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1,004 stories by "Judith Mackrell"

Shobana Jeyasingh " review by Judith Mackrell

Queen Elizabeth Hall, LondonShobana Jeyasingh's Strange Blooms marks an ambitious new phase for her with its botany-inspired choreographyBack in 1988, the premiere of Shobana Jeyasingh's Con…

SOURCE: The Guardian at 10:42am on December 4, 2013

Bolshoi ballet acid attack: where dance means life and death by Judith Mackrell

Judith Mackrell: Whatever your views about the outcome, this window onto the Bolshoi's feuds and in-fights has been absorbing – and disturbingJudith Mackrell

SOURCE: The Guardian at 8:34am on December 3, 2013

Mark Morris Dance Group: Programme B " review by Judith Mackrell

Morris's idiosyncratic celebration of the nonsense poet Ivor Cutler is a funny, savage and tender masterpieceIt's hard to imagine two more different works coming from the same choreographer.…

SOURCE: The Guardian at 8:26am on November 29, 2013

Everyday racism: how to be a black ballet dancer in a white world by Judith Mackrell

Michaela DePrince proudly declares herself a 'poppy among the daffodils', as Precious Adams reveals she was advised by a teacher to lighten her skinOne of the most extraordinary stories told…

SOURCE: The Guardian at 12:15pm on November 28, 2013

Mark Morris Dance Group " review by Judith Mackrell

Sadler's Wells, LondonShowcasing seven tightly choreographed dance works reveals the full intensity and imagination of Mark Morris's artistryMark Morris and his dancers haven't exactly been …

SOURCE: The Guardian at 8:18am on November 28, 2013

Choreography is dead. Long live dance by Judith Mackrell

Questions are being asked by dancers and dance-makers about the boundaries of the art form. Which is cause for excitementIt's nearly half a century since American choreographer Yvonne Rainer…

SOURCE: The Guardian at 7:57am on November 27, 2013

This week's new dance by Judith Mackrell

Michael Clark Company | Mark Morris Dance CompanyMichael Clark Company, LondonClark's recent dances have been evolving as "works in progress", with one production bridging into the next as t…

SOURCE: The Guardian at 1:00am on November 23, 2013

Royal Ballet: Romeo and Juliet " review by Judith Mackrell

Royal Opera House, LondonNatalia Osipova seizes the stage with her electrifying Juliet, while Carlos Acosta is a passionately responsive RomeoWhen it was announced in April that Natalia Osip…

SOURCE: The Guardian at 8:41am on November 22, 2013

Dance news: Russian ballet ructions and women choreographers by Judith Mackrell

This week's dance news: more goings-on at St Petersburg's Vaganova academy; and female choreographers on the move' The fortunes of St Petersburg's Vaganova Academy are still under passionate…

SOURCE: The Guardian at 8:24am on November 21, 2013

Phoenix Dance Theatre " review by Judith Mackrell

Royal Opera House, LondonThis wide-ranging show took flight with stellar live music and charged intimacy from the dancersWith so many reinventions during its 32 years, Phoenix must desp…

SOURCE: The Guardian at 12:37pm on November 20, 2013

Stuttgart Ballet: Made in Germany " review by Judith Mackrell

Sadler's Wells, LondonJohn Cranko's company has long been in the vanguard of new work, but 13 extracts makes for a scrappy experience, saved by some wonderfully articulate and strong dancers…

SOURCE: The Guardian at 6:44am on November 19, 2013

Just ad dance " how adverts got jiggy with it by Judith Mackrell

A new Baileys liqueur ad based on the ballet The Nutcraker is the latest in the advertising industry's love affair with danceReading on mobile? Click to viewDance is apparently the new darli…

SOURCE: The Guardian at 9:00am on November 18, 2013

This week's new dance by Judith Mackrell

Stuttgart Ballet | Phoenix Dance TheatreStuttgart Ballet, LondonStuttgart has always been one of the great centres of classical dance. But during the 20th century, artistic directors John …

