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1,004 stories by "Judith Mackrell"

MoveTube: Mark Morris is a Dido to die for by Judith Mackrell

Dancer Mark Morris doesn't miss a beat in his 1989 production of Dido and Aeneas " combining masculinity, femininity and musicality in one astonishing performanceDido and Aeneas is one of th…

SOURCE: The Guardian at 11:01am on February 16, 2012

Earthfall " review by Judith Mackrell

Riverside Studios, LondonLove flourishes in a cold, wet climate in Earthfall's adaptation, first seen in 2005, of Jamie O'Neill's novel At Swim, Two Boys. The original story concerns two you…

SOURCE: The Guardian at 12:45pm on February 13, 2012

Judith Mackrell on star-rating reviews by Judith Mackrell

Who do I write for: dancers or audiences?A disturbing but fascinating precedent was set last June, when the New York magazine Village Voice "let go" of its distinguished critic Deborah Jowit…

SOURCE: The Guardian at 5:25pm on February 12, 2012

Richard Alston Dance Company " review by Judith Mackrell

Marlowe, CanterburyDuring the first minutes of Alston's latest work, it takes a serious effort of will to focus on the dance. At the back of the stage are 19 boys from Canterbury Cathedral c…

SOURCE: The Guardian at 1:15pm on February 10, 2012

Jealousy - review by Judith Mackrell

The Print Room, LondonMost literary adaptations set choreographers the tough challenge of reducing a complex story to a danceable structure, but with Jealousy there's no such problem. Alain …

SOURCE: The Guardian at 12:39pm on February 9, 2012

The light fantastic? Ballet dancers and anorexia by Judith Mackrell

A ballerina who accused La Scala of promoting anorexia has been sacked. There's more to this weighty issue than meets the eye, says Judith MackrellIn recent weeks, it seems that ballet has b…

SOURCE: The Guardian at 5:00pm on February 6, 2012

The Rodin Project - review by Judith Mackrell

Sadler's Wells, LondonBy making Rodin's drawings and sculptures the starting point of his new work, Russell Maliphant has provided himself with the richest possible choreographic source. Rod…

SOURCE: The Guardian at 12:30pm on February 6, 2012

What's really behind Sergei Polunin's Royal Ballet emergency exit? by Judith Mackrell

The Ukranian prodigy's resignation has shocked the ballet world " but the clues were there that something wasn't right Continue reading...

SOURCE: The Guardian at 11:24am on January 26, 2012

Caravaggio: Exile and Death " review by Judith Mackrell

The Place, LondonCaravaggio painted pictures of obsessive, luminous perfection, and lived a life of notorious excess: both visually and dramatically, the world of this 17th-century artist ou…

SOURCE: The Guardian at 12:50pm on November 13, 2011

Manon " review by Judith Mackrell

Royal Opera House, LondonLauren Cuthbertson and Sergei Polunin have been spoken of as promising stage partners ever since they appeared together in Christopher Wheeldon's Alice. But while th…

SOURCE: The Guardian at 2:00pm on November 9, 2011

Can We Talk About This? " review by Judith Mackrell

West Yorkshire Playhouse, Leeds"Who here feels morally superior to the Taliban?" asks a dancer, gazing at the audience as his body straightens out of a twisted, skewed arabesque.Lloyd N…

SOURCE: The Guardian at 1:24pm on November 4, 2011

Lauren Cuthbertson's true grit by Judith Mackrell

Lauren Cuthbertson fought to ballet's front rank " and kept her sense of humour. Now she's dancing one of its most challenging roles: ManonThere's a story often told about Lauren Cuthbertson…

SOURCE: The Guardian at 5:31pm on October 30, 2011

Some Like It Hip Hop " review by Judith Mackrell

Peacock, LondonIf there was any doubt that hip-hop had finally grown out of the street and into the theatre, then Kate Prince's new production dispels it. Technically, Some Like It Hip …

SOURCE: The Guardian at 2:00pm on October 26, 2011

Rian " review by Judith Mackrell

Sadler's Wells, LondonMichael Keegan-Dolan has choreographed strange and affecting narratives for his company, Fabulous Beast " but his latest production starts not with a story but with mus…

SOURCE: The Guardian at 2:20pm on October 25, 2011

Birmingham Royal Ballet " review by Judith Mackrell

Sadler's Wells, LondonBRB's current triple bill focuses on a short and peculiarly British moment in ballet history, a time when choreographers in London were creating work unlike any other d…

SOURCE: The Guardian at 1:15pm on October 20, 2011

Lucinda Childs Dance Company: DANCE " review by Judith Mackrell

Barbican, LondonLucinda Childs's DANCE was created 32 years ago, and watching its revival now is to see it as one of the blindingly seminal collaborations of its era. Childs, commissioning h…

SOURCE: The Guardian at 1:20pm on October 19, 2011

Beijing Dance Theatre " review by Judith Mackrell

Sadler's Wells, LondonWhen Wang Yuanyuan was resident choreographer of the National Ballet of China, she earned her place in Chinese dance history through her work on the internationally suc…

SOURCE: The Guardian at 1:29pm on October 14, 2011

Armitage Gone! Dance " review by Judith Mackrell

Queen Elizabeth Hall, LondonWhen Karole Armitage created Drastic Classicism back in 1981, she harnessed a new rock'n'roll energy for ballet. Guitarists and a drummer thrashed out brutal musi…

SOURCE: The Guardian at 8:34am on October 13, 2011

Royal Ballet " review by Judith Mackrell

Royal Opera House, LondonThree of the Royal Ballet's most seminal choreographers combine in this current triple bill to offer three very contrasting perspectives on death and transfiguration…

SOURCE: The Guardian at 2:00pm on October 10, 2011

The Merce Cunningham Dance Company is gone " but not forgotten by Judith Mackrell

Now his troupe have performed in Britain for the last time, it seems the late choreographer's spirit is finally dispersing. Yet it's far from lostOn Saturday night a packed Barbican theatre …

SOURCE: The Guardian at 12:08pm on October 10, 2011

Merce Cunningham Dance Company: Roaratorio " review by Judith Mackrell

Barbican, LondonJohn Cage's score for Roaratorio (1983) comes with the subtitle An Irish Circus on Finnegans Wake. And the last time he and the Cunningham company performed this work in Brit…

SOURCE: The Guardian at 2:00pm on October 7, 2011

Merce Cunningham Dance Company " review by Judith Mackrell

Barbican, LondonIt was hard to watch the Cunningham company after Merce's death in 2009, knowing his benignly smiling figure would be absent from the curtain call. It's twice as hard now tha…

SOURCE: The Guardian at 1:27pm on October 6, 2011

Jerome Bel " review by Judith Mackrell

Linbury Studio, LondonJérôme Bel is a choreographer dedicated to turning the concepts of dance and performance inside out. He's created works that are more like art installations than da…

SOURCE: The Guardian at 7:21am on October 4, 2011

La La La Human Steps " review by Judith Mackrell

Sadler's Wells, LondonPurcell's Dido & Aeneas and Gluck's Orpheus & Eurydice must be the most choreographed operas in the repertory. Their buoyant, punchy baroque rhythms, and the simple arc…

SOURCE: The Guardian at 1:11pm on September 29, 2011

Lucinda Childs: top five dance clips by Judith Mackrell

Judith Mackrell chooses her favourite videos of legendary choreographer Lucinda Childs " from her collaborations with Philip Glass to a tribute to the great Merce CunninghamThis Einstein on …

SOURCE: The Guardian at 4:54am on September 29, 2011
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