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1,004 stories by "Judith Mackrell"

Sleeping Beauty " review by Judith Mackrell

Coliseum, LondonWhen, in 1950, Alicia Markova founded what would become English National Ballet, she not only ran the company, but was also its lead ballerina. So there's nothing new in Tama…

SOURCE: The Guardian at 7:52am on January 11, 2013

The Talent: ballet boys who are stepping beyond the stereotypes by Judith Mackrell

Rich with emotional subtleties, this apprentice ensemble launched by BalletBoyz Michael Nunn and William Trevitt bring energy and delicacy to the world of male dancingReading on a mobile? Wa…

SOURCE: The Guardian at 11:31am on January 7, 2013

Marcel Duchamp's gift to New York by Judith Mackrell

At the tail end of the 1960s, four giants of the New York avant-garde fell under the spell of the great French artist Marcel Duchamp. The results caused shockwaves. In the runup to a new Bar…

SOURCE: The Guardian at 12:59pm on January 6, 2013

Matthew Bourne's Sleeping Beauty " review by Judith Mackrell

Sadlers Wells, LondonMatthew Bourne has already branded his imagination on two of the great Tchaikovsky ballets, reinventing a dark, Dickensian Nutcracker and a feral Swan Lake. But in tackl…

SOURCE: The Guardian at 7:25pm on December 7, 2012

The Royal Ballet " review by Judith Mackrell

Royal Opera House, LondonKenneth MacMillan's career-long mission to push ballet into new and often difficult terrain was reflected in the range of music he used and in the unpredictable stor…

SOURCE: The Guardian at 11:30am on November 18, 2012

Alias: Sideways Rain " review by Judith Mackrell

Sadler's Wells, LondonGuilherme Botelho, choreographer and director of Alias, has admitted to being a "keen runner and a big fan of Charles Darwin", and it is clear that both enthusiasms hav…

SOURCE: The Guardian at 12:01pm on November 16, 2012

Yorke Dance Project " review by Judith Mackrell

Lilian Baylis TheatreYolande Yorke-Edgell runs her small modern dance company in a distinctly different style from the current mainstream. It is her own choreography that opens and…

SOURCE: The Guardian at 12:55pm on November 15, 2012

MoveTube: the terrific Tommy Franzén " a National Dance awards shoo-in? | Judith Mackrell by Judith Mackrell

With his quicksilver fluency and remarkable range " from B-boy dance to balletic grace " the former So You Think You Can Dance runner-up deserves to win this timeLast week, the nominations w…

SOURCE: The Guardian at 4:59am on November 14, 2012

Jasmin Vardimon Company: Freedom " review by Judith Mackrell

Sadler's Wells, LondonPina Bausch's influence on contemporary dance theatre has always been a given. But in the wake of this summer's intensive Bausch season, we're more than usually attuned…

SOURCE: The Guardian at 1:30pm on November 13, 2012

Vincent Dance theatre: Motherland " review by Judith Mackrell

The Place, LondonCharlotte Vincent's new work about physical and sexual politics revolves around the anxious, quizzical presence of a 12-year-old girl. As Leah Yeger observes the behaviour o…

SOURCE: The Guardian at 12:00pm on November 11, 2012

This week's new dance by Judith Mackrell

Batsheva Ensemble: Deca Dance | Wayne McGregor: FARBatsheva Ensemble: Deca Dance, BirminghamBatsheva has become one of the world's most effective nurseries for new talent. For its UK debut t…

SOURCE: The Guardian at 7:06pm on November 9, 2012

Michael Clark Company " review by Judith Mackrell

Barbican, LondonDoes it matter that Michael Clark's latest work has no real title? Probably not, as his choreography tends to be one long work in progress. This latest piece, with music by S…

SOURCE: The Guardian at 4:00pm on October 18, 2012

Wendy Houstoun " review by Judith Mackrell

Platform, LondonOn one level, 50 Acts is Wendy Houstoun's personal contribution to the voice of grumpy middle-age. From the frustrations of an unreliable memory to the aggravation of a world…