SOURCE: The Guardian at 1:00am on November 16, 2013

Wim Vandekeybus: Booty Looting " review by Judith Mackrell

Queen Elizabeth Hall, LondonThe dancing seems an afterthought in this cacophonous and violent piece on art's recycling of ideas and the legend of MedeaIn the late 1980s, Wim Vandekeybus was …

SOURCE: The Guardian at 7:41am on November 13, 2013

Christmas on ice? Roll out the Olympic champions by Judith Mackrell

Amid the fluffy Nutcrackers and kingdoms of sweets this Christmas, there will be ice-dance shows of every calibre. Which is why it's worth reminding ourselves of some true expertsReading on …

SOURCE: The Guardian at 11:32am on November 12, 2013

Choreographer Mark Morris: 'I can be very scary' by Judith Mackrell

He may be nearing 60 but Mark Morris has no time for looking back. The great choreographer is too busy swearing, feuding " and creating dazzling dance. Judith Mackrell sees him in actionWith…

SOURCE: The Guardian at 2:00pm on November 11, 2013

This week's new dance by Judith Mackrell

Liang/Maliphant/Wheeldon | Royal Ballet Mixed BillLiang/Maliphant/Wheeldon, LondonClassical ballerina Yuan Yuan Tan and Taiwanese dancer Fang-Yi Sheu unite to stage this programme of stylish…

SOURCE: The Guardian at 1:00am on November 9, 2013

Winner's circle: The 2014 National Dance awards shortlist is announced by Judith Mackrell

The nominations are in for the 2014 National Dance awards, and it's an eclectic bunch. Have the critics got it right, or have some worthy candidates been left off the list?Votes have just be…

SOURCE: The Guardian at 7:34am on November 8, 2013

Richard Alston Dance Company/Britten Sinfonia " review by Judith Mackrell

Barbican, LondonAlston's Phaedra has emotional subtlety and vivid imagery, with Britten inspiring the choreographer to new expressivenessWhen Richard Alston began choreographing in 1968, his…

SOURCE: The Guardian at 11:31am on November 7, 2013

Earthfall: Chelsea Hotel " review by Judith Mackrell

Riverside Studios, LondonThis portrait of the cult New York hotel is far more than an homage to one buildingThe Chelsea Hotel has accumulated more history than almost any other building in N…

SOURCE: The Guardian at 8:08am on November 6, 2013

Sadler's Wells' new venue: a step in the right direction by Judith Mackrell

A new venue for London is great news for contemporary dance, as long as the Sadler's Wells brand doesn't take overSince Alistair Spalding became artistic director of London's Sadler's Wells …

SOURCE: The Guardian at 6:20am on November 6, 2013

National Dance Company Wales " review by Judith Mackrell

Linbury Studio theatre, LondonDiaghilev's Les Noces still has the power to disturb, in a programme inspired by future worlds and the Welsh countrysideIn the late 1980s, when Angelin Preljoca…

SOURCE: The Guardian at 7:26am on November 3, 2013

This week's new dance by Judith Mackrell

Barbican Britten: Phaedra | Sidi Larbi Cherkaoui: MilongaBarbican Britten: Phaedra, LondonRichard Alston has close creative affinities with Benjamin Britten, whose music has inspired two of …

SOURCE: The Guardian at 2:00am on November 2, 2013

Hofesh Shechter: Sun " review by Judith Mackrell

Sadler's Wells, LondonCourtly dancing in a pastoral setting turns to darkness and violence in Shechter's disturbing new pieceAt first sight, Hofesh Shechter's Sun appears to have been concei…

SOURCE: The Guardian at 8:30am on October 31, 2013

Room to move: why New York's Chelsea Hotel is being immortalised in dance by Judith Mackrell

The Chelsea Hotel has been woven into New York's bohemian fabric for more than a century, and now a new dance piece hymns the legend. Here its makers explain whyPatti Smith described it as "…

SOURCE: The Guardian at 3:00am on October 30, 2013
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