Stage Registration at 6:44am on March 21, 2019

Hamlet review at Leeds Playhouse " 'Tessa Parr is remarkable in inspired take on Shakespeare's classic tragedy' by John Murphy

It starts with a good-natured fencing battle. It ends with a slightly less good-natured fencing battle, with bodies strewn across the stage.

SOURCE: The Stage Registration at 5:34am on March 6, 2019

Hang review at Crucible Studio, Sheffield " 'a taut, intense revival' by John Murphy

Taio Lawson’s revival of Debbie Tucker Green’s 2015 play Hang is incredibly tense. The incessant hum of the air conditioning, the flickering

SOURCE: The Stage Registration at 7:27am on February 27, 2019

Random review at Leeds Playhouse " 'superbly performed' by John Murphy

7.37am. An alarm clock blares, a family stirs. It's the start of another day, in which children complain about their burnt porridge

SOURCE: The Stage Registration at 6:07am on February 11, 2019

Review: The Department of Distractions at Sheffield Crucible by John Murphy

...sorry, where were we? John Murphy reviews Third Angel's detective story about distraction and misdirection. The post Review: The Department of Distractions at Sheffield Crucible appeared …

SOURCE: exeuntmagazine.com at 6:11am on February 1, 2019
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