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1,004 stories by "Judith Mackrell"

Sergei Polunin: what's really going on? by Judith Mackrell

Despite claims that he's on the straight and narrow, the talented young dancer has quit a new show days before opening night. Is ballet culture itself to blame? Continue reading...

SOURCE: The Guardian at 10:29am on April 5, 2013

The Rite of Spring at Sadler's Wells: 'It takes you to so many places' by Judith Mackrell

Nijinsky set it in tunics, Pina Bausch as a brutal battle of the sexes " so just how do you dance to Stravinsky's most violent score? Judith Mackrell talks to Akram Khan, Javier de Frutos an…

SOURCE: The Guardian at 1:30pm on April 3, 2013

Mikhailovsky Ballet: Don Quixote review by Judith Mackrell

Coliseum, London Continue reading...

SOURCE: The Guardian at 8:11am on April 1, 2013

The best dance for spring 2013 by Judith Mackrell

Matthew Bourne relocates a 19th-century ballet to drug-fuelled Glasgow, Sadler's Wells celebrates the centenary of the Rite of Spring, and National Ballet of Canada returns to the UK Continu…

SOURCE: The Guardian at 2:00am on April 1, 2013

Rapunzel " review by Judith Mackrell

Sadler's Wells, LondonDance companies around the UK are waking up to the importance of the family audience. Yet in contrast to English National Ballet's My First Cinderella or Northern Balle…

SOURCE: The Guardian at 12:31pm on March 31, 2013

Mikhailovsky ballet " review by Judith Mackrell

Coliseum, LondonThe Mikhailovsky's Giselle is very old-school: charmingly staged and with carefully detailed mime that tells you everything you need to know about the plot. I don't know of a…

SOURCE: The Guardian at 2:20pm on March 27, 2013

Israel Galván " review by Judith Mackrell

Sadler's Wells, LondonAs a dancer, Israel Galván is touched by the kind of genius that puts him into a category of his own. The Seville-born flamenco artist throws out such a variety of r…

SOURCE: The Guardian at 2:11pm on March 26, 2013

The Mikhailovsky Ballet and a tale of two Giselles by Judith Mackrell

One romantic, the other demonic " the two very different Giselles danced by Olesya Novikova and Natalia Osipova make for a fascinating up-close comparison Continue reading...

SOURCE: The Guardian at 11:15am on March 25, 2013

The Mikhailovsky Ballet and a tale of two Giselles by Judith Mackrell

One romantic, the other demonic " the two very different Giselles danced by Olesya Novikova and Natalia Osipova make for a fascinating up-close comparisonReading this on mobile? Click here t…

SOURCE: The Guardian at 11:15am on March 25, 2013

BGroup: Just As We Are " review by Judith Mackrell

The Place, LondonHow do we watch dance? How do we become engaged with what's on stage? Choreographer Ben Wright makes a bold stab at answering those questions, attempting a work that co…

SOURCE: The Guardian at 12:35pm on March 19, 2013

Steven McRae " the ballet star who's a modern-day Fred Astaire by Judith Mackrell

He might be a soloist with the Royal Ballet, but McRae has a dark secret: he's also a genius at tap-danceReading this on mobile? Please click here to view videoChristopher Wheeldon's Alice i…

SOURCE: The Guardian at 8:26am on March 15, 2013

Russia's ballet wars: dancers in the dock by Judith Mackrell

Last week a Bolshoi dancer confessed to ordering a vicious attack on the company's director. His colleagues aren't convinced. Judith Mackrell reports from St Petersburg on the in-fighting an…

SOURCE: The Guardian at 3:30pm on March 13, 2013

Northern Ballet: The Great Gatsby " review by Judith Mackrell

Grand Theatre, LeedsStory ballets are the bread and butter of Northern Ballet's repertory, and it's easy to see why choreographer David Nixon was tempted by The Great Gatsby. The clothes, th…

SOURCE: The Guardian at 7:53am on March 6, 2013

Ballet Black review by Judith Mackrell

Linbury Studio theatre Continue reading...

SOURCE: The Guardian at 9:27am on March 1, 2013

Ballet Black " review by Judith Mackrell

Linbury Studio theatreBallet Black may struggle against an inexplicable lack of state funding, yet it continues to make a heroic investment in new choreography. This season its adventurous p…

SOURCE: The Guardian at 9:27am on March 1, 2013

Why English National Ballet's rebranding was a necessary step by Judith Mackrell

Goodbye tutus and tights, hello dancing demons " Tamara Rojo now leads a company with a new look and feel, and the critics are wrong to complainWhen Tamara Rojo took over English National Ba…

SOURCE: The Guardian at 2:30pm on February 27, 2013

Tanztheater Wuppertal " review by Judith Mackrell

Sadler's Wells, London"I'm young. My ears hear promise, my eyes see dreams …" The opening words of Azusa Seyama's monologue set the tone for Vollmond (Full Moon), one of the last works ev…

SOURCE: The Guardian at 7:00am on February 26, 2013

MoveTube: Pina Bausch's Bluebeard by Judith Mackrell

Bausch's riff on Bartók's murderous tale is a watershed moment " full of dark, poisonous themes that would increasingly obsess herWhen Pina Bausch died in 2009, no one knew whether her wo…

SOURCE: The Guardian at 11:19am on February 15, 2013

Tanztheater Wuppertal " review by Judith Mackrell

Sadler's WellsIf Oscars were awarded to dance actors, Dominique Mercy would surely have a shelf full of them by now. As an affable drunk with a leery wink and a lurching gait, a martyred spi…

SOURCE: The Guardian at 8:41am on February 15, 2013

Sylvie Guillem: 'I need to scare myself' by Judith Mackrell

At 47, Sylvie Guillem continues to defy the rules of ballet " and gravity. She talks to Judith Mackrell about her new work, losing her temper " and her fight to save the world's fishI am wai…

SOURCE: The Guardian at 1:00pm on February 10, 2013

Flow " review by Judith Mackrell

The Print Room, LondonHubert Essakow's multimedia dance work puts a new spin on immersive performance. Waterproof capes are handed out as we enter the tiny Print Room theatre, and by th…

SOURCE: The Guardian at 12:02pm on February 7, 2013

Companhia de Dança Deborah Colker: Tatyana " review by Judith Mackrell

Barbican, LondonTatyana is by far the most absorbing work Deborah Colker has made " with one qualification: you have to know the plot of Pushkin's Eugene Onegin, or at least pay for a progra…

SOURCE: The Guardian at 9:42am on February 1, 2013

Can Benjamin Millepied walk the walk at the Paris Opera Ballet? by Judith Mackrell

He's never run a major company, and his chief claim to fame is Black Swan. Can Millepied cut it at one of the world's most famous dance troupes?The Paris Opera Ballet is only a Eurostar ride…

SOURCE: The Guardian at 12:51pm on January 25, 2013

The Old King " review by Judith Mackrell

Linbury Studio, LondonWriters have a thousand ways of portraying end-of-the-world angst: Shakespeare's Lear ranting into the storm; Beckett's Winnie, chatting blithely into the void. For dan…

SOURCE: The Guardian at 12:40pm on January 25, 2013

BalletBoyz: The Talent " review by Judith Mackrell

Watford Palace theatreBalletBoyz: The Talent started out as a project to offer new professional experiences to young male dancers. Over the last two years it has been a pleasure to watch the…

SOURCE: The Guardian at 6:49am on January 20, 2013
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