130 stories by "Joseph Pisano"
The mesmerizing Jodie Comer, making her Broadway debut in the Olivier Award-winning best new play after starring in the genre-subverting BBC show Killing Eve, portrays Tessa (for which Comer…
When it comes to modern adaptations of Shakespeare plays, many theatergoers tend to treat them like a test, mentally annotating plot and character correlations as if their high school Englis…
In addition to a surfeit of approximate rhymes, the score for Shucked includes a paean to corn and a reprise of the following ready-for-Hallmark advice: "maybe love is like a seed/a little s…
While Brown's tunefully varied score strives to historically situate the bigoted nightmare we're witnessing within the cultural context of the South's fabricated sense of nobility and victim…
When it comes to plot, characters, or often both, even the best theater tends to require a suspension of disbelief. Given that it's hardly a sucker's bet for indolent playwrights to pin thei…
Absurdist to an increasingly ho-hum degree, Szadkowski and Knox let their imaginations run amok with silly speculations about pre-double-homicide life in the Borden household that are punctu…
Writer/director Erica Schmidt's "Lucy" is a play struggling to find a point of view, or perhaps a point of view struggling to find a play. If the latter is true, then that narrative position…
Living in his "palatial" rent-controlled apartment on one of Manhattan's most stunning architectural stretches, Walter "Pops'' Washington (Stephen McKinley Henderson) is an aging man of agin…
And that's the agonizing tension in "Without You;" in his lyrical responses to Larson, Rapp is well aware that it's not a back-and-forth, that Larson can't say anything more than he has alre…
All of the above occurs prior to the intermission and, if "The Far Country" has a shortcoming, it's that the second half feels like a sequel to what came before rather than a continuation of…
Adopting the hokey framing device of a concert documentary, Kim turns the impending U.S. debut of a South Korean entertainment company's three hottest acts into a triptych of rigorously gend…
Still, rest assured, most of what Birbiglia says is funny, even for any fans well aware that Birbiglia is leading us somewhere that is not. Given the eponymous Hemingway allusion, the show's…
Ostensibly a comedy, or a tragi-comedy, or a dystopic mashup of "The Wizard of Oz" and "Field of Dreams," Diaz's play could possibly be enjoyed as a befuddling trifle if not for its serious …
"Walking with Ghosts" is a decidedly intimate experience, one that seems tailor-made for an off-Broadway theater like the Irish Rep. Price and his production team try to expand the show to B…
To be clear, the casting isn't colorblind; it's just casting, with director Miranda Cromwell delicately drawing out a different set of lived experiences from Miller's almost untouched words.…
Perhaps because of its prestigious accolade, or just undeniable merit, "Cost of Living" is the first of Majok's heartfelt efforts to make the journey from off-Broadway to on-Broadway in the …
Most poignantly, when Drew starts to wonder if maybe their son's survival has been the opposite of a blessing, Andrea expresses horror for a thought that, thanks to Pimentel's touchingly sub…
Several years after vacating its Broadway home, "Kinky Boots" has settled in to a cozier off-Broadway venue, Stage 42, at a presumed discount for theatergoers, albeit with a much smaller orc…
Originally broadcast on "Soul!," an early PBS program dedicated to showcasing Black arts and politics, Baldwin and Giovanni's one-on-one echoes contemporary concerns while also remaining dec…
An import from the Edinburgh Fringe Festival, "Islander" embraces that renowned international jamboree's artistry and experimentalism, most notably by forgoing musicians for sound looping ma…
The 1975 play "American Buffalo," now onstage at the Circle in the Square Theatre in a crackling revival, remains the quintessential Mamet experience, the one that should be seen to fully ap…
Unfortunately, while Wells (Nikki M. James) and Mary Church Terrell (Cassondra James), another renowned Black suffragist, occasionally pop up to offer intersectional insights, they mostly c…
Essentially, Mouron boils the story down to a couple lines about love and beauty, while eliding any sense of the loss, isolation, and dread that the novella also poetically conveys. Her litt…
Despite the familiar visual trappings--mic stand, performer-blinding stage lights, and a dull curtain backdrop--Edelman's deceptively free-flowing talents hew more towards the monologist Spa…
Director Ciarán O'Reilly confidently lets the clever cast explore their characters' profound complexities, which means forcing the audience to simply accept a few psychological contradict…
