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1,004 stories by "Judith Mackrell"

This week's new dance by Judith Mackrell

CandoCo | Flamenco FestivalCandoCo, On tourSince its launch in 1991, CandoCo has combined the talents of differently abled dancers and a repertory featuring some of the most interesting cho…

SOURCE: The Guardian at 1:00am on March 1, 2014

Cloud Gate Dance Theatre review " 'Lin Hwai-min's own song of the earth' by Judith Mackrell

Sadler's Wells, LondonTaiwanese rice fields might seem like too narrow a subject for a full-length dance work, but Lin Hwai-min gives it an elemental scopeBack in the 1970s, Lin Hwai-min eme…

SOURCE: The Guardian at 8:44am on February 28, 2014

Cloud Gate Dance Theatre review " 'Lin Hwai-min's own song of the earth' by Judith Mackrell

Sadler's Wells, LondonTaiwanese rice fields might seem like too narrow a subject for a full-length dance work, but Lin Hwai-min gives it an elemental scopeBack in the 1970s, Lin Hwai-min eme…

SOURCE: The Guardian at 8:44am on February 28, 2014

Ballet Black review " 'Arthur Pita's rollercoaster of weirdness' by Judith Mackrell

Linbury Studio theatre, LondonPita's rich retelling of A Midsummer Night's Dream is featured alongside fine commissions from Martin Lawrance and Christopher MarneyArthur Pita and a tutu ball…

SOURCE: The Guardian at 7:24am on February 27, 2014

Your move: Glorious Resolution! and whose is the best Spartacus? by Judith Mackrell

Readers look back on the highlights of the Place's season on emerging choreographersThe last edition of Your move featured the final batch of reviews from Resolution! and a list of the works…

SOURCE: The Guardian at 6:51am on February 27, 2014

This week's dance by Judith Mackrell

Ballet Black | Scottish Dance TheatreBallet Black, LondonSince it was launched in 2001, Ballet Black has developed an exceptionally ambitious repertory. Headlining the company's latest tripl…

SOURCE: The Guardian at 1:01am on February 22, 2014

Dance needs to stop festishising thin by Judith Mackrell

As Channel 4's Big Ballet shows, big is often better. But dance keeps struggling with unhealthy stereotypes and weighty issues' Gillian Lynne and Beryl Grey on how dancers should be pushed t…

SOURCE: The Guardian at 3:01am on February 20, 2014

Your move: Rag Days and Resolution! dance nights by Judith Mackrell

Are you keeping up with the emerging choreographers at the Place? Let us know what dance dates are in your diaryOn the last edition of Your move, choreographers Yolande Yorke-Edgell and 16-y…

SOURCE: The Guardian at 5:47am on February 14, 2014

The grandes dames debate: ballet is faster and harder for today's dancers by Judith Mackrell

Beryl Grey and Gillian Lynne say that dancers nowadays are too sheltered from risk but works such as Wayne McGregor's Tetractys prove otherwiseDuring last Saturday's matinee performance of W…

SOURCE: The Guardian at 5:57pm on February 12, 2014

Royal Ballet mixed bill " review by Judith Mackrell

Royal Opera House, LondonWayne McGregor's new meditation on classical music's master of mathematics is Bach by numbersWayne McGregor is one of the most intellectually curious of dance-makers…

SOURCE: The Guardian at 9:52am on February 10, 2014

Tanztheater Wuppertal Pina Bausch: 1980 " review by Judith Mackrell

Sadler's Wells, LondonPina Bausch's classic collage of dance, spoken monologue and theatrical vignette is shot through with sadness, but also delicious comedy' Performing Pina Bausch's 1980 …

SOURCE: The Guardian at 9:52am on February 9, 2014

This week's new dance by Judith Mackrell

Tanztheater Wuppertal Pina Bausch: 1980 | Luca Silvestrini's Protein: Border TalesTanztheater Wuppertal Pina Bausch: 1980, LondonWhen Pina Bausch's company first performed the brilliant, emo…