SOURCE: The Guardian at 11:34am on October 14, 2012

Cedar Lake ballet's great leap forward by Judith Mackrell

From its work with film star Emily Blunt to its super-wealthy founder, few contemporary dance companies enjoy more success than New York's Cedar Lake or attract more controversy Continue re…

SOURCE: The Guardian at 12:04pm on October 9, 2012

Sasha Waltz & Guests: Continu " review by Judith Mackrell

Sadler's Wells, LondonSasha Waltz has orchestrated some of the most extraordinary spectacles on the modern dance stage: the giant fish tank that housed her floating, spinning dancers in Dido…

SOURCE: The Guardian at 1:13pm on October 1, 2012

San Francisco Ballet Programme 1 " review by Judith Mackrell

Sadler's Wells, LondonSan Francisco Ballet are one of the world's most generous and resourceful promoters of new work. But by opening their (long overdue) UK season with a classic …

SOURCE: The Guardian at 10:40am on September 16, 2012

Ballet Preljocaj " Edinburgh festival review by Judith Mackrell

PlayhouseAnd Then, One Thousand Years of Peace is a huge, ambitious monolith of a work. First created by Angelin Preljocaj for the Bolshoi Ballet in 2010, it takes inspiration from the visio…

SOURCE: The Guardian at 11:57am on August 19, 2012

Flash Mob " Edinburgh festival review by Judith Mackrell

Assembly HallBritain has apparently become a nation of dancers, or at least a nation addicted to TV dance shows. The finale of this short, entertaining production sees the entire audience ge…

SOURCE: The Guardian at 10:31am on August 17, 2012

How Twitter transformed dance by Judith Mackrell

Dance companies have embraced social media like few others arts organisations " and even the founder of Twitter is a ballet fan. Judith Mackrell visits San Francisco Ballet to find out what …

SOURCE: The Guardian at 1:29pm on July 31, 2012

Rouge " review by Judith Mackrell

Purcell Room, LondonLearning a craft depends on skills passed down through the bodies and memories of others " and at first sight, this Cambodian circus show is simply an innocent celebratio…

SOURCE: The Guardian at 7:38am on July 26, 2012

MoveTube: A foxy farewell to the Royal Ballet's Monica Mason by Judith Mackrell

Lean, linear and unashamedly sexy, with a gaze like a 'young Joan Crawford' ... Watch the Royal Ballet's outgoing director, who joined as a dancer in 1958, in actionReading this on a mobile?…

SOURCE: The Guardian at 9:36am on July 18, 2012

Metamorphosis Titian 2012 " review by Judith Mackrell

Royal Opera HouseThe second half of Monica Mason's tenure as director of the Royal Ballet has been invigorated by a rare concentration of ballet making, with no less than seven choreographer…

SOURCE: The Guardian at 1:37pm on July 15, 2012

Matthew Bourne's Play Without Words " review by Judith Mackrell

Sadler's Wells, LondonWhen Play Without Words was premiered back in 2002, it raised British dance theatre to a new pitch of sophistication. A study of sex and class in early 1960s London, it…

SOURCE: The Guardian at 1:00pm on July 15, 2012

Tanztheater Wuppertal: Wiesenland " review by Judith Mackrell

Sadler's Wells, LondonThe Pina Bausch world tour has steamed into its final destination, Hungary; and out of all the travelogue works we've seen, Wiesenland is surely the one most likely to …

SOURCE: The Guardian at 1:59pm on July 9, 2012

Pina Bausch's World Cities " what's the verdict? by Judith Mackrell

With London audiences having had an unprecedented chance to see 10 of her pieces side-by-side, Pina Bausch's surreal, seductive world has divided opinion. I found the journey revelatory " di…

SOURCE: The Guardian at 1:30pm on July 8, 2012
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