SOURCE: The Guardian at 1:00am on February 8, 2014

Drunk - review by Judith Mackrell

Bridewell theatre, LondonThere is a bubbly energy and sassy fizz to Drew McOnie's booze-soaked show. But you have to swallow a lot before the lines between modern dance and musical theatre b…

SOURCE: The Guardian at 9:26am on February 7, 2014

Ditch Swan Lake? The classic ballets that don't belong in the repertory by Judith Mackrell

Six artistic directors were asked which ballets are due a rest, which we should rescue and which are classics of the futureEveryone acknowledges that ballet is stuck with an intractable shor…

SOURCE: The Guardian at 7:29am on February 5, 2014

How lighting design and technology are transforming dance on stage by Judith Mackrell

Lighting designers used to be faceless backstage figures. Now the hottest choreographers can't work without them. Meet the new wave of trailblazersLucy Carter has strong feelings about the p…

SOURCE: The Guardian at 2:00pm on February 4, 2014

The Prince of the Pagodas " review by Judith Mackrell

The Lowry, SalfordDavid Bintley's choreography for Benjamin Britten's beautiful ballet score stumbles at key momentsIt's more than 50 years since Benjamin Britten composed his mysterious and…

SOURCE: The Guardian at 8:21am on February 3, 2014

This week's new dance by Judith Mackrell

Royal Ballet: Triple Bill | Birmingham Royal Ballet: Prince Of The PagodasRoyal Ballet: Triple Bill, LondonAfter Raven Girl, Wayne McGregor's controversial first attempt to create a narrativ…

SOURCE: The Guardian at 1:00am on February 1, 2014

Your move: ballet, Bausch and Olympic-standard swing dance by Judith Mackrell

From a Little Mermaid DVD to Resolution!, readers share what filled their dance diaries last week. What shows do you have booked for February?On last week's Your move, ID6404704 posted a lin…

SOURCE: The Guardian at 12:34pm on January 31, 2014

Men in Motion " review by Judith Mackrell

Coliseum, LondonIvan Putrov's male dance project can at times become a blur of homoerotic schmaltz, but at its best is very good indeedWhen Ivan Putrov launched his Men in Motion project two…

SOURCE: The Guardian at 8:36am on January 31, 2014

Boris Charmatz " review by Judith Mackrell

Sadler's Wells, London The young dancers show tremendous focus in a piece that is riotous, joyous and sinisterBoris Charmatz's work lies somewhere between dance, installation and conceptual …

SOURCE: The Guardian at 8:16am on January 30, 2014

National Dance awards honour Natalia Osipova and Rambert's Dane Hurst by Judith Mackrell

Winners' list includes Russell Maliphant, Christopher Wheeldon and Mikhailovsky Ballet. What do you make of the choices?The winners of this year's Critics' Circle National Dance awards were …

SOURCE: The Guardian at 10:29am on January 27, 2014

This week's new dance by Judith Mackrell

Boris Charmatz/Musée De La Danse: Enfant | Ivan Putrov's Men In MotionBoris Charmatz/Musée De La Danse: Enfant, LondonBoris Charmatz has been one of dance's most entertainingly subversive …

SOURCE: The Guardian at 1:00am on January 25, 2014

Your move: what dance shows are in your diary? by Judith Mackrell

The new Le Corsaire is a 'ballet to enjoy rather than think about', and young writers in the Resolution! mentoring programme weigh in on this year's new work' Read Judith Mackrell's review o…

SOURCE: The Guardian at 10:51am on January 24, 2014

Dance and photography: a magic alchemy by Judith Mackrell

Photo campaigns tell us a lot about the self-image of ballet companies: a new project at New York City Ballet is more artfulWhen ballet companies invite photographers in, there's often a rev…

SOURCE: The Guardian at 11:02am on January 23, 2014

Royal Ballet: Giselle " review by Judith Mackrell

Royal Opera House, LondonThe extraordinary Natalia Osipova's Giselle, taking drastic licence with the choreography, is a stunning interpretationNatalia Osipova has danced Giselle in London b…

SOURCE: The Guardian at 9:58am on January 19, 2014
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